Powerful drama, beautifully executed. And Cynthia Erivo is a true star. But…..What kind of genre movie would you call a film where a hero has powers and accomplishes a heaping of derring-do, is deeply connected to her villain, has a secret identity (that the villain finds out during the climax), has a secret-ish headquarters, has an ally/adviser, gains a young sidekick, has to deal with a loved one getting killed and has the hero make a big speech in front of the villain before not killing him? Exactly. Is this proper for a world-historic figure? Did Kasi Lemmings hedge her bets about a 21st century, post-modern audience, or is this origin story the proper tribute to an abolitionist who was by all accounts a true wonder woman? I have my own opinion about the appropriateness of this (let’s just say the irritated historian ate the geek along with the popcorn and Welsh’s Fruit Snacks), but I’ll let the reader/moviegoer decide this one. I hope other films on Tubman put her in the historical context she and other abolitionists deserve–her spy days, the full scene of her Civil War battle, her relationship with other abolitionists. If alladat feels like school in comparison, then so be it.
Man, I remember this dude from the right-wing-leaning NBC television feature magazine “Real People” from the Reagan era. He’s come a long way from those 3 a.m. interviews he used to do 25-plus years ago!
Attention, writers: three years is a long time to write these books:
- We need a serious media studies criticism book on the film phenomenon–how and why it happened, from both popular culture and propaganda-study perspectives, detailing Disney’s very detailed plan for worldwide mind control through eye-candy. The Disney-Sony dustup over Spidey would be an excellent coda.
- We need a book about the Africanisms of the film. Here’s where you would start.
- We need at least one more book about the history of the character in the comics: the 1988 miniseries, his leadership in and of The Illuminati, The Ultimates, The New Avengers and, in 2018, The Avengers itself have yet to be explored. There is a brand-new ongoing Black Panther comic, just out tomorrow, where T’Challa forms his own SHIELD-like team. (Sadly, the team has a primate on it and Marvel’s answer to Tarzan, Ka-Zar; let’s hope Black Twitter is paying attention. 🙂 ) This is historic because it’s the first time T’Challa has had more than one ongoing comic.
- We need a book on the history of African superheroes/mythological heroes, those created by Africans versus those created by non-Africans.
The Weeping Time: Memory and the Largest Slave Auction in American History.
Anne C. Bailey.
208 pp. $24.99.
Becoming Free, Becoming Black: Race, Freedom, and Law in Cuba, Virginia, and Louisana.
Alejandro de la Fuente and Ariela J. Gross.
269 pp. $24.95.
Both books published by Cambridge University Press.
Cambridge University Press very savvy-ingly sent 2017’s Weeping Time out recently to note that Bailey is a contributor to The New York Times’s 1619 project. The publisher then followed up in the mail with advance copies of Becoming Free, Becoming Black, which will be published in January. Both books chronicle the struggle of enslaved Africans in the New World: Free from the 16th through the 19th centuries and Weeping in 1859, the year of John Brown’s raid.
Bailey skillfully uses white documents to expose white supremacy and detail Black agency. The 400-plus slaves sold on that one terrifying Georgia auction block in two days belonged to one master, Pierce Mease Butler, and the letters and diaries of his family allow us a tiny, often-racist window into the nearly-destroyed lives of the enslaved Africans. Bailey correctly uses her historical and cultural expertise as a counterpoint to the white racist documents, almost talking back to them. She shows extensive knowledge of the many Africanisms of the enslaved Africans, who are Gullah/Geechee. It is unfortunate, then, to say that she does not conclude her centuries-filled, memory-themed journey into the realm of African-centered scholarship, which has a pointed and clearly-articulated worldview about Africans, colonization/enslavement and memory. Her comparison to European Jewish efforts to remember the Jewish Holocaust is tired and–painfully and ironically, in this particular context–colonized, Eurocentric thinking that needs permanent rest in the form of suffocation and deep burial.
One sub-theme tying Bailey with de La Fuente and Gross is the supreme love enslaved Africans had for family and home. Bailey describes that home-love as so deep, some now-freed Africans would stay on their former plantations, creating new relationships with their former masters on lands they knew well. De La Fuente and Gross–in their comparative legal history comparing the legal structures of Iberian, French and English legal approaches to ensuring that Black equals slave, regardless of Christian conversion–mention a free woman, Ann Riter, who petitions Virginia to be re-enslaved so she can stay with her family after the state demands in 1861 that free Black people leave it. All three territories were, in the authors’ words, “successful, brutal slave societies.” Gross and de la Fuente show how Blacks fought the respective legal systems they were trapped by to establish their rights as human beings, while Bailey shows the fight of the descendants of the Butler clan to stay alive.
These books are among the many that exist and are coming–meticulous, serious international studies of slavery that translate end explain 16th-, 17th-, 18th- and 19th-century documents correctly. With power and grace they excavate and display the many voices of Black resistance.
Got this in the transom! Made some minor edits. Glad to post it!
MXCC FREEDOM FIGHTER TRIBUTE BLAZES BLACK AUGUST HOT!
