
An extraordinary, and, we know now, unheralded, display of mastery of how raw grief, righteous rage, sadness, melancholy and foreboding can be created by the manipulation of sight and sound.
An extraordinary, and, we know now, unheralded, display of mastery of how raw grief, righteous rage, sadness, melancholy and foreboding can be created by the manipulation of sight and sound.
Easily the most militant, near-radical Oprah product yet. 🙂 Episode One is the usual (corporate) skewered portrait of Black people (only) wanting as-is American identity through American liberal democracy and capitalism instead of freedom, which is a much more complicated socio-political discussion that American documentarians wish to ignore. (Docs like this conveniently 🙂 forget that the American Civil Rights Movement was a McCarthyite compromise to what Blacks really wanted and had to politically dismantle–a Freedom Movement.) But admittedly, having a Black woman on-camera asking other Black women about the state of American democracy, regardless of the lack of imagination of the answers, feels new. Episode Two’s Black womanist-centered approach to the discussion of the concept of race, again, felt quite innovative. Overall, the personal-is-political approach works for Hannah-Jones since it creates tensions not normally “scene” in Black American docs.
FEBRUARY 16TH UPDATE: I finished the whole series. Nikole Hannah-Jones deserves her own family-centered, elite-access-influenced worldview, but I think future explorations of Black America should be divided into sections of multiple commentators/producers/narrators, etc. I believe that this historical doc should establish a new tradition.
Mallori Johnson is a star but she has to burn through an unnecessary mess. A uniquely powerful story about the pain and irony of slavery in America–a short but stout book that slams the reader in the face–is so packed with television characters and thinned out and stretched as to lose its original meaning. Sad for non-readers who will think any of this has to do with a product produced by our amazing ancestor Octavia Butler.
UPDATE: https://www.hollywoodreporter.com/tv/tv-news/kindred-canceled-fx-1235313309/
And so now I feel I just wasted eight hours of a Sunday. But I’m glad to be introduced to Mallori Johnson, who deserves better projects.
….then free is the right price to see J.Lo attempt to revive the rom-com.
Not accidental that she has an Obama-level campaign stump speech. Entertainment forecasters say if she wins the Screen Actors Guild award that getting the subsequent gold action figure is a done deal.
“Green screen…” “Black history Starter Pack…” Good hate…. 🙂
My passionate first few minutes here are a manifestation of my core belief that writers should take sides but not necessarily be on sides. Big difference.
Zendaya, “Euphoria”
I’m so sorry I wasn’t able to be there tonight, but I just wanted to say thank you to @goldenglobes for this incredible honor. To my fellow nominees, it is a privilege to be named beside you, I admire you all deeply. Thank you to my Euphoria family, without you, none of this is possible. Lastly, thank you from the bottom of my heart to everyone who has allowed Rue into theirs. I think everyone knows how much she means to me, but the fact that she can mean something to someone else is a gift. I’m honestly at a loss for words as I type this, all I can say is thank you thank you thank you. Goodnight♥️
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