#NCOBRA: Report from #NCOBRA2026CONVENTION

This article was conceptualized, directed, and authored by Wautella Ibn Yusuf with digital composition and editorial assistance provided by #AI.


In June 2026, members and supporters of the National Coalition of Blacks for Reparations in America (N’COBRA) gathered in Washington, D.C., for a National Convention that became much more than a four-day gathering. Planned under a remarkably short timeline, the convention nevertheless brought people together for serious dialogue, powerful teaching, practical organizing and celebration. By the time participants left, the prevailing feeling was not simply that the convention had gone well. It was that N’COBRA had renewed its sense of purpose and had laid important groundwork for the year ahead.

The convention opened June 25 with one of its most consequential and courageous conversations: a discussion of reparations eligibility and the longstanding debate between a lineage-based approach focused on descendants of enslaved Africans in the United States and a comprehensive approach focused on Black people of African descent in the United States.

The session was designed to bring differing perspectives into the same room for substantive discussion rather than allow disagreement to remain a source of division outside the room.

Attorney Adjoa A. Aiyetoro, a founding member of N’COBRA and a longtime leader in the reparations movement, played a central role in bringing this difficult conversation to the forefront. The session demonstrated the value of creating space for disagreement while insisting on engagement, critique and a shared commitment to the larger reparations struggle. The discussion was not without tension, but its very existence was significant: a serious movement about achieving reparations must be capable of confronting hard questions openly and continuing to organize together.

The next two days moved from debate to education, analysis and action. Friday’s plenary, led by Dr. Cheryl Grills, offered a powerful examination of N’COBRA’s Five Injury Areas. Her presentation connected the historic injuries produced by enslavement and its legacies to the ways those injuries continue to affect Black people of African descent today. She also drew attention to newer and less visible forms of injury embedded in contemporary institutions, structures and technologies.

The Five Injury Areas framework gave the convention an important bridge between history and the present. It also connected directly to the work of N’COBRA’s commissions. The commission workshops were deliberately designed to be “work”shops: participants examined the scope of each injury area, reviewed work already undertaken and then developed plans for the coming year. Rather than simply listening to presentations, participants were expected to leave with concrete direction for July 2026 through June 2027. The response indicated that the approach worked.

Attorney Nkechi Taifa, another founding member of N’COBRA whose leadership in the reparations movement spans decades, moderated Dr. Grills’ plenary. Her role helped sustain the energy and engagement of the audience and contributed to the quality of the discussion. The presence and continuing leadership of both Aiyetoro and Taifa offered a visible reminder that N’COBRA’s nearly four decades of organizing history remain connected to its work today.

Saturday’s keynote plenary featured Dreisen Heath, a major voice in the movement’s federal legislative work. She focused on the importance of state and local reparations efforts in building toward federal reparations and described additional federal initiatives that could provide forms of reparative relief to Black people of African descent. Her presentation underscored the relationship among local, state and federal organizing and the importance of continuing the work around H.R. 40. Heath’s participation also reflected the significance of bringing leading movement strategists into direct conversation with N’COBRA members.

The convention’s program demonstrated that N’COBRA is not simply preserving a history of reparations organizing. It is continuing to develop the analysis and strategies necessary to move the struggle forward. The commission sessions, in particular, gave members an opportunity to translate knowledge into plans and to identify work that can be carried forward over the next year.

The convention also created opportunities to celebrate the movement and the people who sustain it. At the Gala Banquet, keynote speaker N’nanba (Robin Rue Simmons) brought the experience of Evanston, Illinois, into the room as evidence that reparations are achievable. She spoke of the progress made in Evanston and elsewhere and emphasized that legal challenges should not necessarily be understood as signs of failure. Instead, they can be evidence that reparations demands are being taken seriously and are helping to establish the legitimacy of the movement’s claims.

The Gala’s theme, “Yes, We Can,” captured the evening’s spirit. After the formal program, participants filled the floor with dancing, old line dances and newer ones alike. The celebration was more than entertainment. It was an expression of the joy, community and persistence that make long-term movement work sustainable.

The convention concluded June 28 with a journey to Great Falls, a site connected to the lives of enslaved Black people in Maryland and Virginia and to the post-emancipation period. The trip offered a fitting opportunity to honor ancestors and connect the present-day reparations movement with the people whose lives and labor created the history being confronted.

Brother Greg Carr’s libation at Great Falls provided a particularly powerful moment of remembrance. Participants described the ceremony as deeply moving, with a palpable sense of connection to ancestors, including those who lived at Great Falls and the founding and former leaders of N’COBRA who have passed on. Corey Shaw Jr., co-chair of the N’COBRA D.C. Chapter, provided an informative presentation on the history of Great Falls and the Black people who lived there.

