May 14, 2020
Press Contact Zayid Muhammad 973 202 0745
FOR IMMEDIATE RELEASE
HONORING MALCOLM X AT 95!
BY ANY MEANS NECESSARY!
On Tuesday, May 19th, join us in our first virtual observation of the 95th anniversary of the birth of our beloved Black Shining Prince, Malcolm X!
Because of the Coronavirus Pandemic, this will be a very different May 19th.
The Malcolm X Commemoration Committee (MXCC), The December 12th Movement, the
Organization of AfroAmerican Unity(OAAU), the Sons of Africa and the Malcolm X /Dr. Betty Shabazz Educational Center are uniting to make it a memorable one!
ANNUAL PILGRIMAGE TO THE GRAVESITE OF MALCOLM X CANCELLED TO THE PUBLIC: CAPTURED ONLINE!
Normally, our day would begin at 9 a.m. in Harlem with our Caravan for the annual Pilgrimage to the Gravesite of Malcolm X.
Cemeteries and Funeral Parlors are facing limits that are being put on their service capacity because of the Pandemic. Ferncliff Cemetery, where Malcolm is buried, can only allow ten persons at a time for a service. For these reasons, for the first time since 1966, we are going to have cancel the “public” pilgrimage gravesite ceremony. There will be a ‘Private’ ceremony performed by the OAAU and the Sons of Africa for the benefit of the immediate family and honoring and upholding the tradition, and that can be seen virtually as it will shared on Facebook Live!
At 11 a.m., go to the Malcolm X Pilgrimage 2020-ONLINE Facebook Event Page and join in the moment!…
SHUT DOWN OF 125TH STREET-CAR CARAVAN
We usually shut down the businesses on 125th Street at 12 noon under the leadership of the December 12th Movement.
Because of the Pandemic Shutdown, the businesses will already be closed, but to invoke the honor and memory and the legendary commitment to struggle of Malcolm, the December 12th Movement is leading a Black Power Car Caravan along 125th Street from 1pm and 3pm.
We are calling it ‘Fly the X Everywhere!’ Post it! Wear it! Display it!…
SHABAZZ CENTER’S 2 DAY LONG VIRTUAL CELEBRATION AND EVENING VIRTUAL ROUNDTABLE HOSTED BY MXCC
Usually on the evening of May 19th, we join Ilyasah Shabazz and family at the Shabazz Center for the Annual Birthday Celebration.
Because of the Pandemic Restrictions, the Shabazz Center will instead host a 2 day series of virtual appreciations that they will include speakers, performers, liberation music. It will begin with a Watch Party for a Special Malcolm X Film on Monday evening. The time and film to be announced…
At 7 p.m., go the Malcolm Commemoration Committee Facebook Page for the Livestreaming of a powerful virtual Roundtable… ‘Malcolm X Speaks In The 21st Century:Beyond Covid19 and Chickens Coming Home To Roost!’
This will be the first of a series of virtual MXCC events.
Ilyasah Shabazz will join this Roundtable and will give opening remarks with Prof. James Small of the OAAU.
Poet Activist Zayid Muhammad, MXCC’s founding press officer, will host a powerful intergenerational panel of activists and scholars that will include:
- Viola Plummer of the December 12th Movement
- Prof. William Sales, co-convenor of the Malcolm X Speaks in the 90s Conferences and author of From Civil Rights to Black Liberation: Malcolm X and The OAAU
- Baba Zak Kondo, Conspiracys (Conspiracies): Unravelling The Assassination of Malcolm X
- Herb Boyd, co-editor with Ilyasah Shabazz of The Malcolm X Diary and co-editor of Malcolm X, Real, Not Invented, By Any Means Necessary
- Basir Mchawi, WBAI’s Education At The Crossroads
- Prof. Todd Steven Burroughs, co-editor with Dr. Jared A. Ball of A Lie of Reinvention: Correcting Manning Marable’s Malcolm X
- Prof. Kelly Harris, “Manning Marable: Humanizing Malcolm or Denigrating Legacies”
- Prof. Leonard Jeffries, founding chair emeritus of Africana Studies at City College New York (CCNY) and the International Executive Director of the OAAU
For more information about this extraordinary effort, follow our Facebook Page @Malcolm X Commemoration Committee and the webpages of the December 12th Movement http://d12m.com and of the Shabazz Center https://theshabazzcenter.org .
