The Old Man was once quite young–almost permanently so. And vibrant, always ready for socialist revolution. But not for the overthrow of European civilization and culture. In a new biography, John L. Williams pulls back the curtain just enough to show why intellectuals, particularly culturally complex ones, need platforms and bases. What results is a non-judgemental tale about a 20th-century charismatic Caribbean intellectual destined for the classroom, the typewriter, the lecture hall and the cricket field. His cultlike, harem-based sexism will rile 21st-century readers but his stamina and constant optimism never fail to impress. Most of all, James–whose long speaking and writing life spans the birth, revolutionary work, danger and martyrdom of fellow Caribbean Leftist world travelers such as Walter Rodney and Maurice Bishop–shows that revolution requires a lot of work.
It’s unfortunate that the tension between 1990s superhero-film cheesiness and 2022 superhero-film coolness makes this effort implode. A post-COP27 viewing allowed more sensitivity to how Egyptians oppress themselves with the West’s help. Too bad the film quickly traded in that theme for a third-act battle with a Hellboy knockoff and some fake AMC Walkers. God bless his soul, Pierce Brosnan, 30 years distant from the start of his ’90s James Bond, elevated Black Adam when he could (with fine assists from Aldis Hodge) but couldn’t save it. It’s not hard to see why few wanted a piece of this Rock.
MSNBC’s Rachel Maddow is a master storyteller, and Rachel Maddow Presents: Ultra attempts to be an epic story for this moment. It succeeds in being hella entertaining.
My last Ultra post was about its historical emphasis, allowing this subsequent comment to be ideological in nature. And so, clad in my dashiki, a note to Maddow and MSNBC:
The best way to fight organized fascism is an organized radical united front, not just individual efforts because the latter depends on liberal democracy working on your behalf. Didn’t McCarthyism, instead of an American movement against fascism, flow from this history?
This kind of color-within-the-lines conclusion is why what Dave Chappelle said at the end of his Saturday Night Live monologue was so important: as Black people, we are no strangers to the system not working. Sadly but not surprisingly, Maddow doesn’t have a James Baldwin/I.F. Stone-type voice who would hit that target, expressing the idea that American democracy itself is a flawed concept at its core. Nope, me no trust paleface.
And, Rachel and MSNBC, um, you might want to, um, not take off the air anyone else who speaks plainly about the current rightwingers (*cough* Tiffany Cross *cough* 🙂 ).
Reginald Hudlin’s writing style remains blatant and strident by half. But as a former full-set Icon/Static/HardwareMilestone Comics collector (sadly, lost them in a move 😦 ), I must admit I much prefer his style to the comparatively accommodationist Milestone founder Dwayne McDuffie!
Six issues in and you win, Mr. Hudlin: the 19th-century enslaved Arnus as a Nat Turner (!) character and present-day free Augustus with a fine-ass sista amazon at his side and an assassin to hunt is much more appealing. And he had the assassin, an alien hired by the U.S. government to kill other aliens, kill a certain white infant recently adopted in 1939 by a white Kansas farm couple!
Tellingitlikeitis/keepingitreal/keepingithunnert, etc. I have never gotten the Rachel Maddow hype. Every night I tuned in to her MSNBC show she acted like she and her research/producing staff had broken Watergate or had the Pentagon Papers! LOL! I still don’t understand that RussiaGate stuff!
So, now, to her podcast narrative series Ultra. I’m now completely caught up and I’m excited about the forthcoming last episode.
Like the greatest middlebrow magazine writers of the last century, Maddow’s clearly a very talented reporter, narrator and dramatist. But she continues her television approach here. Clearly, the ultra-patriotic American nation was not shivering in collective fear before and during World War II because of the existence of small (but well-organized and armed) groups of American Nazis and their fellow travelers; their salutes dropped quickly after Pearl Harbor. And as someone who has also studied a little of the history of 20th-century radio, perhaps it’s debatable that the radio racist Father Charles Coughlin was as politically powerful as she is saying, the same way not everyone in the nation believed Martians were invading Grover’s Mill, New Jersey. 🙂 But she’s making the same point that Pulitizer Prize-winning historian David Blight made at the end of his recent Yale conference on teaching race and slavery: these politically-retrograde people have always been here, will always master any updates to the art and science of influence and are never leaving the collective, progressive us/US at peace.
A memorial interrupted by a war film. Whether this is an epic will depend on how it fades into (Marvel) film history. If it’s not, it’s not because of a lack of trying by writer-director Ryan Coogler and co-writer Joe Robert Cole. Marvel’s ability to acknowledge fans and critics simultaneously is quite extraordinary and remarkable. #BlackPantherWakandaForever
So it’s too early in the morning to worry about whether this post will be an example of good writing. I’m watching (listening, really, to) Vigilante,Greg Palast’s new documentary on Georgia voting suppression while I’m updating my blog.
Everybody’s right, particularly if we meld an insider/outsider strategy, but that’s not enough. Why? Because between then and this Monday morning’s typing while viewing, I made the mistake on Sunday of getting offline just long enough to read last week’s New Yorker. Pennsylvania has gone crazy (to no surprise to Mumia Abu-Jamal and his supporters, I’m sure!) and very well-organized right-wing school activists refuse both fact and truth.
See this post’s lead photo? That’s my attempted reading this week so can I reward myself, guilt-free, with the half-escapism that Wakanda, the white-created and corporate-endorsed theme park of the African mind, represents.
Damn, was John Henrik Clarke and other historians right when he said that “all history is current events.” Well, I really hope the historical half-successes of both Black liberalism and Black revolutionary-ism loop around again and soon, because Palast is reminding us that in 2022 only one side knows they’re at war, and for many reasons, it doesn’t seem to be ours. And those retrograde warriors, not us, seem more willing to confront their opponents face-to-face, kidnap, kill, go to jail, slander and lie with every single breath, organize and vote like their children’s lives depend on it and spend their last billionaire dollar to maintain the white American race-supremacist structure that was so inspirational and utilitarian in the last century to both the apartheid South African government and Nazi Germany. Not surprisingly, these right-wing warriors are not “outside” the white-supremacist, capitalist system they created for their own benefit, but they are unapologetically and consistently clear that their collective goal is to make sure we Wakanda forever are.
