Good Show, Tavis!

At Howard University for last night's Democratic debate are, from left, Hillary Clinton, Joseph Biden, Bill Richardson, John Edwards, Barack Obama, Dennis Kucinich, Mike Gravel and Christopher Dodd.

I was pleasantly surprised to see that Tavis kept his “product” consistent. Compared to C-SPAN, CNN, et. al., last night’s forum seemed like it occurred in an alternate Black (albeit “mainstream”) universe.

The questioners showed why journalism experience still matters. I learned a lot about the condition of Black and Brown people in America from those questions. And I loved Cornel West’s quip about the journos in today’s “Journal-isms.” 🙂

The format left a lot to be desired, but it worked for those who knew how to make it work.

I get annoyed with Tavis sometimes, but not today. Lead on, homie, and let’s see what happens at Morgan this fall.

JULY 1 UPDATE: Tavis did well on “Meet The Press” today.  Being invited to be on that political roundtable is proof that the nation’s elite has now officially recognized you.

JULY 5 UPDATE: This criticism of the event is well-thought out and needs to be read and debated. It echoes many of my own problems with Tavis’ events. I think the difference is I’ve accepted what Tavis’ self-defined role as an agent of “Black hegemony.” Until Black leaders decide to put some real money behind the creation of a Black mass media structure, there we are, then. The folks I saw in the Howard crowd—a large number of them nationally known African-American notables, leaders, etc.—were happy with Tavis’ show. And I have learned the hard way not to be angrier than my people, particularly my “leaders.”

re: Tonight's Dems Presidential Candidate Forum: Enjoyed That Tavis Said On "Democracy Now!" This Morning…….

 

………………that there has been more diversity in the Presidential candidate pool than in the pool of panel journos. 🙂 Until tonight. The panel of journalists is comprised of two African-Americans and a Latino.

Let’s see how tonight’s forum goes.

On Internet Radio Protest Day, Sharing A Lantern That Has Lit My Way

I have kept with me a yellowed Black newspaper clipping from September 11, 1989. I thought that today, the day Internet radio is conducting its “Day of Silence” protest, would be a good day to share extended excerpts of it.

————

‘Guerrilla Radio’:

Underground radio station operator uses ‘sneak attacks’ to educate community

By James Muhammad

Assistant Editor, The Final Call

SPRINGFIELD, Ill.–WTRA, “guerilla radio,” broadcasts from behind the wall.

“They say they put up the wall to protect the residents from the speeding traffic,” said Dewayne Readus, the voice and operator of the low-watt AM station, “but you notice they didn’t put sidewalks in for our children.

“The wall helps them in their control of us. They don’t want anything positive to come out of the Black community because that will disprove the myth…. that we’re dumb,” he said.

WTRA’s message comes out from the John Jay Homes housing project carried by weak radio waves but charged with the crusading spirit of its mastermind operator. The project sits in the shadow of the domed capitol building, behind the wall that blocks the blighted project from the casual glance of the speeding motorists making their way downtown.

Operating out of one of the apartments, Readus, a 30-year-old legally blind resident, is determined to educate and politicize his community, although local police attempted to silence his “Voice of the people,” as WTRA is called.

Until recently, Readus regularly operated the station from an upstairs room in his sister’s apartment. The station covered a radius of one-and-a-half miles, just enough to reach the housing unit[s…….

“When we talked about] the Urban League and the NAACP, we were alright,” said the independent contractor, “but when we started talking about police brutality, that’s when they came to shut us down.”

Readus’ controversial music and talk format had already attracted the ire of the city’s Black leadership whom he consistently criticized. He caught the attention of the police when he aired a tape recording made at the hospital bedside of a 52-year-old boxing coach who was severely beaten by security guards at a local department store.

Will Gray, an inspector with the Federal Communications Commission (FCC), visited Readus after he aired coverage of a hostage incident where the police cordoned off a Black neighborhood after a man took his girlfriend and her sister hostage.

[………H]e was fined $750, which Readus has vowed not to pay until he has his day in court.

“We are saying we have a right to access the airwaves,” Readus said. “The very fact that we can’t communicate with each other is a form of genocide.”