Finally, Muslims all over the world are excited to know that on one of Islam’s most sacred nights Laitul Qadr, the Night of Power, or the night that the Prophet Muhammad received his first Quranic revelation, falls on May 19th, the birthday of a great Muslim, El Hajj Malik El Shabazz-Malcolm X!
We can be reached at 973 202 0745…
1) Now everyone will see Newark the way I see it: as a small town. Treating it as a “small town with deadly secrets” was amusing. It is a place where, if you ride a bus or sit somewhere and be quiet, you will hear Old Heads talk about their time with The Nation. Now I finally understand why, in a city where historically you can get killed for looking at someone wrong, Bradley was able to walk around untouched. You also now know that we, as a group, care more about collective, community advancement than ideology and argument: the comment by Newark Mayor Ras Baraka that he learned from his father to “leave that alone because that won’t advance our cause” is classic Newark. Congrats to my brother, Baba Zayid Muhammad, for his honesty in this documentary. He educated me a lot about what this Black Power city is still like. I absolutely believe that Newark “got there first” in Black Power zealotry.
2) Continuing with Newark: why would Bradley be in Booker’s Newark mayor campaign commercial? Why would New Jersey Lt. Gov. Shelia Oliver be at Bradley’s funeral when she knew?!? Point-blank, Newark is a community service city, and all the community servants know each other. If you do “change your life around” and “do something positive,” particularly for our youth, we wipe your slate clean. That how we be. If Bradley had killed, say, Rahim Johnson, it wouldn’t even be brought up.
3) Last Newark note: I love the irony of Bradley’s high school being eventually being renamed after Malcolm. 🙂
4) It was extremely annoying that Peter Goldman, who wrote 85 percent of this documentary’s content back in the 1970s (!!!!!), was almost invisible, blotted out. The only thing more annoying is that Baba Zak Kondo was “second historical bananna” to David Garrow–this documentary’s Obi-Wan Kenobi. Kondo should have been the main voice here, and his wrap-up almost redeems this time-waster.
5) The big winner here was WABC-TV, who clearly sold a lot of footage. (Why did the documentarians keep misdating that Talmadge Hayer interview as 1970? That was very annoying and needs to be fixed!) See how great “Like It Is” was, folks outside of New York? Today I am very proud to have a doctoral dissertation that has a small part devoted to it. I will appreciate this Nextflix series forever if it leads to the show finally getting archived.
6) The “search” for Bradley was ridiculous stagecraft. And where were articles like these, since Bradley was so difficult to find? LOL! This program could have easily been cut by three hours. The phony drama should have been replaced with more on the Ali-Malcolm schism. That deserves its own doc or movie.
7) And speaking of future MX media products, my vote for the next movie or documentary needs to be solely based on his extraordinary travel diary. The fact that Malcolm tried to unify the African-Muslim world–and that he chose to return to America when he had choices to possibly stay alive longer–is a story that desperately needs to be told.
8) Um, where was this part? Did I miss it when I was in the bathroom? Did I miss any mention of the Minister? What’s going on? And if Goldman and Kondo were read so carefully, why didn’t Obi-Wan tell Luke that the FBI reported that Louis X was at the Newark mosque on the day of the assassination?!?
9) This could have been a lot worse, seeing that Henry Louis “Skip” Gates was the exec producer and Manning Marable’s wife a consultant. At least this is better than Spike’s treatment. This puts Spike’s movie in the fiction category the way Marable’s disastrous bio, at its best, put The Autobiography in that same category.
…..can be found here.
……for jump-starting Alex Haley’s career and indirectly being responsible for “The Autobiography of Malcolm X.”
