Nope, I Can't/Couldn't Wait! LOL! (Before And After Seeing "Harry Potter And The Order Of The Phoenix")

JUST GOT BACK FROM THE MOVIE, and WOW!!!………

OFF. THE. CHAIN.

Which is kind of funny, because it’s an epic film in which “nothing” happens. “Phoenix” is essentially a war flick, with a little bit of the psychological thriller genre (complete with a couple of very subtle torture scenes!) thrown in. It’s really the beginning of a NEW, tragic HP trilogy. The cute stuff is gone with Cedric and none of it is ever coming back; from now on, leave the kids at home or put them in “Ratatouille” or whatever.   🙂  It’s the Beginning Of The End now, and the End is going to be very scary and bloody.

FROM JULY 10: I really can’t believe how important the Harry Potter film series has become to me over the years. And the reviews, of course, are overwhelmingly positive.

Only two more left………..*SIGH* 😦   It’ll be a hard wait until November 2008.

I haven’t read any of the books yet, but now I’m thinking of getting the last one.

What an amazing contribution to world fantasy! I look forward to other groups of people coming from their own cultural centers and making equal or better text and picture contributions.

An Anniversary Worth Noting

It’s been 21 years since this song and this artist took over my mind, body and soul.

I remember telling people at the time that my goal was to bear HER child! LOL!

What made me think about her today? I was joking with a friend of mine about Spike Lee’s cameo in this video:

While watching it, I see today how well Spike blended social and cultural history, parody and even time travel.

Wow. The Power of Black Art. Food for thought.

Coming Soon: "Sentences: The Life Of MF GRIMM"

 

Just got this today. I was a huge Transmetropolitan fan, so I’m down with Vertigo. I eagerly await this.

Dear Producer/Editor,

Hip-Hop is a culture that can bring a community together with youth outreach and block parties or divide a neighborhood with violence and gangs. It’s a world built of DJs, Emcees, Writers and B-Boys, a world that grew from the streets. In SENTENCES: THE LIFE OF MF GRIMM, first-time graphic novel writer Percy Carey, a legend in underground Hip-Hop, provides an all access pass into his life and his community.

Carey’s memoir is a profoundly moving coming-of-age story of turf wars and emcee battles that begins in a most unexpected place “the set of “Sesame Street,” where a young Carey had his first taste of celebrity. Years later he recorded with MF Doom and performed with Tupac Shakur, the Dogg Pound and Snoop Dogg. Once again, celebrity seemed imminent.

Carey’s life then took an unexpected turn. On his way to a promising meeting with Atlantic Records, he was gunned down by rival drug dealers” an attack that left him paralyzed from the neck down. To this day, Carey remains confined to a wheelchair. After serving time and beating a life sentence for conspiracy to distribute narcotics, Carey has reclaimed his life and his music, founding Day By Day Entertainment and releasing a series of Hip-Hop albums.

In his first literary work, Carey collaborates with artist Ronald Wimberly (Swamp Thing, Lucifer) to create a book that is at once shocking, moving and inspirational. Wimberly’s striking black-and-white artwork perfectly captures Carey’s life providing a sharp-focused lens into the Hip-Hop world.

On sale this September from Vertigo, SENTENCES: THE LIFE OF M.F. GRIMM is intensely sincere and insightful, providing a griping look at a life lived fully and fervently. A highly charismatic individual, Carey is available for interviews to discuss this seminal piece of work.

Best,

David Hyde | Director of Publicity, DC Comics

A "Spider-Man 3" Review, In Less Than 200 Words

I can’t believe that as of this morning, “Spider-Man 3” only ranks a measly 62 percent on Rotten Tomatoes! That’s borderline (*SHUDDER*)”rotten!” WTF??

But, then again, after seeing the movie twice 🙂 yesterday, I think I get it.

“SM3” is a near-excellent film. (It is a little long, but as a true sequel to both the original and its sequel, it has a lot to wrap up, and does it real well.) But “SM2” was, well, pretty much PERFECT, so this film is permanently in its shadow. Also, the formula these films use are too well-established—too well-absorbed by fans (and perhaps critics).

And, like every other superhero movie that had the misfortune of coming out during and after 2005, the third is suffering in comparision to “Batman Begins.” Is the bar now too high? And, for all you comicbook geeks out there: Doesn’t it feel GREAT to finally ask that question about superhero movies??? LOL!

