The prize—a one-time, no-strings payment of $250,000, awarded individually to all ten scholars—has been presented to renowned intellects such as Robin D.G. Kelly and many others since the Marguerite Casey Foundation created the Freedom Scholars award in 2020. Scholars are anonymously chosen by former recipients.
“It is a surreal contradiction,” Dr. Ball commented exclusively to The Black World Media Network via email after the announcement. “But to be reminded or made aware of the value my work has to particular peers for whom I have tremendous respect is humbling, something I cherish, and am honored by. Most of us in academia are not disconnected, ivory tower scholars. We are just marginalized, unappreciated, and under-resourced. So this award is very much appreciated on several levels.”
The Morgan State University scholar’s professional multimedia website, imixwhatilike.org, lists his research interests as “the interaction between colonialism, mass media theory and history, as well as the development of underground journalism and cultural expression as mechanisms of social movements and political organization.” As an activist and advocacy journalist, he has been a longtime public champion of radical, independent media and political prisoners such as writer Mumia Abu-Jamal and Dr. Mutulu Shakur, the alternative-medicine specialist and godfather of slain hiphop superstar Tupac Shakur.
Freedom Scholars “conduct research in cutting-edge areas of scholarship as varied as feminist prison abolition, global urbanism, alternatives to movement capture, Indigenous erasure and militarized policing—critical fields of research that are often underfunded,” according to the Casey Foundation’s website.
Dr. Ball’s award is “proof that principled radicalism and constant work—his 20 years of scholarship, activism and free, intelligent community broadcasting—always wins,” posted BWMN staffer Todd Steven Burroughs on social media after the announcement. He is co-editor with Dr. Ball of the anthology A Lie of Reinvention: Correcting Manning Marable’s Malcolm X.
The Old Man was once quite young–almost permanently so. And vibrant, always ready for socialist revolution. But not for the overthrow of European civilization and culture. In a new biography, John L. Williams pulls back the curtain just enough to show why intellectuals, particularly culturally complex ones, need platforms and bases. What results is a non-judgemental tale about a 20th-century charismatic Caribbean intellectual destined for the classroom, the typewriter, the lecture hall and the cricket field. His cultlike, harem-based sexism will rile 21st-century readers but his stamina and constant optimism never fail to impress. Most of all, James–whose long speaking and writing life spans the birth, revolutionary work, danger and martyrdom of fellow Caribbean Leftist world travelers such as Walter Rodney and Maurice Bishop–shows that revolution requires a lot of work.
MSNBC’s Rachel Maddow is a master storyteller, and Rachel Maddow Presents: Ultra attempts to be an epic story for this moment. It succeeds in being hella entertaining.
My last Ultra post was about its historical emphasis, allowing this subsequent comment to be ideological in nature. And so, clad in my dashiki, a note to Maddow and MSNBC:
The best way to fight organized fascism is an organized radical united front, not just individual efforts because the latter depends on liberal democracy working on your behalf. Didn’t McCarthyism, instead of an American movement against fascism, flow from this history?
This kind of color-within-the-lines conclusion is why what Dave Chappelle said at the end of his Saturday Night Live monologue was so important: as Black people, we are no strangers to the system not working. Sadly but not surprisingly, Maddow doesn’t have a James Baldwin/I.F. Stone-type voice who would hit that target, expressing the idea that American democracy itself is a flawed concept at its core. Nope, me no trust paleface.
And, Rachel and MSNBC, um, you might want to, um, not take off the air anyone else who speaks plainly about the current rightwingers (*cough* Tiffany Cross *cough* 🙂 ).