Corey and fellow D.C. Chapter co-chair Kibibi Tyehimba deserve particular recognition for the chapter’s willingness to host the 2026 National Convention in Washington. Hosting a national convention places substantial demands on a local chapter, and their leadership helped make it possible for N’COBRA to gather in the nation’s capital. The convention’s success therefore belongs not only to the National Convention Planning Committee but also to the local leadership and members who assumed responsibility for welcoming the organization.

The Commemorative 2026 Convention Program Book is another lasting product of the gathering. Designed as more than a temporary event program, it preserves information about N’COBRA, the convention and the broader history and perspectives of the reparations movement. Wautella Ibn Yusuf was the driving force behind the publication, with longtime N’COBRA friend Zama Cook contributing to its printing and culturally grounded design. The book stands as a resource that can continue to inform members and others long after the convention itself has ended.

The convention took place just days before the July 4th celebration of the United States’ 250th anniversary, creating an important broader context for N’COBRA’s work. In its July 4 statement, N’COBRA challenged celebratory narratives that present the nation’s history primarily through claims of democracy, freedom and wealth while failing to confront the foundational role of enslavement and the continuing injuries produced by it. The convention’s discussions of injury, resistance, reparations and repair therefore occurred against a national backdrop in which competing versions of American history were very much in view.

That context reinforces the importance of the Five Injury Areas work and N’COBRA’s continuing educational mission. The organization’s developing website materials offer readers an opportunity to examine the injuries produced over centuries, the ways those injuries have changed and the continuing resistance of Black people of African descent. The convention did not stand apart from that work. It was one expression of it.

Most importantly, the convention produced momentum. It brought people together around difficult questions without allowing disagreement to erase the larger purpose. It deepened understanding of the injuries that reparations must address. It created concrete commission work plans. It connected federal, state and local strategies. It honored the ancestors. It celebrated the victories already achieved. And it sent participants home with work to do.

That may be the most fitting way to understand the 2026 N’COBRA National Convention. It was a celebration, but it was not simply a celebration. It was a place to learn, to argue, to plan, to remember, to laugh, to dance and to recommit. It demonstrated what can happen when people with a long history of struggle come together with the determination to keep building.

As N’COBRA turns toward 2027, the challenge is to build on that momentum. The recommendations coming out of the debriefing call for an earlier start to planning, a host chapter with a committed core membership and a national-local planning structure established well in advance. Those changes can help ensure that the next convention has the benefit of the lessons learned in 2026 while preserving the spirit that made this gathering so meaningful.

The final message of Washington was therefore a simple but powerful one: the work continues. The knowledge gained at the convention will inform the commissions. The plans developed there will guide the coming year. The history remembered at Great Falls will continue to ground the movement. And the spirit of “Yes, We Can” will carry forward—not as a slogan, but as a commitment to the continuing struggle for reparations, justice and repair.

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FROM AI:

The National Coalition of Blacks for Reparations in America (N’COBRA) identified five major injury areas suffered by African descendants due to chattel slavery and its ongoing systemic legacies. These five areas are Peoplehood/Nationhood, Education, Health (including mental health), Criminal Punishment, and Wealth/Poverty (Economics).

The Five Injury Areas Defined

Peoplehood/Nationhood: The loss of the right to culture, language, family structure, and self-determination as a distinct group.

Education: The historic and ongoing denial of equal learning access, including laws that made teaching enslaved people to read a crime.

Health: Physical and mental health disparities stemming from centuries of trauma, stress, and unequal access to medical care.

Criminal Punishment: Disproportionate and discriminatory treatment within the legal and prison systems originating from slave codes and Black codes.

Wealth/Poverty: Severe economic disparities and wealth gaps caused by unpaid labor, systemic exclusion, and restricted financial resources.

For more context on how these categories shape repair strategies, you can review the outline provided by N’COBRA. Additional historical insights are also discussed by the National Conference of Black Lawyers.

Official Press Announcement Of My New Book, “Marvel’s Black Panther: A Comicbook Biography, From Stan Lee To Ta-Nehisi Coates”

#theblackpanther #blackpanther #WakandaForever #BlackPantherLive #Reginald Hudlin #WhatWakandaMeansToMe

THE BOOK WILL BE RELEASED THIS WEEK! I WILL UPDATE WHEN IT IS ON AMAZON! 

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FOR MORE THAN 20 YEARS, THE BLACK PANTHER WAS ONCE ONE OF THE MOST OBSCURE OF MARVEL’S CHARACTERS.
THEN, FOR THE FIRST TIME, HIS BLACK COMICBOOK WRITERS TOOK OVER.

Now, a new book tells the history from the perspective of its Black and white writers.

MARVEL’S BLACK PANTHER: A COMIC BOOK BIOGRAPHY, FROM STAN LEE TO TA-NEHISI COATES (Diasporic Africa Press) is a collection of chronological thoughts about the 52 years this character has existed.

