Critics are hard on this film because it is a betrayal of the Warner Bros. Looney Tunes/Merrie Melodies spirit of parody and satire. No one at WarnerMedia cared about skewering itself–The Simpsons and Fox, anyone?–so the movie has way too much product placement done in the name of homage to more than 50 years of entertainment. The goal should be to generate laughter at the expense of the product and the studio, not to humble brag about how you have the world’s minds on lock.
P.S. See below for a classic example of Warner Bros. making fun of itself.
“The only natural resource in the world that there is too much of: girls.” Because of the topic addressed, that line, uttered by the old-time Bond villain in this old-time-Bond-meets-Jason-Bourne flick, deserved a much more significant movie than this. At this point, the Marvel formula of drama-action-joke-repeat is irresistible to its shareholders, I’m sure, but it’s sad and a little frustrating to see such a good movie, led by a great star, subtly and not-so-subtly work against itself. When the accompanying (connected by Disney+) Simpsons shortis only slightly more light than a serious, well-meaning film, it might be time for Marvel/Disney to re-assess after making the bank deposit.
This is significant because this move will now establish a national, 21st-century Black liberal journalism tradition. I just wanted to point out that this will not erase what award-winning journalism professor Allissa Richardson has written: that post-modern Black activism–symbolically represented now by Darnella Frazier--finds mainstream journalism irrelevant.
With the Black liberal J-wing on the way to being established, this allows a Black Left to do what it is doing now–to build itself as an alternative. In the olden days, the best Black newspapers held all views. Here’s a book on that.
And with Haiti in the news, here’s an example of the present and future:
And the below is an on-the-ground Haiti discussion from this morning’s ReMix!
Okay, right, remember the Racer X storyline from Speed Racer? Now, remember UPN‘s much-maligned Homeboys From Outer Space? (You don’t! Good for you! LOL!) So put them together and you have…..well, if there was any doubt this is a past-films-cameo/supporting scene superhero franchise….. If you love these characters (as I have learned to do for about four films now, since The Rock was the group’s enemy), just go and have a good time!
….so that’s now two for two. Two bad biographies written by important Black writers losing battles with time and illness. And two Pulitzers for bad or incomplete history. Sad. I wish Columbia University would have found other ways to honor Manning Marable and Les Payne.
a) Lin-Manuel Miranda reminds me how Ta-Nehisi Coates described Barack Obama: an activist, not a protester. (Nice move he made with NPR’s Maria Hinojosa to get some intellectual/activist cred! :)) This is the most thoroughly gentle–even if ever-present!–film portrayal of systemic white supremacy I’ve seen on film. Miranda, who loves 20th-century white popular culture at least as much as I do 🙂 , does NOT want to upset Whitey, EVER. 🙂 Having said that, I enjoyed seeing the undocumented struggle included in this. It shows how, like Coates, he is VERY careful. b) This story is highly cultural–very BROWN, the way Hamilton is (ironically!) very WHITE. (I can see Miranda on that Heights vacation, reading that Ron Chernow bio and going: “Yes! I can now go completely in a new and opposite direction, like an artist should! Past instead of present, white instead of Black/Brown, historical narrative instead of love letter, naked, individual ambition instead of family/community survival, birth of a nation instead of death of a neighborhood!”) As a concept, Hamilton makes a LOT of sense to me now. You can clearly see the themes in both New York-centric, immigrant-centric musicals that attract Miranda–the power of personal drive and dreams with/versus sacrificial commitment to family and community, etc. c) Whether it is culturally stereotypical I will leave for Brown people to discuss. To this outsider, it looks like he’s trying to hit EVERY cultural mark. d) Because Hamilton was first for me, this seemed like a workshop to test out the style he would perfect with the slaveholders. 🙂
JUNE 12th UPDATE: So now that I’ve laid my issues on the table, I will admit he’s a FREAKIN’ GENIUS!!! Have you seen the teaser (below) for his directorial debut?!? And the Oscar goes to…. 😉 The year 2021 is only halfway through, and he’s already its savior!! LOL!!!