Here’s the block that got cut out, about the biographer and the his approach:
If there is ever to be a Hall of Fame for post-World War II American biographers, David Garrow has worked undeniably hard for his statue. The energy and sweat required of a great biographer are present. The book’s promotional material says Garrow does research worthy of Robert Caro, the man who has devoted half his life to writing about Lyndon Baines Johnson, and the hype is right. His thousands of resources include The Chicago Defender and several weekly newspapers, which allows him to use facts and statements others have forgotten. He had access to an incredible amount of detail, and decided to use (almost all of) it, to give the reader almost a month-by-month portrayal of 46 years.
Since the fable is so well-known, Garrow needed to perform a tragedy to give the reader a reason to re-visit this territory. He constantly prepared the reader for disappointment, showing that the potential compromises were there all along under the winning smile and Black Kennedy mystique: “[W]hile the crucible of self-creation had produced an ironclad will, the vessel was hollow at its core.”
The so-called hot news of the book—that Barack Obama, a young, over-educated, tall, handsome, single Black man, had a lot of sex before he got married and that he asked his serious live-in girlfriend, a half-white, half-Japanese woman named Shelia Miyoshi Jager, to marry him—is a complete yawner. The story that Garrow tells as he outs Jager is that Obama broke up with her because he needed a Black woman (World History, meet Michelle Robinson) to be a successful Black politician. So what that he asked another woman to marry him? Choosing a wife is a life-effecting process, not just a political one. It is possible that Obama made the decisions he did for purely Machiavellian reasons, but it is equally possible that Obama, a Half-rican, purposely chose a one-hundred-percent American Negress so he could have an authentic Black family. Just because he loved Jager doesn’t mean he was supposed to spend his life with her, and just because they wanted to marry doesn’t mean history was somehow thwarted by ambition.
Garrow is filled with critique—of Obama and of crush-ing Obama journalists and biographers. In his blistering epilogue, Garrow skips the most obvious reason his presidency was impotent: the intent of the Republican Party to oppose him on everything, from the administration’s first day. The epilogue is so intent on being critical—and it should, considering it’s about a man constantly compromised in ways he sees as pragmatic and necessary—it seems not to care where the criticisms originate. Meanwhile, Garrow ignores the most biting Leftist jabs. Strange choices for a left-of-center author. Garrow finds every disappointed friend, every Obama enemy, every teacher and influence he can, and includes them along with seemingly every colleague who at any point praised him. Jager accusing the president of political cowardice is the high-note of a critical symphony.
Civil Rights For Beginners (2016).
Paul Von Blum. Illustrations by Frank Reynoso, et. al.
Foreword by Peniel E. Joseph.
Danbury, CT: For Beginners Books.
ISBN-10: 1934389897; ISBN-13: 978-1934389898.
161 pp., $15.95.
Malcolm X For Beginners (1992).
Text and Illustrations by Bernard Aquina Doctor.
Danbury, CT: For Beginners Books.
ISBN-10: 1934389048; ISBN-13: 978-1934389041.
186 pp., $16.99.
Black Panthers For Beginners (1995).
Herb Boyd. Illustrations by Lance Tooks.
Danbury, CT: For Beginners Books.
ISBN-10: 193999439X; ISBN-13: 978-1939994394.
154 pp., $15.95.
Fanon For Beginners (1998).
Text and Illustrations by Deborah Wyrick, Ph.D.
Danbury, CT: For Beginners Books.
ISBN-10: 1934389870; ISBN-13: 978-1934389874
184 pp., $15.95.
This month marks the 50th anniversary of the Black Panther Party. Although the Black Power movement officially began months earlier, with Stokely Carmichael, stalwart of the Student Nonviolent Coordinating Committee, publicly using the term in Alabama, for this writer the Black Power movement started when two brothers met in Oakland and, borrowing a symbol that SNCC was politically organizing with, developed a 10-point program for Black liberation. Under Carmichael, SNCC stood with the Congress of Racial Equality as the Black Power wing of the Freedom Movement, with an emphasis on organizing Black people to see themselves as members of self-determining Black communities, of miniature Black/African nations in the land of the thief, home of the slave.
Providing art and information to The People—like Fannie Lou Hamer, formally uneducated but politically astute—was a priority for the Black Power Movement. Africana Studies, an idea that had just begun to be implemented in American academia, was still being written in the streets in blood, footnoted with broken glass and Molotov cocktails.
