One out of every 10 classic superhero graphic novels I own is done by him. A life of extraordinary achievement by a person who, from all public accounts, was a nice, kind person.
If you are only thrilled by a movie because of its middle and mid-credit-sequence cameos, are you really thrilled? If those two were taken out, this would be a sub-par effort because all of the nuance and lessons of WandaVision were sacrificed in order to create a decent horror showcase.
SECOND VIEWING REVISED THOUGHTS:
“In this movie, he makes a tiny little journey from being a very proud superhero to being someone who learns a modicum of modesty and learns that other people can be trusted, too,” [director Sam] Raimi says. “He’s not the only one that can do the job. It’s about coming to understand that others have worth and he’s not better than everyone.”
The film was better the second time when I figured this out and accepted that the above was its only thematic thrust. My real problem with the movie is that it wasn’t worth stomping on the character nuances of its best TV show to date to get there. Strange’s growth comes at Wanda’s expense. We’ll see if the Marvel Master Plan is worth this.
Those who know and love the top stories of the last 30 years or so of Batman comics–particularly those of the last 15 years–will think this is two-thirds of a masterpiece and forgive the exposition-ish info dump at the beginning of the third act. The film’s last part attempts to serve the needs of both epilogue and the now-customary post-credit let’s-set-up-the-next-two-films. This outing is so powerful it will make you forget any Batman film not named The Dark Knight. After this soon-to-be trilogy, the only future film direction I’d see is Batman Beyond because it would be the only part of this soon-to-be 90-year-old character that will not be mined by then.
I remember when Sun-Man was created. I’m glad it has survived.
I am still adjusting to this sad news. The legacy of this man will last at least a century.
Eternals is Marvel’s biggest swing in years. It’s an attempt at a prestige-style film directed by Chloé Zhao, fresh off her Oscar win, at a size and scale that none of Marvel’s previous films have tried. But despite its grand ambitions, the film gets lost in its ponderous ideas and caught in the constraining box of what an MCU film has to be.
My review is my answer to this comment.
Eternals is Marvel’s biggest swing in years.
It’s an attempt at a prestige-style film directed by Chloé Zhao, fresh off her Oscar win, at a size and scale that none of Marvel’s previous films have tried.
True to the max.
But despite its grand ambitions, the film gets lost in its ponderous ideas and caught in the constraining box of what an MCU film has to be.
Strongly disagree. I think it’s one of Marvel’s best–that’s right, I didn’t stutter!!! LOL!!!
But this film will definitely test what you like about superhero movies, character studies and world mythology. I want to go see it again, but I might just digest it for while–then return on Saturday 🙂