As folks who follow me on social media can see by now, I spend a *ridiculous* amount of time each week watching #JohnCampea, #GraceRandolph, #ScreenCrush, #NewRockStars and others to get my TV/movie superhero news fix. Because of this act of kindness, I will no longer feel guilty about the two hours I spend with Campea almost every damn weekday! #TJCS #TheJohnCampeaShow
Category Archives: television
[SPOILERS] What I Hope Happened To Ms. Marvel In The “Ms. Marvel” Finale Post-Credit Sequence


After that post-credit, I have become even more interested in Marvel’s ComicCon presentation next week.
Meanwhile….
Monday.
This Marvel Zombie Is In Deep Denial About This Being His Favorite Superhero TV Show [Update: Not Named “Ms. Marvel”] :)

#supermanandlois #superman&lois
Lana (finding out that Clark is Superman and talking about how he took his sweet time coming back to Smallville after he abandoned her to find his way to the cape): Did you ever love me?
Clark: Oh, Lana, of course I did.
Lana: (PAUSE) Just not enough.
I was determined to hate this show when it premiered and initially I was successful. A Superman TV narrative without Metropolis, The Daily Planet, etc.? A re-tread of Smallville? Superman with a brother? No. This ain’t the Thor movies.
But almost two full seasons in and after me pretty much memorizing Season 1, it’s clear this is the best Superman TV show ever. And that’s not easy, since there’s 70 years’ worth of truth-justice-American-way-TV to evaluate (including the very-good, just canceled homage show Naomi). The message of this well-written, well-photographed show–if you don’t take care of your family, every part of it, and do the hard work of sustaining that care every day, your family and you will fall apart–is clearly articulated by its expert use of nearly 100 years of Superman lore.
Lana will heal because she’s not jealous of Lois; she has her own beautiful and loving family to fix. And that’s the point of this show. Everyone’s busy keeping their family foundation solid. It be hard.
The best compliment I can give this show is that the only Marvel TV shows I ever put on loop are Disney+’s WandaVision followed by Daredevil. So for the CW’s Superman and Lois, a proud and strong DC product, to join that ranking is fantastic.
It’s Official! Marvel Is Giving The Devil His Due–Again! :)
Doctors Old And New

This news is not surprising (folks on the Web have been re-attaching David Tennant to the role for months), and I think it smacks of desperation after a serious ret-con left a bad taste in many mouths. But I’d be lying if I said I wasn’t happy to see these two again!

“You Know Because You Read The AFRO!” To Gayle King And Others Like You: It’s Really Okay If You Just Lie Next Time :)
Writing this while reading Richard Prince’s Journal-isms column that has people reacting to the idea that CBS’ Gayle King, one of the nation’s top Black journalists, did not know about the lives and work of Ethel Payne and Alice Dunnigan.
Admittedly, I’m not an average person when it comes to the Black press, so I can’t relate. As a ’80s teenager, I read Ethel Payne in real-time in the newspaper I started my career at, The New Jersey Afro-American! (“You know because you read THE AFRO” was the newspaper chain’s motto 🙂 ) My Afro’s Op-Ed page was “national,” not local, and so that meant it was added on to local editions like ours by the Baltimore headquarters. Payne had an Op-Ed column there, “Behind The Scenes.” And because the Black press is so self-referential, whenever she was honored, they’d tell her history. At 22, I had also read the 2nd edition of Roland Wolseley’s The Black Press, USA, a flawed-but-important book that shaped my decision three decades ago to become a Black media historian. Of course it mentions her, as does later a much better general-history book written by historian Clint C. Wilson II.
Yeah, I wish prominent Black people in public would stop being so honest about their ignorance. 🙂 Not knowing something and being rich and famous means you don’t have to know it, right? This means that Gayle King has never regularly read historic/legacy (20th century) Black newspapers!
It’s one thing when David McCullough admitted in 1989, as he did in his PBS’ American Experience intro on William Greaves’ Ida B. Wells film, that he didn’t know who she was, but another when one of us does it!
Don’t think our young Black journalism students are not peeping that because I’ve taught them at HBCUs and I know. (And this is part of a larger, systemic dumping of all media history classes because of J-schools’ well-funded digital focus. When I last checked, Maryland, my grad alma mater, stopped teaching journalism history as separate classes years ago.) Sadly, this public omission proves Gen Z’s irrelevancy point from its perspective.
P.S. Prince reminded me of this, so they’re really little room for excuses.
Trevor Noah Roasts At The White House Correspondents’ Dinner
Black Press Legends Ethel Payne and Alice Dunnigan Get New Posthumous Honor
I Guess It Really *Is* A “Family Affair”


My God, who wouldn’t want to adopt Buffy, Jody and Cissy? As a lark, I started binging Family Affair on Prime. It’s a show I vaguely remember from early-to-mid 1970s syndication, since its span (1966-1971) reaches into my zygote-to-“I’m tree-years-old” period. This New York City sitcom was so goody-goody CBS added it to the list of popular rural shows it canceled–all those segregated Mayberrys and Junctions–so the network could enter into the Norman Lear years.
I admit to thoroughly enjoying the show, but I get CBS’ point. Star Trek is more realistic than some episodes. 🙂 Viewed from a 21st-century cultural mirror, the premise could be described as almost a monochrome Diff’rent Strokes: Bill Davis (Brian Keith), a well-off Westside playboy who is Hugh Hefner’s vision personified, adjusts to his dead brother’s kids, who are dumped on him and his valet, Giles French (Sebastian Cabot, also known as the narrator of the original Winnie-the-Pooh Disney animated classics). Davis’ and French’s smoothness-ness interruptedus, the upscale, not-motley crew quickly gel as a family. Although this first season is about the children’s trauma of being orphaned, separated and emotionally abandoned (“Do you really love me? Am I really staying here?” is a common and recurring theme), the tyke’s tears are always dried, their concerns forever found and met.
One particular episode had me on a steady chuckle. Through a misunderstanding, Buffy and Jody, the 6-year-old twins, are left on their own in New York City. They walk around by themselves, Buffy holding a $20 bill visibly in her hand, and nothing bad happens to them. In fact, a nice Latino sees the little darlings and immediately helps them find their way back to Uncle Bill. I mean, who wouldn’t?
Then there is reality:
No Buffys, Jodys or Cissys in Haiti or Cameroon. Wah-wah.
When I saw Biden with this kid, I subconsciously thought, “Whew! Buffy’s no longer in danger! Okay, back to our regularly scheduled programming” 🙂