Anyway, “SM4”—and, of course, no one has any doubt about that, right?  🙂 —will have to go in a whole different direction, with a different tone, plot construction, etc.

Onward to Fantastic Four: Rise of the Silver Surfer.

P.S. Thought this series was quite amusing.

"It's Men's Attitude, Stupid!": A Commentary About Imus, Hiphop And Sexism

Just got this from Akila Worksongs.  

“It’s Men’s Attitude, Stupid!”: A Commentary About Imus, Hiphop And Sexism

By Byron Hurt

April 24, 2007

As a response to the Don Imus fallout surrounding his racist and sexist rant hurled at the blameless Rutgers University women’s basketball team – and to the dramatic shift and intense media glare on hip-hop’s sexism and misogyny – Russell Simmons and Dr. Benjamin Chavis Muhammad, leaders of the New York-based Hip-Hop Summit Action Network, bowed under mounting criticism and pressure, and announced this week that they will make a strong push to have the words “nigger,” “bitch,” and “ho” bleeped on mainstream public radio stations nationwide.

That is not enough.

As an anti-sexist activist, pro-feminist African-American male, I have had the unique and interesting experience of rolling up my sleeves and working with thousands of boys and men in the United States around sexism, men’s violence against women, and homophobia. I have worked with boys and men across race, education, and class lines, and I know how deep and complex these issues are. In my lectures and workshops, I acknowledge my own past as someone who was sexist, and who, as a heterosexual man, behaved badly with women. I am also very candid about how I still grapple with certain gender issues that to this day confuse me. I challenge guys to speak out about sexism, and inspire men to join in the effort to end men’s physical, emotional, and sexual violence against women. I show men how all of these issues hurt men as well as women.

Over the past 14 years years, I have been in the belly of the beast delivering this message. I’ve been in locker rooms with male athletes, on U.S. Marine Corps bases with young Marines, on-campus with black and white fraternity members, and in closed-door sessions with men in positions of authority at colleges and universities. I have also addressed, to a lesser degree, men in law enforcement, and batterers in court mandated battering intervention programs.

My current mission is to engage young men from the hip-hop generation – men who, it seems, are today’s lone scapegoats for centuries-old patriarchy, sexism and misogyny. Let the truth be told, hip-hop’s misogyny is indefensible and must be confronted. But hip-hop is surely not the only place where boys and men are informed about girls and women. From the recent Supreme Court decision to ban partial birth abortion, to “men’s interests” magazine covers donning scantily clad female celebs, to hard and soft-core pornograghy that subjugate women – men are bombarded daily with messages about gender. Even as a woman, Senator Hillary Clinton, mounts a formidable campaign to become the first female president of the United States, the messages about gender in popular culture are clear – men rule the world, and women are sex objects, bitches and ho’s.

Hip-hop’s sexism is only a piece of a much larger puzzle.

I am a hip-hop fan. At 37 years old, hip-hop music has been the soundtrack of a huge chunk of my life. But as I learned more about gender issues as an original member of Northeastern University’s Mentors in Violence Prevention Program, I began to question hip-hop’s ever-present macho themes and images. I grew up with hip-hop, but hip-hop did not grow up with me. I became so weary of hip-hop’s testosterone that, in 2000, I decided to do something about it. Over a period of six years, I directed and produced Hip-Hop: Beyond Beats and Rhymes, an award-winning PBS documentary film about violence, sexism, and homophobia. The film premiered at the Sundance Film Festival to standing ovations in 2006, and won best documentary at the San Francisco Black Film Festival.

The film is getting around. It is being shown on college campuses from Howard University to Harvard University. And last month, Firelight Media launched a year-long community engagement campaign to use the film as a media literacy tool in communities across the country. National and local community partners include: A Call to Men, Mothers Day Radio, YWCA–Racial Justice Project, Gender PAC, Youth Movement Records, Reflect Connect Move, HOTGIRLS, Inc., Dr. Martin Luther King Jr. Community Center, Center for Family Policy and Practice, and The P.E.A.C.E. Initiative. Additional events are planned in collaboration with this year’s Essence Music Festival, the Congressional Black Caucus, Rikers Island, and the Open Society Institute. The goal is to help young people, using hip-hop as a catalyst for discussion, think critically about the myriad gender issues in hip-hop specifically, and in the larger American culture in general.