QUEENS, N.Y.–The Malcolm X Commemoration Committee’s Annual Freedom Fighter Dinner Tribute blazed in a powerful Black August afternoon at the Langston Hughes Community Library last Saturday!
A standing-room-only audience saw MXCC join forces the National Alumni Association of the Black Panther Party for an afternoon loaded with emotional gravity and historic dimensions.
The historic dimensions are pointed. The Library is in the neighborhood where Malcolm himself lived in those intense times of struggle representing our people’s struggle and from where the unsung but legendary Queens chapter of the Black Panther Party would leap onto the stage of history.
Many may know of the incredible story of the founding chapter of the Party in Oakland in their first skirmishes with the police and city officials over the need a traffic light at a key point that busy West Oakland community. The same is so for the Panthers of Corona, Queens, detailed Panther veterans Yasmeen Sutton, Cyril Innis, and Claudia Williams.
“We did all those other things.
“We got petitions signed.
“We went to council meetings.
“We did all those they said we were supposed, but it wasn’t until we shut down the streets and the traffic that we really made difference,” Williams said.
It goes further. The Black Panther Party, their presence and insistence over a building being demolished in a neighborhood, also fought for the very creation of what became The Langston Hughes branch of the Library.
“They used to call this community ‘little Harlem’ because of this Library, because of the stars and leaders who lived in this community and because of us (referring to the Panthers),” said an insistent Cyril Innis.
The Library, nicknamed “The Schomburg of Queens,” is fully decorated with local and global images of African American History and Art, by the way. The gallery just outside of the auditorium where the event was held was resplendent with an incredible exhibit of Sophia Dawson’s “To Be Free,” her enormous portraits of current U.S.-held political prisoners!
This was also the first time the now-time-honored event was held during Black August, the Panther-launched time for the appreciation of the martyrdoms of George and Jonathan Jackson and hugely important Black revolutionary uprisings and for generating support for Political Prisoners.
“So when we are talking about Nat Turner and Boukman and Dessalines and the mighty ancestors of the Haitian Revolution, the one we won.
“ When we look at the valor of George and Jonathan–I mean, Jonathan, 17 years old, leading a bold military extraction mission–when we look at that, we are looking the fact that there are going to be times when the spirit of our boldest ancestors who took the fight for our freedom into the own hands by any means necessary emerges in the present in that same bold way and we need to push that energy forward among more of us now,” said an impassioned Zayid Muhammad, who stewarded the night for MXCC.
Political Prisoners Mutulu Shakur and Russell “Maroon” Shoatz have Black August birthdays and their families were well represented by their children as was Imam Jamil Al-Amin, Veronza Bowers and Kamau Sadiki. The MOVE Organization and Mumia Abu-Jamal were represented this year not only by Pam Africa, but recently MOVE political prisoners Janet and Janine Africa after 41 years! They survived a bulldozing, water-hosing and shooting by Philadelphia Police back on Aug. 8, 1978, and Janet, Janine were among those MOVE members imprisoned and subsequently dubbed “The MOVE 9.” Only Delbert Africa and Chuckie Africa remain in prison from that ordeal. They are up for Parole Consideration again in September, as is Jalil Muntaqim, who has now been in prison for 48 years!
Incredibly, the gathering, now its 24th year, was also held on the Black August anniversary of beloved N.Y. Panther Safiya Bukhari, who passed on Aug. 24, 2003, at only 53.
Organizers presented the event with a special intensity because most of the political prisoners represented by their families are facing very serious medical challenges. “Maroon” Shoatz and Chuckie Africa are now battling cancer. Kamau Sadiki is facing vascular challenges that almost led to the amputation of his foot. Delbert Africa just survived a kidney failure scare. Imam Jamil Al-Amin, now 75, just survived what is reported to be a minor stroke.
The community was culturally treated to Ngoma, endearingly called “the artistic army of one” in spoken-word circles. His video piece “The Real Panthers Ain’t In Wakanda,” is buzzing on social media. Regtuiniah Reg did a poem dedicated to Black August and Ksisay Sadiki, the daughter of Kamau Sadiki but perhaps better known as an emerging filmmaker, provided everyone with a taste of “First Born,” her one-woman show on her relationship with her courageous father.
“Use your NPR voices” made this whole thing for me. 🙂
……can be found here.
“Spider-Man 2” from 2004 (the powerfully ballooned version of “Spider-Man,” vol. 1, no. 50, “Spider-Man No More”) is this writer’s gold standard of “Spider-Man” films. Although “Spider-Man: Far From Home” was extremely effective, it didn’t reach that mark. It got real close, though. Then came the first post-credit sequence. That mere two minutes blew theater-goers’ minds and blew “Home” into “Spider-Man 2” territory. It was so shocking that the film’s second post-credit sequence, a somewhat surprising one to a Marvel (Comics) Zombie and completely perplexing if one is just a Marvel movie fan, almost fell flat. Which is quite an accomplishment for Marvel, a studio that, before this film, was criticized for making movies with plots that don’t move characters forward, action without real stakes and filled with heroes who face no consequences. No more, indeed. Wow, wow, wow.