So Here's What We Know (I Think) About "Smallville"'s Next Season……..

1) Lana’s not dead. She pulled a David Copperfield, and got into that vehicle that was passing by her car.

(Aside: Folks on the Web LOVE to hate Lana. But she’s too beautiful to hate. 🙂 )

2) Chloe will either be dead, alive or dead-but-a-permanent-part-of-Lois. And wouldn’t the third be crazy??? From the very beginning, some rabid “Smallville” fans have been theorizing that somehow Chloe would morph into Lois. Erica Durance joining the show killed that idea……until now. Hmmm……..  🙂 I love Chloe, but her essence transfer would be a “solution” to the problem of her on this show—taking up Lois’ historic space. And it would give this Lois a boost in the attributes and characteristics she needs to be a proper part of the Superman mythos.

3) Lionel’s not dead. Just knocked out.

4) Clark will find a way to kick Bizarro‘s ass, and he won’t put on a costume to do it.

 5) This was a strong ending to a weak season.

May 18th UPDATE: Understand that Chloe’s alive and will be on next season.

Says Al Gough, “Smallville”‘s executive producer, in this interview (which I didn’t read carefully enough yesterday): 

The idea that Chloe had a power was always something in the back of our minds, but we didn’t want it to be a cheap trick, we wanted the audience to be invested in the character and her relationship with Clark, and if we were going to do it, it was to deepen the character, which we think it does, and will allow us to keep exploring Chloe in season 7. You’ll see her power first manifest in the season finale.

 

Okay, there goes the theory. For now. 🙂

P.S. I guess it means NOBODY died after all. Oh, well, I would cry “gyp,” but it was an entertaining hour, so…….

A Few Words From Studs Terkel

Enjoyed Studs Terkel being interviewed today on “Democracy Now!” I’ve wanted to be the next coming of Studs for at least 15 years now. Happy 95th Birthday, Studs!

Wanted to post some excerpts I particularly enjoyed. So here they are.

I’m known as a poet of the tape recorder, right? The fact is I have no idea how the hell it works. I’m terrible, I’m a nut, mechanically. I can’t drive a car. I can’t ride a bike. I don’t know what “internet” means, or “website.” Google is an old-time comic strip — “Barney Google” — with his goo-goo-googly eyes.

 

And so, you see, I’m not up on all the current stuff. And people say, “Boy, on that tape recorder, you capture those people.” No, they capture themselves, because I am inept. That comes out quite clearly.

Sometimes I turn the wrong button down. And that person in the housing project, she sees it doesn’t work, and she reminds me of it. And as I say, “Oh, I goofed,” at that moment, she is my equal or better than my equal. In other words, I am not, whoever it is, [inaudible], “Today” or “60 Minutes” or Kathy, whoever she is. It’s me, a guy who’s in trouble, and she helps me out. And so, I’m playing this tape recorder for this woman, very poor, very pretty. I don’t know whether she’s white or black. In those days, the early public housing projects were all mixed. And these little kids running around want to hear their mama’s voice on this new machine. And so, I’m playing it back, and she’s hearing her voice for the first time in her life, and suddenly she says, “Oh, my god!” And I say, “What is it?” She said, “I never thought I felt that way before.” Well, that’s an astonishing moment for her and for me, one you might say are fellow travelers together. So that’s the exciting stuff. She discovers that she does have a voice, that she counts.

The key word, by the way, in all of these people is they must feel they “count.” Nick von Hoffman, the columnist, used to work for the organizer Saul Alinsky, and he said once people get in a group and that group thinks as they do, he feels he counts or she counts more than alone. And so, that’s what it’s about.

AMY GOODMAN: What do you want them to think of when someone says “Studs Terkel”?

STUDS TERKEL: I want them to think of somebody who remembers them, to be remembered, whether it be me or anyone else. They want Studs Terkel, maybe as somebody — I’m romanticizing myself now — somebody who gave me hope. One of my books is Hope Dies Last. Without hope, forget it. It’s hope and thought, and that can counting. That’s what it’s about. That’s what I hope I’m about.

Coming Soon: "Sentences: The Life Of MF GRIMM"

 

Just got this today. I was a huge Transmetropolitan fan, so I’m down with Vertigo. I eagerly await this.

Dear Producer/Editor,

Hip-Hop is a culture that can bring a community together with youth outreach and block parties or divide a neighborhood with violence and gangs. It’s a world built of DJs, Emcees, Writers and B-Boys, a world that grew from the streets. In SENTENCES: THE LIFE OF MF GRIMM, first-time graphic novel writer Percy Carey, a legend in underground Hip-Hop, provides an all access pass into his life and his community.

Carey’s memoir is a profoundly moving coming-of-age story of turf wars and emcee battles that begins in a most unexpected place “the set of “Sesame Street,” where a young Carey had his first taste of celebrity. Years later he recorded with MF Doom and performed with Tupac Shakur, the Dogg Pound and Snoop Dogg. Once again, celebrity seemed imminent.

Carey’s life then took an unexpected turn. On his way to a promising meeting with Atlantic Records, he was gunned down by rival drug dealers” an attack that left him paralyzed from the neck down. To this day, Carey remains confined to a wheelchair. After serving time and beating a life sentence for conspiracy to distribute narcotics, Carey has reclaimed his life and his music, founding Day By Day Entertainment and releasing a series of Hip-Hop albums.

In his first literary work, Carey collaborates with artist Ronald Wimberly (Swamp Thing, Lucifer) to create a book that is at once shocking, moving and inspirational. Wimberly’s striking black-and-white artwork perfectly captures Carey’s life providing a sharp-focused lens into the Hip-Hop world.

On sale this September from Vertigo, SENTENCES: THE LIFE OF M.F. GRIMM is intensely sincere and insightful, providing a griping look at a life lived fully and fervently. A highly charismatic individual, Carey is available for interviews to discuss this seminal piece of work.

Best,

David Hyde | Director of Publicity, DC Comics

This Voice of Morpheus……….

……will be the voice of the Silver Surfer in this summer’s live-action flick “Fantastic Four: Rise Of The Sliver Surfer.” 

EXCELLENT CHOICE!

(I really hope this movie will go down as the greatest sequel of all time.  🙂 )

In response to this news, a poster on the Fantastic Four Message Board said James Earl Jones should be the voice of Galactus. A better choice could not be made.