Thank You, #DollyParton (1946-2026) #DollyParton #songwriting #countrymusic #WhitneyHouston #QueenLatifah

The tragedy for me is doubled here because her visual (and accompanying) shtick might prevent her from being remembered properly in American popular culture: as one of the greatest songwriters in the English language. #DollyParton #songwriting #countrymusic

FROM AI:

Whitney Houston generated over $10 million in royalties for Dolly Parton in the 1990s alone, with lifetime earnings from the cover estimated to exceed $20 million.

Because Dolly Parton wrote and owned the full publishing rights to the 1974 song “I Will Always Love You”, she earned a songwriter and publisher fee every time Houston’s legendary 1992 version for The Bodyguard soundtrack was played, sold, or broadcast.

Where the Money Went

Dolly Parton publicly shared how she spent a major portion of those earnings:

The Investment: In 1997, Parton used the money to purchase a large commercial strip mall and office complex in Sevier Park, a historically Black neighborhood in Nashville, Tennessee.

The Tribute: She chose the location intentionally to honor Houston, famously stating during a Watch What Happens Live interview that she wanted to invest back into Houston’s community, calling the property “the house that Whitney built.”

The Elvis Connection

The payday only happened because Parton fiercely protected her copyrights years prior. In the 1970s, Elvis Presley’s manager, Colonel Tom Parker, demanded 50% of the publishing rights before Elvis would record a cover. Parton turned them down, crying all night over the decision. Because she refused to give up her rights, she later collected 100% of the publishing royalties when Houston recorded her version.

“Vampire Nation” (Music And Lyrics By Mumia Abu-Jamal, Part Of The Abu-Jamal Papers @ Brown University Incarceration Archives)

VAMPIRE NATION

From the very beginning

To this very day;

This country has gone–its own special way;

from placing Indians in chains and graves;

to bringing Africans–across the waves;

********

How can we call this freedom’s land?

When it was built by slavery’s hand!

From 1492 many millions were slew;

From the day Co-lumbus sailed ocean blue.

This is–this is–a Vampire Nation!

Been that way since its creation!

This is–this is–a Vampire Nation!

I sing it without exaggeration!

*********

But why call it Vampire Nation?

It ain’t Dracula’s generation;

‘Cause America was old before that story got told;

They came in a flood, to feed on each other’s blood;

They bled Cherokee, Ashanti, Arapaho & Mandingo;

Worked ’em ’till they were no mo’;

Runnin’ ’em from shore to shore!

***********

Why call it Vampire Nation?

It ain’t Dracula’s generation;

This is–this is–a Vampire Nation!

Been that way since its creation!

This is–this is–a Vampire Nation!

Call it out–no hesitation!

@ Copyright Mumia Abu-Jamal

As performed at the Brown University conference.

OCTOBER 29th UPDATE: And here’s the video of the Brown session with the song: