AP: Robert Caro writes, and waits, during the COVID-19 outbreak

Robert Caro

When This Thing We Are Going Through Got Serious, this was my 10th Thought of 10 🙂 ! LOL! So yes, it looks right now we will get our volume 5 after all…. 🙂 He has talked about this Viet Nam trip FOREVER! LMAO!

[Interrupting this article’s start with an AUGUST 4th, 2021 UPDATE From January.]

NEW YORK (AP) — On most days since the coronavirus spread through Manhattan, Robert Caro has held to a familiar routine. He rises early, walks to his office down the street, spends hours on the fifth and final volume of his Lyndon Johnson biography and enjoys a late-day stroll in Central Park with his wife, Ina, both of them wearing protective masks.

“The park is sort of beautiful without people in it,” he said during a recent telephone interview with The Associated Press.

The 84-year-old Caro jokes that he has a long history, like many writers, of social distancing. But the pandemic has touched him personally and professionally. A close friend, the author and actress Patricia Bosworth, died last month from the virus. Spring is usually a prime season in New York for literary events, but all have been canceled and the Caros are staying in their apartment when possible, letting one of their children bring them groceries.

The historian had been hoping to visit Vietnam in March as part of his research for his Johnson book, but postponed the trip. He needs to looks through some papers in the Johnson presidential library in Austin, Texas, but is resigned to waiting indefinitely. “That’s a great frustration,” he acknowledged.

Meanwhile, he is so immersed in one section of the last Johnson volume, set during 1967, that he is not leaving for his more rural and presumably safer home on Long Island until he’s done. The section, he says, “is as long as many books,” a description his many readers would find easy to believe.

Caro began the Johnson books in the mid-1970s, around the time he turned 40. He has completed four volumes, totaling more than 3,000 pages, and has outlived many of his key sources. He was loathed by some Johnson loyalists for his second book in the series, “Means of Ascent,” which presented Johnson as a boorish man and a singularly ruthless and unprincipled politician. But the mood shifted after Vol. III, “Master of the Senate,” published in 2002 and a defining chronicle of Johnson’s legislative genius that politicians today still study.

His most recent book, “The Passage of Power,” came out eight years ago this month. Its story ended in mid-1964, with Johnson on the verge of passing an extraordinary run of legislation that had many celebrating him as a fulfiller — and even exceeder — of the hopes and vision of the assassinated John F. Kennedy.

But by 1967, when Joan Didion wrote “the center was not holding,” the country and Johnson’s presidency were unraveling. Riots devastated Detroit and Newark, New Jersey, among other cities; hundreds of thousands of troops were in Vietnam; inflation was taking hold and Congress was resisting continued funding for his Great Society domestic programs.

“He’s in a moment of crisis,” Caro says. “I’m trying to show in this section of this book what it’s like to be president of the United States when everything is going wrong.”

According to Caro’s publisher, Alfred A. Knopf, no book receives more inquiries about its completion than the last Johnson volume, even though anyone with a long memory, a love for history or access to Wikipedia knows how his life turns out. The escalation of the Vietnam War, and the failure to win in it or reach a negotiated settlement, drove Johnson to announce in March 1968 that he would not seek re-election. He lived just four years after leaving the White House, dying of a heart attack in January 1973, at age 64.

“As great as his (Caro’s) earlier books have been, this is the culmination, the one many of us have been waiting for,” the journalist-historian David Maraniss, whose books include a prize-winning work on 1967, “They Marched Into Sunlight,” wrote in an email to the AP. “Everything that came before leads to these years, all of LBJ’s work and all of Caro’s amazing reconstruction and assessment, when the world explodes at home and overseas and Johnson struggles with his powers, his beliefs, and his soul.

The highlights of Johnson’s career are well chronicled, but Caro’s books stand out for the moments when he pauses the narrative and explores in depth how government works — whether the passage of the 1957 Civil Rights Bills that Johnson shepherded while Senate Majority Leader, or his first days as president, when Kennedy’s death instantaneously transformed Johnson from a depressed and endangered vice president to the world’s most powerful man.

“Bob has an unusually devoted following among readers because he has a powerful narrative voice that lends high drama to everything that he describes,” fellow historian Ron Chernow wrote in an email to the AP. “Those who don’t read biography imagine that great length is a deterrent. But genuine readers of biography crave stories on an epic scale and that Bob always delivers reliably and brilliantly.”

