And So The Professor Shows His Age: Some Unorganized, Unresearched Thoughts About 2021 (and Beyond) Black Media

So much has changed in the 20 years since I wrote about now-known-as “legacy media” Black Entertainment Television, Radio One, 1190 WLIB-AM and WABC-TV’s Like It Is! Turns out the “new Black media” I ballayhooed in my very-flawed doctoral dissertation back then was waaaay premature! Nowadays, my study seems more like the “last Black mass media” story, not a “new media” story. After all, the Web was under 10 years old when I graduated and Web 2.0 was just on the horizon.

(The jury might still be out on whether my promoted ideological perspective [Black media has two prongs: it fights white hegemony and reinforces Black/African spirituality] and formula have current value, but since individuals can do what they want to do now, based on their own (grounded) theories and phenemological-based values, those might be equally obselete. Shhh! Don’t tell my Seton Hall University “Mass Media and Minorities” students this! LOL! )

From my vantage point, the de-massified media world we live in now comes from a combo of cheap-to-free tech, increased corporate hegemony and, frankly, the need and want of individual or collective championing or branding, depending on ones’ perspective and/or agenda. The three factors combined can be admittedly dangerous, but I wanna see the content first before I judge.

(Between the development of these new digital networks, and the great series and book on the digital transformations of Black journalism, all happening within the last two years, I definitely feel like a scholarly and journalistic dinosaur. And perhaps that description’s accurate: Hell, my professional 2021-onward goal is still to write something as good as Gay Talese’s now 55-year-old Esquire narrative classic “Frank Sinatra Has a Cold” or James Baldwin’s 60-year-old Harper’s feature “The Dangerous Road Before Martin Luther King,” articles only a little older than me! That shows you where I’m at! LOL!)

The loose, unresearched chronology I have seen and now see: 

1970-1980s: Black people created grassroots and/or national newspapers and syndicated print columns in Black newspapers, public-affairs shows and syndicated radio commentaries (and BET, which, it can be argued, comes out of both Black radio’s tradition and its white hegemonic corporate conglomeration, beginning roughly in the mid-1970s).

1980s-1990s: Black people created a) print magazines, then b) syndicated radio shows, then c) websites.

2000-present: Black people attempted all of the above, and then added radio and TV networks (Cathy Hughes’ TV One being the most prominent). Then website TV and podcasting, micro-blogging (FB and Twitter), social media TV and podcasting, and now, thanks to YouTube’s and now Zoom’s, and Crowdcast’s, etc., tested viability, the new era (and this time I think I’m right :)) of Black people creating their own BETs!


In my view, this chronology exists because of two reasons: the tech to produce and distribute became cheap or free and corporate America stepping to get every market they can.


It’s a golden era, really. As long as everything is archived and everyone is to the left of Larry Elder ;), I’m fine with it!

Asante Sana, Dr. Julia (“Judy”) Miller and Glen Ford

The Male Principle and The Female Principle, grit and fierceness inner and outward.

Coming out of the 1960s into the 1970s, both pioneers filled with revolutionary consciousness, both using work to create new space for words to propel The Race forward.

One celebrated for her expansive heart, the other celebrated for his sharp machete.

Personal versus/and ideological.

But both understood the power of planting yourself within a role, and then being left to the never-ending, back-breaking, un-privledged, un-advantaged labor of pulling out your own weeds.

And, by doing that, creating your own eras.

Some Brief Words About That Nikole Hannah-Jones/Ta-Nehisi Coates Announcement

This is significant because this move will now establish a national, 21st-century Black liberal journalism tradition. I just wanted to point out that this will not erase what award-winning journalism professor Allissa Richardson has written: that post-modern Black activism–symbolically represented now by Darnella Frazier--finds mainstream journalism irrelevant.

With the Black liberal J-wing on the way to being established, this allows a Black Left to do what it is doing now–to build itself as an alternative. In the olden days, the best Black newspapers held all views. Here’s a book on that.

And with Haiti in the news, here’s an example of the present and future:

And the below is an on-the-ground Haiti discussion from this morning’s ReMix!