#TriceEdneyNewsWire: “Photographer Roy Lewis Honored by #NationalAssociationofBlackJournalists #NABJ at Chicago Confab” By Hamil R. Harris

Every Black community has somebody like Roy Lewis. When I lived in the D.C. area and was at a Black political event, the way I knew I was at the main one of the day was spotting Roy, clicking away.

*****

Having taken thousands of photos of people receiving awards and making news, Roy Lewis waited his turn to be honored by the National Association of Black Journalists. PHOTO: Roland Martin/#Roland Martin Unfiltered
Roy Lewis, relaxing later with his NABJ Legacy Award.

Roy Lewis (center) receives the Legacy Award from NABJ representatives Frank Holland of CNBC and Abby Phillip of CNN. PHOTO: Roland Martin/#Roland Martin Unfiltered


September 2, 2024

Photographer Roy Lewis Honored by NABJ at Chicago Confab

By Hamil R. Harris

(TriceEdneyWire.com) – Roy Lewis has photographed iconic images across Black America for decades and his love for the lens was captured by Jet magazine in 1964 when it published his photograph of pianist Thelonious Monk.
Born in 1937, on a plantation below Natchez, Mississippi, Lewis’s resourcefulness is part of his gift. He first fell in love with vocational photography in high school. He later practiced that love on a professional level at the Johnson Publishing Company on South Michigan Avenue in Chicago. He earned the money for a 35-mm camera after he was drafted into the U.S. Army.
This summer, Lewis, 87, was back on South Michigan Avenue in Chicago, but not at the John H. Johnson headquarters. He was there to receive “special honors,” at the convention of the National Association of Black Journalists.“I worked for Mr. Johnson from 1956 to 1968 and then to be honored on this Avenue…” Lewis said. “It’s not about the pictures; it’s about the feeling of being honored by your peers and being back in Chicago, where I did some of my top work.”
Lewis was bestowed with the Legacy Award during NABJ’s annual convention in August. The Legacy Award recognizes a Black print, broadcast, digital, or photojournalist of “extraordinary accomplishment who has broken barriers and blazed trails.”
Legacy Award honorees are those who have “contributed to the understanding or advancement of people and issues in the African Diaspora,” according to NABJ.
The NABJ wrote, “Lewis is a renowned photographer and activist whose photography career started in 1964 when Jet magazine published his photograph of musician Thelonious Monk. His work has been celebrated nationwide, including in his ‘Everywhere with Roy Lewis Exhibition,’ beginning in 2008 at the Essence Music Festival.”
Lewis, who left Chicago in 1973 and moved to Washington D.C., was nominated for the award by Sam Ford, a founding member of the NABJ who worked for more than 51 years as an award-winning broadcaster for three decades on air at WJLA-TV, Washington, D.C.’s ABC affiliate.
“Roy has been part of the Washington press corps for as far as I can remember,” Ford said. “Roy started taking pictures when he was 17 years old. He will be 87 this year…That is more than 70 years connected with the news media except when he was in the army.”
Lewis also worked in his hometown paper in Natchez and went back to work for Ebony and Jet after the army. He has a large collection of pictures from his days at Ebony and Jet from the 1960s and he is still a photographer for The Washington Informer newspaper, the Trice Edney News Wire and the NNPA News Service, which serves 200 Black newspapers and their websites. “I thought he needed recognition. When a person is going for 87 years you don’t want to wait too long,” Ford said.
According to Lewis’ HistoryMakers biography, he was drafted in 1960, and he developed his photography talent in the army. He purchased his first camera for just $25. In 1968, Lewis left Johnson Publishing and joined the staff at Northeastern University, filming student activities. In 1970, Lewis videotaped an exclusive interview with the late Honorable Elijah Muhammad. Lewis’s work was featured in the film A Nation of Common Sense. In 1974, Lewis traveled to Zaire to film the Muhammad Ali-George Foreman fight. This historic video would later be featured in the documentary on that classic clash, When We Were Kings. In 1975, Lewis worked on River Road on the Mississippi, a pictorial book that focused on African-American people and life along the Mississippi River.
Dr. Ben Chavis, NNPA president/CEO, said in an interview, “The National Newspaper Publishers Association salutes Roy Lewis as a phenomenal photojournalist and for his long-standing contribution to freedom, justice, and equality. Roy Lewis is an icon of the Black Press.”
Likewise, Hazel Trice Edney, editor-in-chief of the Trice Edney News Wire, said, “Roy Lewis’s name is synonymous with excellence in Black Press photography.” Under her leadership as president of the Capital Press Club in 2014, Lewis was also an award recipient during the CPC’s 70th anniversary celebration. She said, “Roy is deserving, not just because of great and historic photography, but because of his commitment to the cause.” 
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My Trice Edney News Wire Review Of The Book On The Chicago Defender’s History…..