The Ford Foundation has also pitched in providing resources for a Hip-Hop: Beyond Beats and Rhymes Historically Black College Tour to further conversations about the gender politics of Hip-Hop culture on black college campuses.

For several years now, the Hip-Hop Summit Action Network has done some great work for the hip-hop community. Through a series of national workshops, panels, and seminars called “Hip-Hop Summits,” Simmons and Muhammad have helped register thousands of young people to vote, have confronted the unjust Rockerfeller Drug Laws, which disproportionately sentences black and brown men for non-violent drug offenses, and they do much to educate aspiring artists and businessmen before they enter the music industry. As hip-hop entrepreneurs, they do much to give back.

But Simmons and Muhammad’s action plan to have radio stations bleep the words “bitch” and “ho” on public airwaves is at best, a Band-Aid solution for a much larger problem. As Jackson Katz, author of The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help, says “… if men’s violence against women truly carried a significant stigma in male culture, it is possible that most incidents of sexist abuse would never happen.” I agree. Men who are not sexist need to send the message to other men that sexism and misogyny is not cool.

As men, we are woefully uneducated about gender issues. Many of us, with some exceptions, have never had a serious conversation about sexism. For decades, women all over the country have led the charge to eliminate men’s sexism and violence. But largely due to male privilege and sexism, men across racial lines have not listened. We posture, we resist, and we call it male bashing. I know, because I was once one such man. As Don Imus did so cunningly in the week after his transgression, we deflect and push blame onto someone else. In Imus’ case, hip-hop, whose face is largely black and male, was the convenient bogeyman. As men, we all need to acknowledge our sexism and take responsibility for our actions, and then work hard to change. Men are conditioned to be sexist, and we can be conditioned to become anti-sexist with education and leadership.

If Russell Simmons and Benjamin Muhammad really want to confront sexism in hip-hop, they have to begin by using their leadership, money, and status to educate the hip-hop community about the roots of sexism, and what we can do to change it. As hip-hop executives, they must own up to their own sexist attitudes and behaviors, and then, firmly reject sexism in hip-hop culture beyond bleeping offensive words. He must ask his cronies in positions of power and influence in the industry to do the same.

If the lyrics are to change, then the sexist attitudes that live on the edge of male rappers’ tongues, must change. That is going to take real work over a long period of time. Bleeping sexist words just won’t cut it.

Joan Morgan

 

Tricia Rose

Simmons and Muhammad must mount a campaign using artists with credibility, heart, and a strong desire for gender equality (that combination will be hard to find – but is possible) to send the message to all men that sexism and violence against women is – in hip-hop parlance – wack. I challenge Simmons and Muhammad to put their money where their mouth is and use their national “Hip-Hop Summit” tour to address hip-hop’s sexism and misogyny in a real and meaningful way. I dare Simmons and Muhammad to organize panel discussions with hip-hop feminists like Joan Morgan, Tricia Rose, Aishah Durham, Elizabeth Mendez-Berry, Carla Stokes, Rosa Clemente, Tracey Sharpley-Whiting, Monifa Bandele, April Silver and others, who have for years, railed against hip-hop’s sexism. Put them on the same dais with hip-hop executives and artists. Bring in some of the countries most skilled and experienced anti-sexist male activists to roll up their sleeves and work with male rappers and hip-hop heads. Conduct workshops and training sessions led by men like myself, Quentin Walcott, Don MacPherson, Ted Bunch, Antonio Arrendel, Tony Porter, Kevin Powell, Bikari Kitwana, Mark Anthony Neal, Asere Bello, Tim’m West, Juba Kalamka, and other profeminist men who love hip-hop, but who do not accept its hyper aggression, sexism, and homophobia. Make a real commitment to ending sexism and misogyny in hip-hop, not a paper-thin, disingenuous, and contrived public relations charade.

Not all men are sexist. Not all men in hip-hop are sexist. Not all rappers are sexist. Like me, many men within the hip-hop generation reject the macho and sexist manifestos contained in hip-hop lyrics and in music videos. When men with credibility, status, and a love for hip-hop stand up publicly to denounce sexism with conviction, it gives other men, good men, the space to do the same.

Byron Hurt is an anti-sexist activist, writer, college lecturer, and a filmmaker. His documentary “Hip-Hop: Beyond Beats and Rhymes” premiered at the 2006 Sundance Film Festival, and aired nationally on PBS’ Emmy award-winning series, Independent Lens. Byron is married and currently lives in Plainfield, N.J. He can be reached at info@bhurt.com. His website is www.bhurt.com.

R.I.P., Black Family Channel?

If so, too bad.

I’ve thought it was going to merge with TV One, not just die.

Our activists like to talk about our hundred billion dollar spending power. Well,  it’s clear now that having a trillion dollars doesn’t and won’t mean much if that money is not targeted—if we can’t convince advertisers and cable and satellite operators that the best way to reach us is through Black-owned, -controlled and -oriented media.

I remember when a Black Family Channel was Robert Johnson’s idea almost a decade ago. The BET founder said he got much love from the Congressional Black Caucus and the Movement crowd, but nada support from the cable industry. Willie Gary went ahead and did it anyway, but I see that the story ended the same—one of debits and credits.

Let’s hope against hope that it archives online the good things it did. That way, there will be dataspheric proof  it ever existed.

Okay, TV One, time to step up even stronger.

APRIL 28 UPDATE: Richard Prince mentions that the channel will move to the Internet. Good luck.

Imus Epilogue

 

Was that an actual flash of anger I saw in Gwen Ifill’s eyes last night? Did I hear a momentary change in tone as she delivered her commentary at the end of PBS’ “Washington Week”?

Well, it’s ABOUT. DAMN. TIME, GWEN.

My great peeve about Black MSM pundits is a simple one. When they criticize whites who diss them every day in one form or another, it’s gotta be “objective” criticism. When they criticize Blacks—especially the now-aging Dashiki Class after the latter calls them Uncle Toms and Aunt Jemimas—they actually return fire like honest-to-gosh opinion writers, not worried at all about offending the targets or those they claim to represent. Guess it’s because the former actually represent REAL power, including the power to get their Black asses canned and rushing to Kinko’s to photocopy their HBCU News Writing syllabi. 🙂

Which is what made Ifill’s slight inflection so interesting. The Mask slipped off a little. Instead of doing what she’s made into an art form—showing the White Boys She Can Play Their Game As Well Or Better, etc.—she actually stepped outside of her smiling Washington insider posture and showed her audience that she was not happy. Not with Imus, and not with her enabling colleagues. She even quoted from her New York Times Op-Ed, which defended the honor of her sisters. Wow…….  🙂

Yeah, Gwen, put ’em on notice: There is no Stork Club anymore! LOL!  And just one more thing: Show that tone again sometime, PLEASE???

(JULY 15 ADDENDUM: Man, she’s called even more people out today on “Meet The Press”, including host Russert! I really hope to see more of this Gwen Ifill in the future.)

Meanwhile, on “Inside Washington,” Newsweek‘s Evan Thomas—who I KNOW got at least one email this past week asking not to appear on Imus’ show—just told the truth: he was on there to sell books, so he ignored all of Imus’ antics. He sounded sad—the way white liberals always do when they are (a)shamed and have to acknowledge white privledge of any amount. Since he defended Imus in the email response he sent back, this remorse just makes him, in this instance, just another Powerful White Boy who’s full of……..

Finally, speaking of white boys, Howard Kurtz is supposed to devote the whole hour of tomorrow’s “Reliable Sources” to the I-Mess. A media critic friend pointed out to me that Kurtz ignored the topic last Sunday. So There Ya Go. 🙂

CODA: As usual, “On The Media” is strong. But I’m not surprised; as a regular listener, I know Brooke and Bob never seem to care who they offend. I guess that shows that either they’re deep in The Club that Mike Wallace talked about with Brooke, or they really don’t care about being celebrity authors or television pundits.

Imus, Part XII: So Now That's It All Over……..

 

…….we can all move on. Good to see that Blacks can still organize when they make it a priority.

———————————–

The MSM consensus is that it was female and/or people of color corporate insiders who ulitmately pushed TPTB to push Imus out the door, not protests by Al Sharpton and others. If so, I heartily congratulate the corporate insiders.

I’ve been hard on NABJ for not calling for an advertising boycott. But, credit must be given: NABJ led the way in calling for his ouster.

In fact, Newsweek, in a press release announcing its Imus cover package, gave NABJ mucho activist cred:

Young black journalists were among the first to demand that Imus be ousted. Thursday evening, one day after Imus’s comments, Jemele Hill, an ESPN reporter, posted the Media Matters link on the National Association of Black Journalists’ e-mail list. Greg Lee, a Boston Globe reporter, spotted it right away. “I couldn’t believe Imus would pick on people he had no right to pick on,” he tells Newsweek. Lee forwarded the story to other online forums. In a matter of hours, black journalists in newsrooms across the country were clicking on it, and getting angry. The next day, the NABJ demanded an apology from Imus, then called for him to be fired.

Newsweek reports that after the networks suspended Imus, inside NBC, rank and file employees and reporters were growing impatient with what they considered foot-dragging. NBC Universal CEO Jeff Zucker heard from a subordinate about the growing uproar in NBC News, especially among black journalists, and knew immediately it was “obviously a huge problem and completely unacceptable,” according to two people familiar with his thinking who did not want to be named discussing their boss.

But the higher-ups still didn’t understand just how big a problem they had, until complaints started rolling in from employees all over the company, USA Network and Telemundo, the film group in Hollywood, and NBC-owned-and-operated local stations around the country.

NBC News president Steve Capus called for an extraordinary meeting of African-American employees on Tuesday, April 10. According to people who attended the meeting, but didn’t want to be named discussing internal matters, weatherman Al Roker told Capus, “That could have been my daughter Imus was joking about.” Others piled on. “I’m telling you, Capus got lobbied hard, really hard, and he really took it to heart,” says an NBC News senior producer. “We went out and created diversity in our newsrooms and we empowered employees to say what they think. And they’re telling us. It’s good for us and it’s good for the country.”

In my view, NABJ took a weak stance, since it had no teeth behind it, but it was leading.

Anyway, not too much sour grapes. If the advertising exodus coupled with the employee revolt is how this job got done, then so be it.

(On Sunday’s [April 15th] “Reliable Sources” special on the I-Mess, Ana Marie Cox goes into the Quip Hall of Fame: “It’s wasn’t Al Sharpton that got Imus fired, but Al Roker.”)

I’m just sad, because I believe we could easily get rid of all of the people who attack us daily if we weren’t always worried about playing someone’s else game. But I’m a freelancer, so I get to say that.  🙂

Imus, Part XI: Invisible Women? A Black Woman's Response To Don Imus' Most Recent Sexist-Racist Remarks

 

From April Silver, by April Silver.

Invisible Women?

A Black Woman’s Response to Don Imus Most Recent Sexist-Racist Remarks

By April R. Silver

(April 9, 2007)  The recent media frenzy around national radio and talk show host Don Imus’ sexist-racist comments about the women’s basketball team at Rutgers University (New Brunswick) is one more item in the evidence column of how women are regarded by men. With a natural fluidity, Imus casually referred to the Rutgers players as nappy-headed hos.

Two days later (Friday, April 5), he read a statement that was supposed to be an apology. Today, he extended his apology by saying “I’m a good person. I said a bad thing.” 

When I first read the news, “What the hell…?” was all I could muster. Blood rushed. My heart ached and I lamented for Black women. Then I went back to doing what I was doing. It was surreal to not be surprised or outraged by his comments, but I wasn’t. From what I know about Imus, which is not much, he’s a veteran offender of everybody (except White men, I suppose). That men, be they Black or White, see women through idealized or dehumanized lenses, is not new. That Imus, in particular, would make ignorant comments, is status quo. So “shock jocks” are not shocking any longer. 

Perhaps the hardening began as I was growing up in Los Angeles in the 1980’s. LAPD’s death grip of choice for Black people was the choke-hold. That was one of my first understandings that some white people with authority had it in for Black people. And some non-authorative white people too! In 1998, James Byrd of Jasper, Texas was murdered by three racist white men. They hitched him to the back of their truck and dragged him for 3 miles. It’s believed that Byrd was alive for some of the time he was being dragged. A fast forward to recent times would bypass countless other racist murders and hate crimes, but it would bring one up to speed with Michael Richards’ rant about niggas at the Laugh Factory, as well as the NYPD murder of Sean Bell in New York, among other maddening things in this so-called civilized society. 

