It’s unfortunate that the tension between 1990s superhero-film cheesiness and 2022 superhero-film coolness makes this effort implode. A post-COP27 viewing allowed more sensitivity to how Egyptians oppress themselves with the West’s help. Too bad the film quickly traded in that theme for a third-act battle with a Hellboy knockoff and some fake AMC Walkers. God bless his soul, Pierce Brosnan, 30 years distant from the start of his ’90s James Bond, elevated Black Adam when he could (with fine assists from Aldis Hodge) but couldn’t save it. It’s not hard to see why few wanted a piece of this Rock.
Lana(finding out that Clark is Superman and talking about how he took his sweet time coming back to Smallville after he abandoned her to find his way to the cape): Did you ever love me?
Clark: Oh, Lana, of course I did.
Lana: (PAUSE) Just not enough.
I was determined to hate this show when it premiered and initially I was successful. A Superman TV narrative without Metropolis, The Daily Planet, etc.? A re-tread of Smallville? Superman with a brother? No. This ain’t the Thor movies.
But almost two full seasons in and after me pretty much memorizing Season 1, it’s clear this is the best Superman TV show ever. And that’s not easy, since there’s 70 years’ worth of truth-justice-American-way-TV to evaluate (including the very-good, just canceled homage show Naomi). The message of this well-written, well-photographed show–if you don’t take care of your family, every part of it, and do the hard work of sustaining that care every day, your family and you will fall apart–is clearly articulated by its expert use of nearly 100 years of Superman lore.
Lana will heal because she’s not jealous of Lois; she has her own beautiful and loving family to fix. And that’s the point of this show. Everyone’s busy keeping their family foundation solid. It be hard.
The best compliment I can give this show is that the only Marvel TV shows I ever put on loop are Disney+’s WandaVision followed by Daredevil. So for the CW’s Superman and Lois, a proud and strong DC product, to join that ranking is fantastic.
The show’s first season begins with the death of a mother and ends with the burial of a father, with the middle filled in with what family members create. A very radical combo of Man of Steel, Smallville and Lois and Clark merges with the last 30 years of Superman comics into a meditation on the sustaining of the family unit from primarily two sources–the Kents and the Cushings (Lana Lang’s brood). The finale teaser for Season 2 shows the reconstitution of a third as a result of, appropriately, a rocket landing at the Kent farm. The CW-ish, almost-emerging-adult inside shows that the family dynamics have just begun to shift, with Lois being given one hell of a personal retcon of sorts and the boys gaining a sister (pun intended). Having Superman go to a mental-emotional space where he has to prioritize the world most important to him at the moment will continue to make him not only relevant, but even a more permanent part of American folklore.
If you think “Man of Steel” made all the right decisions, then you will think this is pretty good–unless you pay attention to the plot, script and acting. However, Ben Affleck nails Batman and Bruce Wayne!
Steve Rogers leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain.
WOW!!!! MAY 6th!!!!!!! Just 364 days left!!!!!!! 😉