Chicago-Defender

…….is here.

Whither The Black Press, Vol. 125?

A. Peter Bailey

A. Peter Bailey, veteran of Jet magazine and currently with the Trice Edney News Service, speaks at the Journalists Roundtable. Photo by Sharon Farmer.

 

I stole this stuff from Richard Prince’s Facebook page. With Sidmel’s death earlier that day, it was a bad day for Black journalists.

Journalists Roundtable, Oct. 6, 2015

Updated last Thursday

Photos (c) by Sharon Farmer

 

Crown Bakery, Washington, D.C.

Our October roundtable changed topics quickly in response to news the previous day of the resignation of George E. Curry, editor-in-chief of the news service of the trade association for black community newspapers, and one of his staff members.

The National Newspaper Publishers Association had cut their salaries in half and its board chair, Denise Rolark Barnes of the Washington Informer, disclosed that the NNPA board imposed the budget cuts after a decline in revenue and sponsorships prompted by competition from the digital world.

“The drain couldn’t continue,” Barnes said. <http://bit.ly/1FRGfDc>.

Barnes joined us along with roundtable regular Hazel Trice Edney, a former editor-in-chief of the NNPA news service who founded TriceEdneyWire.com.

We also heard from DeShuna Spencer, a social entrepreneur, journalist and the Founder/CEO of kweliTV, an internet video streaming network for the black consumer. She won a $20,000 grant from The New U: News Entrepreneurs. See: <http://unityjournalists.org/news/unity-announces-newu-2014-winners/>.

DeShuna described kweliTV as a “black Netflix,” a phrase she would rather not use since she believes such projects should be described on their own terms. One criterion for adding films to the site is that they have appeared in film festivals.

Denise said it was imperative that black publishers move more quickly into the digital age. “For the last three or four years, we haven’t made any money,” she said of the NNPA websites. The latest difficulties “provide us with an opportunity to get refocused.”

She noted that in June, Apple announced it was looking to hire editors with a journalism background to work on its new app called News it <http://observer.com/2015/06/apple-is-hiring-journalists/>, and yet NNPA members, herself included, have not been contacted. “What perspective are these stories going to have?” Denise asked.

Still, she said, the black press has always been struggling. The first black newspaper was published 50 years before the end of slavery, when most black people were illiterate. Gannett, which publishes the Informer, will no longer be able to do so under its new direction, so that will be another challenge. Yet the black press also steps up to the plate for community activities when needed, again demonstrating its value.

The Informer now sponsors the Prince George’s County spelling bee, since the Washington Post Co. closed the Prince George’s Gazette, the bee’s previous sponsor, in August. The Informer started a monthly section for millennials, WI Bridge, though fewer younger people are turning to newspapers.

However, publishing a newspaper is no longer enough. Advertisers now want digital prowess, Denise said. “Now we’ve got to tap dance and sing,” too, she said.

A surprise was that Denise agreed with mostly everything those in the roundtable said about problems with the black press. Fifteen of us participated, and most had worked in the mainstream media.

Much of the discussion was about how to get companies to recognize their obligation to advertise in the black press, given the number of dollars African Americans spend with those companies. A. Peter Bailey, an author, speaker, journalist and former Malcolm X associate, suggested that publishers make public the number of dollars black consumers spend with certain business sectors. “Let these people see that you’re not doing us a favor,” he said.

