If Season Three of Geniuswas about Aretha Franklin standing on her own two feet and not letting men dominate her, then this very-fast moving, more symbolic story is about the protection only a true parent can provide. Surrounded by domineering men, Jennifer Hudson portrays the Soul Queen as a woman puttting together, then self-destructively pulling apart, the puzzle pieces of her life. It is only when she embraces her dead mother and her Heavenly Father does she fully form. Interestingly enough, perhaps we need even more hours of Franklin to really understand her.
If Marvel wants to dominate the next 25 action-adventure movie cycles, it is going to have to dial up to 11 and stay there, particularly with new characters and concepts. Formula is stifling any real character and plot innovation. Just giving characters a really good story so they can get their MCU membership passes is not enough. Awkwafina and Michelle Yeoh saved this almost-ambitious movie about Asian mythology from mediocrity, but not by much. Being better than Black Widow is not a great accomplishment.
I’ve known Dawkins for more than half my life. He was a servant leader before the person who thought that term up graduated college! LMAO!!!!
Seriously, the former award-winning reporter and current AFRO columnist is an author many times over–independent and top university press. He had been a Full Professor at Hampton, but now is essential at Morgan. Oh, and his hobby was worth not only a journal article but has been archived at Columbia University, where he won a prestigious award. And I mentioned he’s now the official historian of the National Association of Black Journalists, right?
Okay, enough of this! I don’t have the time to document past and current Wayne’s adventures! Neither does he! LOL!
The epitome of work-life balance family drama, but with flights and tights
The show’s first season begins with the death of a mother and ends with the burial of a father, with the middle filled in with what family members create. A very radical combo of Man of Steel, Smallville and Lois and Clark merges with the last 30 years of Superman comics into a meditation on the sustaining of the family unit from primarily two sources–the Kents and the Cushings (Lana Lang’s brood). The finale teaser for Season 2 shows the reconstitution of a third as a result of, appropriately, a rocket landing at the Kent farm. The CW-ish, almost-emerging-adult inside shows that the family dynamics have just begun to shift, with Lois being given one hell of a personal retcon of sorts and the boys gaining a sister (pun intended). Having Superman go to a mental-emotional space where he has to prioritize the world most important to him at the moment will continue to make him not only relevant, but even a more permanent part of American folklore.
Put The Guardians of the Galaxy in your head. Now, make a film star-ring them in your mind but make it as violent, as gory, as possible. But also make it as funny, if not funnier. There ya go.
John Lewis and Andrew Aydin. Art by L. Fury and Nate Powell.
New York: Abrams Comic Arts, in conjunction with Good Trouble Productions, 154 pp., $24.99.
The change of artist did nothing to hinder the entrance into John Lewis’ world: one of bloodshed, and courage and almost constant activity and sound. Kudos to co-writer Andrew Aydin and artist L. Fury, who took the baton well from Nate Powell. The award-winning March (examined by this reviewer here) is followed up with a new triology, completed in text just before the congressman’s death last year. In this first installment, Lewis slowly realizes that the attributes that propelled him to Movement leadership–Christian witness, closeness to the Reverend Dr. Martin Luther King (derisively called “Da Lawd” by some youth activists) and a belief in integrated work–has got him ousted from his beloved Student Nonviolent Coordinating Committee. It’s a time of X marking new spots, of Watts and draft cards afire, of Black Power shouted, of Stokely Carmichael ascendant, of Black self-determination on Black terms, and Lewis is exhausted. To Be Continued in Book Two. After all these decades, it is sad to see Lewis still refer to Black nationalism as Black “separatism”–as if such nationalism was still some abberation–but at least he explained in detail here why some thought it justified. Wedded to American thoughts and ideals, the hero decides not to put on a new face but to find a new place and space.
Addendum: what I wish I was told then: the exploration is up to you–not your university, not anyone else in your life. And you can always leave the journey and join the real world whenever you wish. But if you can sustain a sense of courage (in this realm, arrogance will always do as a substitute, as I have learned), you’re doomed. 🙂
The Male Principle and The Female Principle, grit and fierceness inner and outward.
Coming out of the 1960s into the 1970s, both pioneers filled with revolutionary consciousness, both using work to create new space for words to propel The Race forward.
But both understood the power of planting yourself within a role, and then being left to the never-ending, back-breaking, un-privledged, un-advantaged labor of pulling out your own weeds.
Drums in the Global Village 