In the new book, Caro plans a takeout on what it was like to be elderly before the passage, in 1965, of Medicare. Talking about his section on 1967, he explains that Johnson had once been confident that the country could fight wars both home and abroad — defeat the North Vietnamese overseas and conquer poverty in the United States.

By 1967, “he’s found out that he’s wrong, although he doesn’t admit that he’s wrong,” Caro said.

When asked, inevitably, how soon he will be done with Vol. 5, Caro declines to say directly and give what he calls his standard answer: “It doesn’t matter how long a book takes, what matters is how long a book lasts.” He has received virtually every literary prize, but he savors more private and unexpected tributes, like seeing a young person carrying a copy of one of his books. He then speaks of a recent letter, sent to his literary agent by the fiancee of a judge dying of cancer, that compelled him to respond.

“The fiancee wrote this beautiful letter, saying that my books meant a great deal to him, and that a letter would mean a lot to him,” Caro says. “So I spent a couple of hours composing a letter. I try to answer handwritten letters and I’ve been getting more of them since the pandemic. I used to get mostly emails. Handwritten letters had almost stopped.”

 

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2024 UPDATE, COURTESY OF NEW YORK MAGAZINE: https://www.curbed.com/article/robert-caro-power-broker-lyndon-johnson-book-interview.html?ueid=c2b53ead44f69c1caddbc60036220e6e&utm_source=Sailthru&utm_medium=email&utm_campaign=One%20Great%20Story%20-%20September%2011,%202024&utm_term=Subscription%20List%20-%20One%20Great%20Story

My Latest, On Lerone Bennett, Jr. and Ebony,……

……can be found here.

One Of The Books I Am Waiting For In 2020

If God and the Ancestors are willing, I will be reviewing this book for imixwhatilike.org at some point next year. I have been a devotee of Lerone Bennett Jr. for a long time!

139-Word Review of “Spider-Man: Far From Home” [SPOILER-FREE]

“Spider-Man 2” from 2004 (the powerfully ballooned version of “Spider-Man,” vol. 1, no. 50, “Spider-Man No More”) is this writer’s gold standard of “Spider-Man” films. Although “Spider-Man: Far From Home” was extremely effective, it didn’t reach that mark. It got real close, though. Then came the first post-credit sequence. That mere two minutes blew theater-goers’ minds and blew “Home” into “Spider-Man 2” territory. It was so shocking that the film’s second post-credit sequence, a somewhat surprising one to a Marvel (Comics) Zombie and completely perplexing if one is just a Marvel movie fan, almost fell flat. Which is quite an accomplishment for Marvel, a studio that, before this film, was criticized for making movies with plots that don’t move characters forward, action without real stakes and filled with heroes who face no consequences. No more, indeed. Wow, wow, wow.

My Latest Book Review, About Mumia Abu-Jamal’s Second In His American Empire Book Trilogy,…..

…..is here.

 

256-Word Review of “X-Men: Dark Phoenix” [SPOILERS]

How do you mess up the same story twice? How do you make arguably the best X-Men story ever into mediocre entertainment 13 years after the same producers/writers/directors did it the first time? Simple: throw the comicbook story away because, like Batman-movie-killer Joel T. Schumacher or, even better, Zack Snyder, who seemingly thought every DC movie was some sort of “Watchmen” prequel, you think your vision is more important. There’s a reason this film has been correctly savaged: after almost 20 years, critics and fans are tired of this version of the X-Men, and they are waiting for Kevin Feige to take over. Because when he does, Cyclops, Storm and Jean will stop being supporting characters to J-Law (why even bother calling her Mystique when she does nothing? To be honest, I almost cheered when Jean killed her; she should have died at least one movie ago), Michael Fassbender (Dude, change your mind about James Bond, and do one film!), and James McAvoy. The “Dark Phoenix” story is simple to adapt, as either of these X-Men animated series can show you: Jean goes out of control, and each individual X-Man(/Woman) has to search his or her conscience how to handle it. But that would require each X-Man to be a fully developed character we would actually care about. (Quiz: Who plays Storm? You don’t know, right? See??? 🙂 ) And so one of the classic 20th century superhero stories will never get its proper due.  So when does “Spider-Man: Far From Home” come out again?

71-Word Review of “Avengers: Endgame”

This epic is many things, among them a meditation of how powerful love, honor, duty and friendship can be, if among the right group of people. An extraordinary end–and make no mistake, it is an ending! Deserves its place among the greatest superhero films ever made, even if detractors will correctly point out that it’s the sequel to 21 films, one that mined all its predecessors to create a perfect-hits collection.