Peter added that black publishers should require organizations whose leaders want columns in the black press to make sure their members are reading black newspapers.

Likewise, when Jesse Jackson goes to Detroit this week to discuss diversity within the auto industry and attends Friday’s 16th Annual Rainbow Push Global Automotive Summit, he should raise the issue of advertising in the black press. [Denise said later that Jackson’s automotive report card to be released on Friday will include advertising.]

Richard Prince contended that advertisers and consumers should want the product because it is compelling, not because of a sense of obligation.

Denise agreed, and added that the black press “needs an echo chamber, such as black Twitter.” Peter said the black press should do more on white subjects that affect the black community, such as the Koch brothers. “We’re writing these stories,” Denise said, but they need promotion.

Lynne Adrine said the name “black press” itself is dated. Why not say “black media?” DeShana went so far as to recommend that NNPA change its name to get rid of “Newspaper.” “The whole mindset needs to change,” she said. Richard Prince gave the example of the online-only Q City Metro <http://www.qcitymetro.com/> in Charlotte, N.C., started by Glenn Burkins, who was business editor of the Charlotte Observer. See: <http://mije.org/richardprince/barbering-while-black-clipping-while-hispanic#Burkins>.

“We are somewhat isolated,” Denise said. “My role is to expose our publishers” to these other ideas. “They need to hear what we’ve heard and what’s expected of us.”

Moreover, publishers have to believe in the value of their product.

When Denise asked why black people in the mainstream press who had been laid off aren’t flocking to the black press, roundtable members said that there are cultural as well as professional differences.

Prince said people need to feel that they are working for an organization that is part of the future and forward-looking ways. Consumers don’t want to wait a week for news anymore. The Village Voice and the New Yorker, though weekly print products, now publish daily online. Black publishers must start thinking that way, too.

Denise agreed and said she has been disappointed when she has gone to black press websites for information on breaking news and seen Associated Press copy. That doesn’t advance the purpose of the black press.

In another part of the discussion, Peter Bailey and Hazel Edney insisted that authentic black publications must be published by black people. [Bailey added later that he “refers to White-owned media that attempts to attract Black people or address issues of Black people as ‘Black-oriented media” — not authentic Black media.]

Betty Anne Williams and Richard Prince maintained that the content is what counts to the consumer. A Ta-Nehisi Coates, Prince maintained, is no less authentic because he appears in the white-owned Atlantic.

Hazel said that the social justice tradition of the black press should not be overlooked as a key element in authenticity. She also suggested that NNPA’s board include more people from such corporations as AT&T and Verizon in addition to publishers. Hazel maintained that black newspapers will always exist. “They’ve been here since 1827,” she said.

Referring to the new partnership between NNPA and the National Association of HIspanic Publishers <http://www.prweb.com/releases/2015/10/prweb12991418.htm>, Prince suggested looking into a partnership with the Association of Alternative News Media, whose members include alternative weeklies such as the Village Voice and the Washington City Paper, since that organization has acknowledged a diversity problem. <http://bit.ly/1ifOGh2>.

Denise said was open to the idea, as she has joined other newspaper associations, such as the Maryland, Delaware, DC Press Association. Other black publishers have joined similar associations.

The first roundtable took place in May 1999 with Alice Bonner, Betty Anne Williams, Bobbi Bowman, Richard Prince and Bill Alexander. The purpose was to commemorate Alice’s return to Washington after obtaining a Ph.D at the University of North Carolina, Chapel Hill. Paul Delaney, Jessica Lee and Walt Swanston were also among the early founders.

When Alice left, she asked that we keep the gatherings going while she was gone, and we have. Some of the faces at the dinner gatherings have changed, but the enthusiasm for the fellowship has only grown.

Urban News Service, Huh? Okay, Bring It!

urban-news-service-AMI-division

Hmmm. A rival to the Trice Edney News Wire. Shades of the Associated Negro Press vs. the NNPA News Service!

For the sake of national Black journalism not narrowed down to one person, his may have to be the first time I’m ever gonna root for something led by Niger Innis! Maybe…..!