The “For Beginners” books series, originally published by Writers and Readers, are books for The People. The company describes what it produces as “documentary comicbooks.” Being a little more precise, what they create, actually, are well-researched introductory books about complex topics and personalities illustrated by drawings that oftentimes mimic comicbook style. These four books listed were chosen to highlight and celebrate the Black Power movement through their collective analysis and unique presentation. (Although, it is known that this idea is far from new: the Fellowship of Reconciliation, a white liberal group, published “Martin Luther King and The Montgomery Story” in 1957, and Julian Bond published an anti-Vietnam comicbook targeting the Black community ten years later.)
The publisher allows description and explanation on its authors’ terms. Von Blum’s book, for example, takes the entirety of Black history and describes it through the lens of the Civil Rights Movement, reminding the reader that Ida B. Wells sat down and refused to move on a train before Rosa Parks was even a gleam in one of her parents’ eyes. It mentions unheralded actors such as the Southern Tenants Farmers Union, which held a sit-in in the U.S. agriculture secretary’s office in 1934. Doctor’s book on Malcolm is a wonderful text-collage combo (done in the pre-digital era!) that is not afraid to go for the symbolic image: seeing a tiny Malcolm being held in the palm of “The Autobiography of Malcolm X”’s “Sophia” (Bea), his white lover, makes the statement. Doctor provides an impressionistic history of Malcolm—a story of Black ideas that override chronology (and unfortunately, sometimes biographical facts) and ideological complexity.
Out of the four, the two that stand out overall are Boyd’s BPP and Wyrick’s Fanon. Wyrick blasts the complex Fanon into understandable chunks of intellectual peanut brittle, explaining and dissecting, critiquing and footnoting. Her thoughtfulness, care and talent shows through, since her own illustrations do a wonderful job of supplementing and complementing her deceptively simple text. Her closing chapter on Fanon’s multifaceted legacy, and her beautifully crafted first-person epilogue, is alone worth every tree that was sacrificed to make this book. Boyd’s snappy, bouncy prose style is more than equaled by Tooks’ energetic, playful art. (This reviewer wishes that the publisher would have made Von Blum follow the Boyd/Tooks model, instead of providing dry, trying-to-get-tenure academic text punctuated by even drier art by the Civil Rights book’s main artist, Reynoso. Liz Von Notias, sadly a supplementary artist for the text, provides the narrative’s more vibrant, alive drawings.) Boyd quotes from most of the Panther scholarship that existed at the time of publication, creating a mosaic of first-person recollections from Panthers as well as its public enemies and private informants. The sections on sexism within the BPP and the Huey Newton/Eldridge Cleaver split is very strong, as is the tracing of police plant Gene Roberts from Malcolm X’s Organization of Afro-American Unity to the Panthers.
With the exception of Von Blum’s Civil Rights, which was published this year, the major problem with these books is that they desperately need updating. For example, at least a score of studies, anthologies, memoirs and biographies have been published on the Black Panther Party since Boyd and Tooks, and Boyd himself is the co-editor of “The Diary of Malcolm X,” a 2014 book that, like “Blood Brothers,” the recent Randy Roberts/Johnny Smith narrative history on Malcolm X and Muhammad Ali, must be incorporated into Doctor’s almost 25-year-old “For Beginners” text. The books also can be editorially uneven; for example, some titles have indexes and some don’t. That sloppiness should not be tolerated.
In spite of these flaws, these books need to be supported by The People. (With the eight-year White House national experiment with being adjective-less “Americans” almost over, it’s time for Black America to go back to its socio-historio-cultural basics.) They need to be purchased and passed out to the Black masses, of any age, who, like the high school seniors and college freshmen the “For Beginners” series is apparently targeted to, may be intimidated by “serious,” “scholarly” texts. Google Search, Wikipedia and YouTube need not have the first, and last, word when it comes to African/Black leaders and movements. As unlikely as it seems, mass political education of The People might only be a few million “documentary comicbooks” away.