Even putting on my media historian’s hat, it is difficult for me to explain how important The Voice was to American journalism.
Once upon a time (at least from the 1970s through the 1990s), it was the place for uncompromising political and cultural journalism. It was required reading for people who wanted to absorb (as a reader) or master (as a writer) the now-dying art of longform mass-media journalism.
The Voice was important to me because I read there important Black writers such as Thulani Davis, Lisa Jones, Greg Tate, Peter Noel and Joe Wood. (I never forgot Wood’s 5,000+ profile of Albert Murray in the paper’s famous annual Arts Supplement pullout.) The Voice essay that still shakes me to this day is Joan Morgan‘s “A Blackwoman’s Guide To The [Mike] Tyson Trial,” an article that introduced me to sexual harassment, misogyny and rape culture.
It was for people who wanted hardcore journalism. It showed me you didn’t have to be at The New York Times or The New Yorker to kick journalistic ass in New York! It made me want to be a real writer who wrote longform narrative journalism in nuance and detail. After I finish the book I’m writing, I’m going to do just that.