If Marvel wants to dominate the next 25 action-adventure movie cycles, it is going to have to dial up to 11 and stay there, particularly with new characters and concepts. Formula is stifling any real character and plot innovation. Just giving characters a really good story so they can get their MCU membership passes is not enough. Awkwafina and Michelle Yeoh saved this almost-ambitious movie about Asian mythology from mediocrity, but not by much. Being better than Black Widow is not a great accomplishment.
“The only natural resource in the world that there is too much of: girls.” Because of the topic addressed, that line, uttered by the old-time Bond villain in this old-time-007-meets-Jason-Bourne flick, deserved a much more significant movie than this. At this point, the Marvel formula of drama-action-joke-repeat is irresistible to its shareholders, I’m sure, but it’s sad and a little frustrating to see such a good movie, led by a great star, subtly and not-so-subtly work against itself. When the accompanying (connected by Disney+) Simpsons short is only slightly more light than a serious, well-meaning film, it might be time for Marvel/Disney to re-assess after making the bank deposit.
You were the most unheralded parts of my happy childhood absorbing Lee-Kirby!
Attention, writers: three years is a long time to write these books:
- We need a serious media studies criticism book on the film phenomenon–how and why it happened, from both popular culture and propaganda-study perspectives, detailing Disney’s very detailed plan for worldwide mind control through eye-candy. The Disney-Sony dustup over Spidey would be an excellent coda.
- We need a book about the Africanisms of the film. Here’s where you would start.
- We need at least one more book about the history of the character in the comics: the 1988 miniseries, his leadership in and of The Illuminati, The Ultimates, The New Avengers and, in 2018, The Avengers itself have yet to be explored. There is a brand-new ongoing Black Panther comic, just out tomorrow, where T’Challa forms his own SHIELD-like team. (Sadly, the team has a primate on it and Marvel’s answer to Tarzan, Ka-Zar; let’s hope Black Twitter is paying attention. 🙂 ) This is historic because it’s the first time T’Challa has had more than one ongoing comic.
- We need a book on the history of African superheroes/mythological heroes, those created by Africans versus those created by non-Africans.
This epic is many things, among them a meditation of how powerful love, honor, duty and friendship can be, if among the right group of people. An extraordinary end–and make no mistake, it is an ending! Deserves its place among the greatest superhero films ever made, even if detractors will correctly point out that it’s the sequel to 21 films, one that mined all its predecessors to create a perfect-hits collection.
The official media material says:
Black Panther earns three Oscars. Since its inception Marvel Studios’ Black Panther has provoked and stoked a wide range of interest, and now that the blockbuster film is the recipient of three Oscars the film’s acclaim extends beyond the box office.
No, it didn’t get the top prize, but it was a barrier breaker as Ruth Carter was the first black woman to ever win in the Costume Design category; and another first for a black artist when Hannah Beachler took the trophy, which she shared with Set Decorator Jay Hart, in Production Design. Additional spice arrived when Ludwig Goransson earned an Oscar for the Best Score in a Motion Picture.
These awards and other nominations for Black Panther augurs well for populist cinema that is traditionally scorned when it comes to taking home the coveted awards, particularly an Oscar, which is Marvel’s first.
It’s a good bet the honors to Black Panther will not only boost the appreciation for populist cinema, it should also enhance the appeal of a number of products and projects such as Black Panther: A Paradigm Shift or Not? the forthcoming anthology at Third World Press, edited by Haki Madhubuti and Herb Boyd. “All of the celebration and awards for the film is nothing to thumb your nose at and we at Third World Press extend all our good wishes and hope we can do as well with our publication,” said Madhubuti, the press’s publisher and founder.
The anthology, which includes more than forty writers, film critics, scholars, and activists, has a timely appearance and should be able to reap some of the renewed media attention the film has sparked. Among the contributors are Nicole Mitchell Gantt, Jelani Cobb, Brent Staples, Abdul Alkalimat, Bobby Seale, Robyn Spencer, Diane Turner, Greg Tate, Maulana Karenga, Marita Golden, and Molefi Keta Asante, et al.