The first, in-depth examination of the first Black superhero to appear in American mainstream comics, it is a group of chronological essays—a “biography” of a comicbook character—exploring what writer Todd Steven Burroughs thinks about how this Black/African hero character has been shaped: first by white liberal American men—Stan Lee, Jack Kirby, Roy Thomas and Don McGregor—then by a Black American liberal man, Christopher J. Priest, and even later by American neo-Black-nationalists Reginald Hudlin and Ta-Nehisi Coates.

It is about race, mainstream superhero comics and the Black American imagination within the backdrop of American history and world history. It’s about the limitations of white liberalism and the power of Black-centered but white-controlled American popular culture; ultimately, it’s how 20th century white liberalism had to yield to the 21st century multicultural reality.

This book, a new addition to the growing scholarly literature on the growing literature on Black American comic books, shows how Black writers developed the version of The Black Panther now seen and beloved on movie screens throughout the world.

Excerpts from the book can be found here and here.

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BEFORE HIS BLACK WRITERS TOOK OVER, THE BLACK PANTHER HAD FADED FROM THE LEE-KIRBY BAD-ASS WHO HAD TRAPPED THE FANTASTIC FOUR IN MINUTES TO, FIRST, A SIDNEY POITIER HARLEM TEACHER AND, LATER, A GUY WHO TOOK FOUR PAGES TO FREE HIMSELF FROM A BEAR TRAP.

“Marvel’s Black Panther: A Comic Book Biography, From Stan Lee To Ta-Nehisi Coates” shows the character’s growth under Priest, Hudlin and Coates, writers who understood that The Black Panther was at least as cool as Batman. Both Priest and Hudlin turned The Black Panther, a character known primarily for leaping around, into a literal Dark Knight; Marvel finally had a character that imitated and matched Batman’s powerful aura.

Christopher Priest brought him back to his first, dangerous Lee-Kirby Fantastic Four 1966 appearance, and
Reginald Hudlin then followed up by bringing him out of the comicbook store into the larger 21st century Black popular-culture world.
Ta-Nehisi Coates put him in the complex world of 21st century African domestic politics.

By doing so, Marvel now had the Batman-like character it had long wanted, and Black comicbook readers, Afrofuturists and Black fantasy-lovers had essentially a brand-new, culturally-relevant version of an established Marvel superhero.

Thanks to Priest, Hudlin and Coates, one of Marvel’s greatest Hollywood blockbuster film superheroes in 2016, 2018 and beyond is an unapologetic Black Cat.

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The book answers the following questions:

• Which Black Panther writer created Killmonger, played by Michael B. Jordan?
• What is The Black Panther’s complex relationship with The Avengers?
• When was The Black Panther ever female? When was the Black Panther a half-Jewish New York City police officer?
• Who are the secret LGBT characters a Panther writer slipped into the 1970s comic book?
• How does Ta-Nehisi Coates’ first Panther storyarc thematically compare with his acclaimed full-length essay book, “Between The World and Me”?

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The book’s Foreword is written by Makani Themba, chief strategist at Higher Ground Change Strategies based in Jackson, Mississippi. A social justice innovator and pioneer in the field of change communications and narrative strategy, she has spent more than 20 years supporting organizations, coalitions and philanthropic institutions in developing high impact change initiatives.
The book’s Afterword is written by Greg Carr, Ph.D., J.D., chair of the Black Studies Department of Howard University.

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TABLE OF CONTENTS:

ACKNOWLEDGEMENTS

FOREWORD— Makani Themba, community activist/strategist, Higher Ground Change Strategies, Jackson, Mississippi

INTRODUCTION—Black Panther vs. White Panther

CHAPTER ONE— From Patrice Lumumba to Sidney Poitier: Early Fantastic Four and Avengers Appearances

CHAPTER TWO— The Jungle Book: Don McGregor Creates His Own Africa

CHAPTER THREE— The Finished Man: Don McGregor (Almost) Completes His ‘Panther Novel’

CHAPTER FOUR— The Return of the Kings: The Amazing and Wacky Adventures of Jack Kirby’s Panther

CHAPTER FIVE—The Client Was a Man of Remarkable Focus: A Panther and a Priest

CHAPTER SIX—The Spy King: How Christopher Priest’s Version of The Panther Forever Shook Up The Avengers

CHAPTER SEVEN—’Bad Mutha’: Reginald Hudlin’s Uncompromised Royal Black (Super-)Man and the Unbridled Black Imagination

CHAPTER EIGHT—Side-Swipes: The New York Ghost Cop and the Wakandan Princess As ‘Replacement’ Panthers

CHAPTER NINE—The (Black) Man Without Fear: That Time Panther Briefly Replaced Daredevil

CHAPTER TEN—Between the World and Him: Ta-Nehisi Coates’ Panther

CONCLUSION—Panther Slices Through Captain America: Civil War

AFTERWORD—Greg Carr, Chairperson, Africana Studies, Howard University