Marvel Studios’ The Marvels | Teaser Trailer

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Just the trailer makes me want to see this team in its own movie trilogy! And I love this choice from The Beasties!

SEPTEMBER 14th UPDATE:

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So my quest for a hit single/EP is beginning to fade, the long-nebulous goal of grasping Solange-level power in a public-sphere world of Beyonces starting to look sad, even to me. (Since my pilot never aired, I don’t have to worry about cancellation.) My decades-long nightmare of becoming the lead character in Mr. Holland’s Opus–for an intellectual adventurer like myself, a horror movie personified!–has slowly come true, despite my best and worst efforts. During my five decades of life, I have had to learn how to be my own writer, which means for me that writers should take sides but not necessarily be on sides. My provocative approach to my professional journey means my skeleton will one day be found in some wings somewhere, still waiting for its close-up, its all-too-brief moment of viral spin in a writing world dominated by bots. But for right now, inspired by ever-infuriating, ever-fascinating and often-courageous magazine journalism, take-no-prisoners podcasting, diligent documenting and powerful historical narrative nonfiction, I am still here to contribute and complain. As a writer (and now audio commentator) who will probably be remembered best as my superhero secret identity The Human eNewsletter 🙂 , I give thanks to God, the Ancestors and you.

140-Word Review Of The First Two Episodes Of Hulu’s (And Nikole Hannah-Jones’) “The 1619 Project”

Easily the most militant, near-radical Oprah product yet. 🙂 Episode One is the usual (corporate) skewered portrait of Black people (only) wanting as-is American identity through American liberal democracy and capitalism instead of freedom, which is a much more complicated socio-political discussion that American documentarians wish to ignore. (Docs like this conveniently 🙂 forget that the American Civil Rights Movement was a McCarthyite compromise to what Blacks really wanted and had to politically dismantle–a Freedom Movement.) But admittedly, having a Black woman on-camera asking other Black women about the state of American democracy, regardless of the lack of imagination of the answers, feels new. Episode Two’s Black womanist-centered approach to the discussion of the concept of race, again, felt quite innovative. Overall, the personal-is-political approach works for Hannah-Jones since it creates tensions not normally “scene” in Black American docs.

FEBRUARY 16TH UPDATE: I finished the whole series. Nikole Hannah-Jones deserves her own family-centered, elite-access-influenced worldview, but I think future explorations of Black America should be divided into sections of multiple commentators/producers/narrators, etc. I believe that this historical doc should establish a new tradition.

Congrats, Golden Globe Winners!

Zendaya, “Euphoria”

I’m so sorry I wasn’t able to be there tonight, but I just wanted to say thank you to @goldenglobes for this incredible honor. To my fellow nominees, it is a privilege to be named beside you, I admire you all deeply. Thank you to my Euphoria family, without you, none of this is possible. Lastly, thank you from the bottom of my heart to everyone who has allowed Rue into theirs. I think everyone knows how much she means to me, but the fact that she can mean something to someone else is a gift. I’m honestly at a loss for words as I type this, all I can say is thank you thank you thank you. Goodnight♥️

Magazines I’ve Found I Can’t Live Without In 2023

Scattershots:

  • It’s important that I say it took all of this, and The New Yorker, to replace the old Rolling Stone in my heart.
  • I’m really impressed with the scholarship of the Review and the style of New York.

A Very Belated 100-Word Review Of (The Sadly,-Now-On-Streaming-Because-It-Didn’t-Make-Enough-Movies-Money) “Black Adam”

The magic word is….uneven

It’s unfortunate that the tension between 1990s superhero-film cheesiness and 2022 superhero-film coolness makes this effort implode. A post-COP27 viewing allowed more sensitivity to how Egyptians oppress themselves with the West’s help. Too bad the film quickly traded in that theme for a third-act battle with a Hellboy knockoff and some fake AMC Walkers. God bless his soul, Pierce Brosnan, 30 years distant from the start of his ’90s James Bond, elevated Black Adam when he could (with fine assists from Aldis Hodge) but couldn’t save it. It’s not hard to see why few wanted a piece of this Rock.