As may be discerned from the contributors the anthology is a compilation of mixed views and opinions―with both praise and a critique of the film. “The film has aroused a variety of conclusions, a wellspring of differences that we felt compelled to give them a forum,” said Boyd. “Like the film, the views expressed in the book are often very provocative.”
In my new book on the Black Panther, I say this about Stan Lee and Marvel:
Growing up as a superhero-obsessed tyke in the 1970s, I saw the 1967 Spider-Man animated series (the one often called Spiderman, mistakenly without the hyphen between “Spider” and “Man”) and the Batman and Superman live-action series every weekday in second-run syndication and watched every version of The Superfriends every Saturday morning on ABC. I even devoured those gawd-awful Spider-Man live-action specials on CBS, as well as the two almost-as-bad Captain America and Dr. Strange movies that aired on that network. The fact that CBS aired quality live-action superhero shows like The Incredible Hulk and, in its second and third seasons, Wonder Woman (a refugee from ABC) almost made up for those terrible also-rans. And of course, I loved Superman: The Movie.
During that decade, I slowly discovered comicbooks. Marvel became my favorite. I think that was due to my all-time favorite characters, The Fantastic Four and the Silver Surfer, with Captain America as a runner-up. (I count the FF as one character.) My fifth-grade teacher had a copy of Bring On The Bad Guys, the third volume of the Simon and Schuster trade paperbacks that reprinted early Marvel stories with writer Stan Lee’s introductions. That’s where I discovered the FF, The Surfer and Cap in separate epic tales.
I still remember my shock when I found out that my favorites had been animated! Hanna-Barbera decided to syndicate, as a weekday “wheel,” all its 1960s Saturday morning superhero-action fare. Hanna-Barbera’s World of Super-Adventure, as the syndication wheel called itself, became my all-time favorite animated series, right next to Marvel Men, the second-run syndication of the 1966 Marvel Superheroes animated show (happily, Cap was a feature), and Superheroes!, the syndicated daily run of the Filmation 1960s DC animated cartoons of the same time. The H-B series, I quickly found out, had a Fantastic Four cartoon! I sat in front of the television every weekday, waiting to see if The Fantastic Four would come on. I was often disappointed, but I learned about great Hanna-Barbara superheroes like Space Ghost, Birdman and other characters. When I saw the FF and my other all-time favorite character, The Silver Surfer, fight some giant named Galactus, in front of another giant named The Watcher, I lost my mind and became a one-person [San Diego Comic-Con] Hall H, a certified Marvel Zombie. I never looked back.
But there was more. A few years after that, into the ’80s, I enjoyed Stan’s narration of “Spider-Man and His Amazing Friends,” Marvel and NBC’s answer to DC and ABC’s “Superfriends.”
And then there was that time in 1990, when, now the ripe old age of 22, I wrote a Star-Ledger feature on the first Todd McFarlane Spider-Man issue. I interviewed The Man himself on the phone. Being new to the pressures of daily journalism, I actually asked him to slow down while he was talking! He said directly that if I couldn’t keep up he wouldn’t continue the interview. That was GREAT training for me, for at the end of that conversation, I learned how to take notes over the phone. He sent me a form letter after the article appeared that of course I cherished.
I really, really, really wish he had stopped being in denial about standing idly by, playing innocent, while his cousin-in-law, Martin Goodman, cheated and reneged on Jack Kirby. I really wished he would have asked Jack to use the Silver Surfer, instead of taking it from him. Although I think many people forget that Stan was Jack (and Steve Ditko’s) boss, I think these questions are more than fair, and should not be shunted out of politeness.
Stan, along with Jack and Steve, were responsible for three out of every five of my childhood smiles. That is how I will always remember all three of them.
…..for Spider-Man (!), Doctor Strange and The Question!
…..Dr. Jared Ball, for his success with “Academics In Cars!” I was proud to be in the first one.