#YouTube #YouTubeReactions and #YouTubeBreakdowns Of #Lanterns #Lanterns1x8 #LanternsDirtandStars

What I said in reactin #YouTube comments on videos and on my socials:

#JohnStewart #JohnStewartGreenLantern giving the white girl extortionist that snicker “reparations” money while the white woman gets away with murder is complete bullshit. That rubbed me the wrong way and needs to be said! (That community made choices and benefited from them!) But I did like many self-determining aspects of this story!

P.S. I, too, wanted to see a big green fist. But he flew, he got in #GuyGardner’s face, and that was enough for me.

#Lanterns #DC #DCStudios #DCOfficial #GreenLantern

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FROM AI:

The transition of John Stewart from the page to the screen created two distinct versions of the character. While both are highly disciplined and powerful leaders, their backgrounds, personalities, and design aesthetics differ significantly.

Attribute2000s Comic Era (JLA)Justice League Animated Series (DCAU)
Origin BackgroundAn architect and socially conscious political activist.A strict, “no-nonsense” U.S. Marine veteran.
Core PersonalityLoud, brash, complex, and emotionally burdened by past tragedies (like Xanshi).A rigid, stoic, and highly disciplined tactical anchor.
Ring ConstructsArchitectural and structurally perfect; every nut, bolt, and blueprint is fully simulated inside the construct.Pragmatic and military-focused; prefers direct energy beams, shields, and heavy weaponry.
Key RomanceTragically married to the alien Green Lantern Katma Tui before her murder.A deeply developed, iconic romance with Hawkgirl (Shayera Hol).
Visual DistinctnessStandard human eyes; classic green and black uniform variations.His eyes permanently glow green due to prolonged exposure to ring energy in his bloodstream.

How the Cartoon Changed the Comics

The Justice League animated series was so wildly popular that DC Comics retroactively imported major cartoon elements into the main comic continuity. In the mid-2000s, comic writers officially retconned John Stewart to give him a U.S. Marine sniper background to match his animated counterpart, ultimately blending the “Architect” and “Marine” traits into the modern version of the character. [1, 2, 3, 4]

[1] https://www.facebook.com

[2] https://www.youtube.com

[3] https://www.facebook.com

[4] https://www.youtube.com

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The animated John Stewart (primarily known from the Justice League and Justice League Unlimited series) and the live-action John Stewart (played by Aaron Pierre in the 2026 HBO series Lanterns) are fundamentally different in their character arcs, career milestones, and the core motivations driving their heroics. [1, 2]

The direct comparison below outlines how the two versions differ across key traits:

Feature / TraitAnimated John Stewart (Justice League / JCAU)Lanterns John Stewart (HBO Series, 2026)
Lantern StatusVeteran superhero and core, established member of the Earth’s Justice League.Rookie Green Lantern being trained and supervised during a murder investigation.
Age RepresentationStandard prime superhero age (typically late 20s to mid-30s).Surprisingly older; he is about 40 years old during the events of the series.
Professional BackgroundRetconned strictly into a U.S. Marine to emphasize strict military discipline.A hybrid blend of past origins, combining both military service and an analytical architect background.
Dynamic with Hal JordanOperated mostly independently from Hal Jordan, who was largely absent from his core narrative.Subordinate rookie to Hal Jordan (Kyle Chandler), who acts as his veteran mentor.
Ring Origin & Ring ChoiceChosen independently by the Guardians of the Universe for his inherent discipline.Selected after his father (John Sr.) was rejected by the ring for admitting fear; his parents groomed him specifically to become a Lantern.
Core Persona & DriveStrong-willed, highly proactive, assertive leader and authority figure.Initially more passive and compliant, following his father’s footsteps to avoid friction rather than pure personal empowerment.
Ring Construct StyleHeavily military-focused, rigid, and tactical weaponry constructs.Combines sniper focus with an architect’s structural integrity, creating intricate, autonomous constructs (like a self-maintaining bird).

[1] https://www.youtube.com

[2] https://www.youtube.com

[3] https://www.tvline.com

[4] https://www.youtube.com

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The comic book John Stewart and the version portrayed by Aaron Pierre in HBO’s Lanterns diverge sharply in their origin lore, psychological drives, and career timelines: [1, 2]

Trait / Story DimensionComic Book John Stewart (DC Comics)HBO’s Lanterns (2026 TV Series)
Origin & InductionSelected spontaneously by the Guardians of the Universe as Hal Jordan’s alternate backup after Guy Gardner is injured.Conditioned from childhood by his parents after his father failed a test with the ring; joins the Marines specifically as part of an orchestrated path to earn the ring.
Initial Stance on AuthorityAnti-establishment, fiercely outspoken activist who challenges systemic injustice, political corruption, and refuses to wear a mask.Initially compliant and passive toward authority figures, following a path paved by his parents to avoid family friction before pushing back.
Career ChronologyDebuted as a Detroit civilian architect (1971); his USMC sniper background was retroactively integrated later following his animated series fame.Integrates both backgrounds from the start: enlists in the Marines intentionally, gets dishonorably discharged, and then turns to art and architecture.
Dynamic with Hal JordanBegan as an equal backup and ideological sparring partner, later stepping up to permanently succeed Hal as Sector 2814’s primary Lantern.Operates as a late-in-life rookie being reluctantly mentored and tested by an older, worn-down, morally compromised Hal Jordan.
Relationship to the RingThe ring is a natural tool for his willpower; constructs are designed from the inside out with every nut, bolt, and structural component accounted for.Disillusioned by what the ring does to people (seeing Hal as a cautionary tale), walking away from its pull before being drawn into cosmic conspiracies.
Construct MechanicsStrictly dependent on willpower channeled through a charged power ring worn directly on his hand.Displays an atypical, intrinsic resonance—capable of generating and sustaining autonomous hard-light constructs even without actively wearing the ring.

