#ArtSpiegelman: Disaster is My Muse | Full Documentary | #AmericanMasters #PBSAmericanMasters | #PBS #Maus #MausASurvivorsTale

https://www.elizabethhand.com/critical-writings-and-reviews/tag/Art+Spiegelman#:~:text=Maus’s%20publication%20was%20a%20game,13.

#imixwhatilike: re: #TaNehisiCoates: What Is The Message? ft. #ToddStevenBurroughs

2026 COMMENTS: This was my version of a #KattWilliams interview. 🙂 I cut and pasted comments below I made today, almost two years later.


@IsiahBradley

4 hours ago (edited) Listening to, and laughing about, this almost two years later…..

[2026] UPDATES:

There is now a book on the history of #TheVillageVoice. It’s called “The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture.”

There is a book about Coates’ run on the #MarvelComics character #BlackPanther. It’s called “Writing Black Panther: Ta-Nehisi Coates and Representation Struggles.”

2:02:45: “Freedom Fighter: My Life as a Soldier in the #BlackLiberationArmy,” #AshaBandele‘s collaboration with Black #politicalprisoner#SekouOdinga, is due to be out October 2026, as of this writing.

CORRECTIONS: 14:07 ; 2:01:55: Political prisoner #MaroonShoatz openly said the goal of his 2024 book #IAmMaroon was to get a film deal, a la “#TheHurricane.”

37:41: The James Baldwin essay that pissed #RichardWright off was “Everybody’s Protest Novel.” Baldwin’s obit of Wright was “Alas, Poor Richard.”

50:26: I meant ” AMIRI BARAKA’s daughters from Hettie…”

59:41: The #JohnHenrikClarke essay was called “The Alienation of James Baldwin.”

#TaNehisiCoates#ImixwhatIlike#TheMessage#Blackwriting#politicaleconomy#JamesBaldwin#AlexHaley#AmiriBaraka#CornelWest#MayaAngelou#magazinejournalismhistory#Palestine#literaryjournalism

All Of Our “Back In The Days” :) (Or: R.I.P., Or Last-Rites I.C.U., 20th-Century Post-World-War II Print Magazine Culture)

Since we all have this kind of song in us, here’s mine! The funny part is that I never experienced this “full monty” directly or fully as a wannabe magazine writer. (Thanks, Victoria Valentine, for letting me write for The Crisis! Thanks, Marcus Reeves, for connecting me with The Source‘s Akiba Solomon, who connected me with E. Assata Wright! And thanks to Richard Prince, who connected me with Lyne Pitts at The Root!) But knowing it existed, even if out of my grasp for one reason or another, made me happy:

Man, the good ol’ days…a magazine feature article at least 10,000 words long (and was at least .50 a word!) that took at least two drafts and six months to do….sitting for days with an editor who was more talented than you but believed in the cause so he/she sat with you and co-wrote, without even thinking of credit, a much-better third/fourth draft (known in magazine world as “editing”)….a serious illustration on the left, opposite the opening text….listed in the Table of Contents and, if you were a star, a cover line (and if you were a superstar, an added byline)…..on every newsstand in the country…knowing you were the public envy of some other writer somewhere….Knowing for somebody, somewhere what you wrote was their favorite article and he/she/they would keep that issue for 20 years, too emotionally attached to it to throw it away……*sniff* 🙂