No doubt my hardening is also cemented by the current all-time high sexist state of affairs of today’s hip hop. Grown Black men, aided by white affluent male financiers, over-saturate our multi-media landscapes with sex, sex, and more mega sex fantasies – which do an excellent job of animalizing women or only presenting them, as Dr. Beverly Guy-Sheftall so eloquently states in Byron Hurt’s groundbreaking documentary “Hip Hop: Beyond Beats and Rhymes,”  as “objects to be fucked.” 

  

But Black sexist men, whether they care to admit it or not, take their cues from White sexist men. They reinforce each other and form unspoken alliances – all at our expense. But oppressed anybodies take their cues from dominating forces. It’s universal, scientific, and is part of the reason why women accommodate injustices from men.

Some Good Men

“If men had to go through what ya’ll go through today, the movement would have been started a long time ago. We couldn’t endure all that you put up with.” A male friend’s comments one afternoon as we discussed a few sacrifices that women make in order to please men. Our rituals around hair, make up, and body, mostly, not exclusively, have their origins in our desire to indulge men. Another friend, who is also regarded as an anti-sexist male, told me that his activist work is largely inspired by a woman in his life who was killed at the hands of an abusive husband. “When I first started challenging men about our sexist behavior, I was very nervous.” He confided. “I never knew what I was going to say, let alone how it was going to be received. But I would conjure up Tara (not the woman’s real name) and she would “talk” to me. She would guide me in taking up her cause. I felt like I was defending her and other abused women. I was glad to do it and I became less and less nervous over time.” I know plenty men who understand that the discussions about gender must involve men. I’m baffled that I know many men wise enough to stand this ground. They are a rare breed and I don’t exactly how they arrived at this place in their lives so securely…there’s nothing in our society that nurtures such thinking.

   

The thinking that gets upheld in this country is the normal Imus, he and his bashing kind—Black and White (Howard Stern, Star, formerly of Hot 97 and Power 105 in New York and others). More often than not, these men get rewarded by default. Their sexist-racist views are not eradicated, but are suspended, as if in mid-air, for the world to behold and publicly criticize…for a time. They have jobs to come back to…somewhere in the entertainment field, no matter how irresponsible and violating the comments. So cozy is the old-boy network, Imus doesn’t have to pause from his job right away…even his suspension is held in suspension. There have been meetings, marches, and mea culpas for a few days now. Imus’ firing has been called for by Jesse Jackson, Rev. Al Sharpton, Brian Monroe, president of the National Association of Black Journalists, and many others. Despite my hardening to these sex-race fests that pop up on the national scene every few months, I am still jolted by a glaring factor. 

The Mule of the World

The exclusion of Black women weighing in on this controversy is thunderous. In the immediate aftermath of the comment, I never got the impression that “the media” was even remotely interested in feedback from the young Black women hit, or from any other Black woman for that matter. The respondent faces of this controversy have been predominately male. In fact, the one woman who was given a national platform this night on CNN’s Paula Zahn was a white woman — an enlightened, well-spoken, and progressive one — but a white woman nonetheless.

The by-passing of Black women is the kind of obnoxious, oppressive exclusion that “the media,” and the white affluent men who own it, have embraced for decades. Black women don’t immediately come to mind in the search for analysts or independent thinkers, even when the subject is them. Black woman organizations are not who Imus sat down with when he offered a so-called apology. He bowed toward men first. Rev. Sharpton is the logical go-to person in a national controversy such as this, for he has consistently stood up for the disenfranchised. It is not logical or acceptable, however, that Imus by-passed the women of the Rutgers basketball team and Black women leaders in making his first, second, and subsequent statements about the matter. Another item in the evidence column that Black women can be the ‘ho, the bitch, or even the reason for the gathering, but we are not to be engaged intelligently. It is not even assumed, by the so-called powers that be, that we can think, speak, or defend ourselves. If we take a stance at all, it must be after the men do their bidding.

Zora Neale Hurston’s Nanny (of Their Eyes Are Watching God) said that the Black woman is the mule of the world. That would be an ascent in some eyes.Amongst Black women, perhaps even we assume that White men just have too much power for our own good. Perhaps we also assume that if our transgressors are Black men, then well…maybe there’s no dignity or progress to be made if we dare challenge them. That’s just too disloyal. I disagree.