[1] https://www.rottentomatoes.com

[2] https://www.tvline.com

#EmergencyAwesome / #NewRockstars: #Lanterns Episode 6 Trailer: #GuyGardner & The New #Batman!

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#NewRockstars #ScreenCrush / #HeavySpoilers / #EmergencyAwesome / #BeyondTheTrailer: #Lanterns1x1 #Lanterns, Episode 1 BREAKDOWN and ENDING EXPLAINED #KyleChandler #AaronPierre

Liked these ones–especially the first three posted here, because they’re more like “Beginning Explained” videos!

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#imixwhatilike w/ #JaredBall: #EyesOnThePrize #EyesOnThePrizeIII w Dr. #ToddStevenBurroughs

PRESS RELEASE: He Was A Black Power Icon On “Sesame Street.” Then He Was Evicted. A New, Free Online Novel On Medium.com Tells The Full Story Of America’s First Black Muppet.

Forgotten Black-Power-TV icon Roosevelt Franklin, teaching his fellow inner-city Muppets on PBS’ “Sesame Street,” circa early 1970s

February 1, 2024

FOR IMMEDIATE RELEASE

CONTACT: Todd Steven Burroughs (toddpanther@gmail.com/@ToddStevenBurr1)

NEW, FREE ONLINE NOVEL ON MEDIUM.COM TELLS THE STORY OF HOW AMERICA’S FIRST BLACK MUPPET, A SYMBOL OF THE BLACK POWER MOVEMENT, WAS EVICTED FROM “SESAME STREET”

A PEOPLE’S NOVEL: At The Dark End of Sesame Street: The Autobiography of Roosevelt Franklin
(OR
Coup Tube: The Prose Ballad of Roosevelt Franklin)

Roosevelt Franklin, one of the first breakout stars of Sesame Street, has been called “The Black Elmo” but he’s really a Black Power pioneer. It’s why author Todd Steven Burroughs decided to take the plunge and further fictionalize the life of a network TV puppet.

“The more I read about Roosevelt, the more I realize that a puppet actually went through the Black Power experience,” said Burroughs, who, at 56, was part of the first generation of American toddlers to watch the then-brand-new “Sesame Street” on PBS. So it was clear to him that Roosevelt’s “life” had to be explored in-depth.

“Originally I was going to write an article, but that had been done to death already,” said Burroughs, a freelance writer and public historian. “I was going to make it a little different by doing one of those long magazine pieces that would have allowed Roosevelt his first-person segment—a mini-platform to tell his own story—and that idea expanded into this attempt at fan fiction.”

Roosevelt Franklin was created by Matt Robinson, the show’s first “Gordon” (pictured, along with Loretta Long, still the show’s “Susan” in 2024). Decades before “Elmo’s World,” he was the first character to get his own “Sesame Street” segment named after him, “Roosevelt Franklin Elementary School,” a series of skits that had Franklin work as a student teacher at a vibrant, noisy, inner-city school.

Another pioneering power-move: he was the first Sesame Street character to get an album. It was released in 1971 and re-released in 1974.

A mainstay from 1970, the year after Sesame Street began, to 1975, he was even one of the show’s first toys.

 So what happened?

“Roosevelt was a victim, ultimately, of middle-class Black respectability politics,” said Burroughs. “Once I saw his arc and how it intersected, and even mirrored, the Black Power Movement and the problems and paradoxes of racial integration and cultural nationalism, I knew I had to do something a little different, to tell the story I began to see in my own mind—basically write the last Black Power memoir about someone who, pun intended,  wasn’t going to be The Man’s puppet.”

Published in full and for free on Medium.com, At The Dark End of Sesame Street fills in significant gaps in Roosevelt’s story, giving him friends and mentors—some of whom are very well-known in New York’s Black communities in the early 1970s—and, by doing that, tells fun and interesting tales about television, music, and finding a sense of purpose. Along the way, it exposes the internal tensions that are inevitable when a young Black man tries to balance the demands of white liberalism and Black radicalism during the Black Power era.

“The weirdest part for me was writing a story that mentioned both pioneering New York Congresswoman Shirley Chisolm and Big Bird,” said Burroughs, a lifetime student of New York’s Black public affairs television programming and Black radio history. “TV has always created strange bedfellows, and this novel is no different.”

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Roosevelt and the class, keeping the beat

DISCLAIMER: A PEOPLE’S NOVEL: At The Dark End of Sesame Street: The Autobiography of Roosevelt Franklin (OR Coup Tube: The Prose Ballad of Roosevelt Franklin) is a nonprofit work of fanfiction written and posted for free online consumption, and hopefully enjoyment, under Fair Use. Roosevelt Franklin is a fantasy puppet character created by a real Black man, Matt Robinson, for use by the Children’s Television Workshop (CTW), now known as the Sesame Workshop. Sesame Street is a creation of the Children’s Television Workshop for the Public Broadcasting Service and HBO and is trademarked by Sesame Workshop. The Muppets were created by Jim Henson and the CTW. All Sesame Street Muppet characters are trademarked and copyrighted by the Sesame Workshop. All images, names and likenesses of Sesame Street characters, puppets and PBS actors used in this promotional material and in the novel are done under Fair Use. No copyright nor trademark infringement is intended.

My Article On The Harriet Tubman Underground Railroad Visitors Center…….

…….is here.