Why these Carr-Hunter discussions are growing in popularity. Look how Dr. Carr links Chadwick to: a) Black playwrights, b) Black bookstores, c) Black protest, d) to Black cultural development. And then e) THOTH!
I thought it was important to put my thoughts on the record here since I unofficially now have a LOT of reviews online:
I see my “job” as a cultural critic to hold up a clean glass and a dirty glass and evaluate whatever it is I’m reviewing at to where it fits on that scale. I strive for fairness and proper perspective. If I was reviewing, say, Battle of the Planets: The Complete Series, I wouldn’t compare it to The Smurfs. Different glasses, different classes of merriment. The wand (the perspective to review from, which comes from the topic) chooses the wizard (the review).
My “issue” is that too many Black intellects want to play in radical waters and not risk drowning. So I call them on that. Every time. As hard as possible. Because there’s too much ancestral blood in that water to play. So if Black scholars want to be Black Power smoothies rather than Integrationist Oreos because the rewards are relatively remarkable, I’ll call them smoothies. But smoothies are not examples of clear water.
You were the most unheralded parts of my happy childhood absorbing Lee-Kirby!
Attention, writers: three years is a long time to write these books:
- We need a serious media studies criticism book on the film phenomenon–how and why it happened, from both popular culture and propaganda-study perspectives, detailing Disney’s very detailed plan for worldwide mind control through eye-candy. The Disney-Sony dustup over Spidey would be an excellent coda.
- We need a book about the Africanisms of the film. Here’s where you would start.
- We need at least one more book about the history of the character in the comics: the 1988 miniseries, his leadership in and of The Illuminati, The Ultimates, The New Avengers and, in 2018, The Avengers itself have yet to be explored. There is a brand-new ongoing Black Panther comic, just out tomorrow, where T’Challa forms his own SHIELD-like team. (Sadly, the team has a primate on it and Marvel’s answer to Tarzan, Ka-Zar; let’s hope Black Twitter is paying attention. 🙂 ) This is historic because it’s the first time T’Challa has had more than one ongoing comic.
- We need a book on the history of African superheroes/mythological heroes, those created by Africans versus those created by non-Africans.
“Spider-Man 2” from 2004 (the powerfully ballooned version of “Spider-Man,” vol. 1, no. 50, “Spider-Man No More”) is this writer’s gold standard of “Spider-Man” films. Although “Spider-Man: Far From Home” was extremely effective, it didn’t reach that mark. It got real close, though. Then came the first post-credit sequence. That mere two minutes blew theater-goers’ minds and blew “Home” into “Spider-Man 2” territory. It was so shocking that the film’s second post-credit sequence, a somewhat surprising one to a Marvel (Comics) Zombie and completely perplexing if one is just a Marvel movie fan, almost fell flat. Which is quite an accomplishment for Marvel, a studio that, before this film, was criticized for making movies with plots that don’t move characters forward, action without real stakes and filled with heroes who face no consequences. No more, indeed. Wow, wow, wow.
How do you mess up the same story twice? How do you make arguably the best X-Men story ever into mediocre entertainment 13 years after the same producers/writers/directors did it the first time? Simple: throw the comicbook story away because, like Batman-movie-killer Joel T. Schumacher or, even better, Zack Snyder, who seemingly thought every DC movie was some sort of “Watchmen” prequel, you think your vision is more important. There’s a reason this film has been correctly savaged: after almost 20 years, critics and fans are tired of this version of the X-Men, and they are waiting for Kevin Feige to take over. Because when he does, Cyclops, Storm and Jean will stop being supporting characters to J-Law (why even bother calling her Mystique when she does nothing? To be honest, I almost cheered when Jean killed her; she should have died at least one movie ago), Michael Fassbender (Dude, change your mind about James Bond, and do one film!), and James McAvoy. The “Dark Phoenix” story is simple to adapt, as either of these X-Men animated series can show you: Jean goes out of control, and each individual X-Man(/Woman) has to search his or her conscience how to handle it. But that would require each X-Man to be a fully developed character we would actually care about. (Quiz: Who plays Storm? You don’t know, right? See??? 🙂 ) And so one of the classic 20th century superhero stories will never get its proper due. So when does “Spider-Man: Far From Home” come out again?
This epic is many things, among them a meditation of how powerful love, honor, duty and friendship can be, if among the right group of people. An extraordinary end–and make no mistake, it is an ending! Deserves its place among the greatest superhero films ever made, even if detractors will correctly point out that it’s the sequel to 21 films, one that mined all its predecessors to create a perfect-hits collection.
The official media material says:
Black Panther earns three Oscars. Since its inception Marvel Studios’ Black Panther has provoked and stoked a wide range of interest, and now that the blockbuster film is the recipient of three Oscars the film’s acclaim extends beyond the box office.
No, it didn’t get the top prize, but it was a barrier breaker as Ruth Carter was the first black woman to ever win in the Costume Design category; and another first for a black artist when Hannah Beachler took the trophy, which she shared with Set Decorator Jay Hart, in Production Design. Additional spice arrived when Ludwig Goransson earned an Oscar for the Best Score in a Motion Picture.
These awards and other nominations for Black Panther augurs well for populist cinema that is traditionally scorned when it comes to taking home the coveted awards, particularly an Oscar, which is Marvel’s first.
It’s a good bet the honors to Black Panther will not only boost the appreciation for populist cinema, it should also enhance the appeal of a number of products and projects such as Black Panther: A Paradigm Shift or Not? the forthcoming anthology at Third World Press, edited by Haki Madhubuti and Herb Boyd. “All of the celebration and awards for the film is nothing to thumb your nose at and we at Third World Press extend all our good wishes and hope we can do as well with our publication,” said Madhubuti, the press’s publisher and founder.
The anthology, which includes more than forty writers, film critics, scholars, and activists, has a timely appearance and should be able to reap some of the renewed media attention the film has sparked. Among the contributors are Nicole Mitchell Gantt, Jelani Cobb, Brent Staples, Abdul Alkalimat, Bobby Seale, Robyn Spencer, Diane Turner, Greg Tate, Maulana Karenga, Marita Golden, and Molefi Keta Asante, et al.
As may be discerned from the contributors the anthology is a compilation of mixed views and opinions―with both praise and a critique of the film. “The film has aroused a variety of conclusions, a wellspring of differences that we felt compelled to give them a forum,” said Boyd. “Like the film, the views expressed in the book are often very provocative.”