There is a time, a place, and the power of reason to stand up for ourselves, even amongst family. Part of my work, ironically, is in the media field (and, up until two months ago, I co-hosted an African American talk show on a prominent national cable TV show). In my work, I have come across narrow-minded decision-makers whose job it is to book commentators in the media. They often whine that in situations like this, they don’t have enough Black women resources to pull from. A lazy person’s out.

There is a solid body of work (be it literary, media, programming, or activist works) by highly intelligent African American women who have been doing anti-sexist work on the ground level for decades: Sister Souljah, Monfia Bandele-Akinwole, Erica Ford, Yvonne Bynoe, Joan Morgan, Farai Chideya, Toni Blackman, Rha Goddess, and countless others across the country – some known, some not. Either way, there is a deep-rooted knowing of injustices that only Black women, regardless of their station in life, can properly articulate.    

To Black Women 

When she reached adulthood, an enslaved African named Isabella Baumfree changed her name and identity to the one we know today: Sojourner Truth.

When Harriet Tubman fully grasped an understanding of the world she lived in, she mapped out her own survival, that for her family, and for her larger community. Both women, and others like them, were keenly aware of their unique skills, talents, and missions in life. They were self-permitted to think, organize, speak, and lead. The weight of racism and sexism was ever present, but not immobilizing. When they weren’t invited to help solve or speak about the problems of the day, they crashed the party. More importantly, they were not only pro-active in standing for their right to be free and live well, but for that of their communities too. Tubman, for example, was one of the first social entrepreneurs in our ancestral line. She owned 27 acres of land in upstate New York that she acquired for the hospital and other properties that she built for her family and her community.

Truth and Tubman are sacred models of woman leadership, a legacy of power that is our ancestral golden inheritance. Though from over a hundred years ago, their examples are eerily relevant today. 

Fast forward: modern models of leadership range from Camille Yarbrough to Sonia Sanchez to Fannie Lou Hamer to Shirley Chisholm to Afeni Shakur and countless others. Our models also include the millions of unrecognized Black women in this country alone who have made a hard decision to combat hate—from within and without. So we need not dig so deeply into our bloodline to be encouraged and empowered, but we need to pull from something…and now! If you are a writer, write on our behalf. Let some of your stories be about helping us heal from this often loveless world. Or heal…with us in mind. Dance with us, sing about us…more. If you are a mother, nurture and discipline the children with our longevity at heart. And if you are without a means to support yourself at this time, or without a loving partner to ease the burdens of the day, keep pushing anyway. Never mind about finding fault, find another way, as my mother says. In every single aspect of our lives, we must be self-permitted to tell the truth about our lives and stories that shape them.

Somebody, quite naturally, is going to be offended in the process. Invariably, someone is going to tell us how wrong we are, but that’s not anyone’s call to make but ours. And I strongly believe that we should partner with Black men, especially, but with anyone else who stands in principle support. But the battle for the respect of Black women, however, is ours to lead.

© 2007, April R. Silver

 

Here’s a simple but powerful reaction in the midst of this Imus whirlwind. Write and call… 

General Manager

WFAN-AM

34-12 36th Street

Astoria, NY 11106

718.706.7690

“Central to the success of the station is legendary morning man Don Imus. The Imus in the Morning program is now syndicated to over 90 stations across the United States with an audience in excess of 10 million. It has become a regular stop on the circuit for Washington insiders, the liberal media elite, best-selling authors and the occasional presidential candidate. In September of 1996, MSNBC, the cable/Internet venture of Microsoft and NBC, began a simulcast of the Imus in the Morning show for their own morning programming.”

 –Excerpt from wfan.com 

CBS Radio (owns WFAN)

1515 Broadway

New York, NY
10036

212.846.3939 

MSNBC TV (airs Imus’ show)

One MSNBC Plaza

Secaucus, N.J. 07094

More importantly, a first step toward enlightenment on issues of sex and race— related to and from the minds and souls of Black women—is reading up on Black women writers:  

Angela Davis

Audre Lorde

bell hooks

Beverly Guy-Sheftall

Joan Morgan

Johnnetta Betsch Cole

Lori S. Robinson

Sister Souljah

Sonia SanchezÂ