A frequent target of Readus’ commentary, Alderman Frank McNeil, said the station provided important information to the community and a viewpoint not offered by the “run-of-the-mill” media. “But he attacked every Black person in a leadership position who didn’t agree with his position. He never allowed opposing points of view to be aired,” McNeil opined.

Today Readus operates what he calls “guerilla radio,” a “sneak attack” approach to getting his message out at varying times during the week.

“They haven’t made their move because they don’t know how to go about doing what they want to do,” Readus said, defiantly. “Ultimately, they probably just want to get rid of me. That’s their history.”

Even McNeil agreed that the relationship between Black people and the police is “very tense.”

Police Chief Mike Walton said he contacted the FCC only after he received complaints about vulgarity used on the station. He also described Readus as a “man with a small following who causes more trouble than he helps.”

However large or small Readus’ following may be, he has had an impact on the city and his community.

“He let kids and parents know what was going on in the world,” said Emmanuel Morehead, 17, who said he often listened to the station.

“I would like to see his station bigger so he can reach the broader community,” said Bill Robinson, 42. “But he’s got to make his program where people will come to him with information. He’s got to open up more.”

Readus said he welcomes the threat of arrest so WTRA’s struggle can be an example to others. The station also served as a training ground for young boys and girls interested in radio, he said.

“Somebody tell the children how WTRA served as an advocate for the people when the police wouldn’t police themselves,” Readus proclaimed. “Somebody tell the young people how we fought police brutality by broadcasting the personal testimonies of African-American victims.”

Copyright 1989, 2007 by The Final Call Newspaper Co.

An Anniversary Worth Noting

It’s been 21 years since this song and this artist took over my mind, body and soul.

I remember telling people at the time that my goal was to bear HER child! LOL!

What made me think about her today? I was joking with a friend of mine about Spike Lee’s cameo in this video:

While watching it, I see today how well Spike blended social and cultural history, parody and even time travel.

Wow. The Power of Black Art. Food for thought.

My View Of "Fantastic Four: Rise Of The Silver Surfer"

The 8-year-old (or so) I was with Friday night loved it. And my 9:15 p.m. Silver Spring showing looked sold out. When my friend Raoul Dennis asked for my verdict right after it was over, I said, “Well, it’s better the first, but what is that really saying?” We both laughed.

This is the reality of  “Fantastic Four: Rise Of The Silver Surfer.” Believe it or not, no mistakes were made the first time around, because all Tim Story did was make a better version of the first film. And I can’t be too mad at the brother; if my film made $300 million worldwide, would I really change that much?

That said, it IS better and worth seeing—even if you are a die-hard fan. At least the F.F. acted like the scientists/explorers they are in cartoons and comics. At least there were more scenes with Alicia Masters (and both her banter with Johnny Storm, and his conversations with and about her, were GREAT).

And Ol’ Chrome-Dome was on point. Visually, very much the character who blew my mind as a kid.

I’m excited about the Silver Surfer spin-off that’s in development. I hope in that film Galactus will be portrayed more traditionally. The storm thing DID work for “Rise,” though. As one poster said on “The Fantastic Four Message Board“: “While seeing Galactus looked cool back in my younger days I think we have all become a bit more sophisticated and I don’t think a big guy setting up some equipment on the the rooftop of a NYC skyscraper would have been better than the ominous looking Galactic Storm that threatens to consume the planet. Perhaps one day the original trilogy can be done by a top flight outfit like Pixar because I think he would look more plausible in that type of film.”

Blah, blah, blah. 🙂 None of this—including the weird (read: too fake) look that Jessica Alba’s very blond wig and too-blue contacts generated, the critics-reinforced opinion that many, MANY scenes could have been better acted—really matters. Silly Rabbit; Tricks Are For Kids. As I explained to a colleague on Friday before seeing the film: “I’m stuck. I’ve LOVED these characters since I was 10 years old.”

So with the Surfer risen, The Cosmic Quartet gains another group of 8-year-olds as a fan base, while the 10-year-old in me waits to join the next batch on line Opening Day for “FF3” in 2009. Not EXACTLY a lose-lose. 🙂

Congrats To American Journalism Review!

I’m biased, but AJRthe winner of an Mirror Award for Overall Excellence from Syracuse University’s S.I. Newhouse School of Public Communications—can be a very good magazine when it wants to be. It’s a solid resource for its targeted audience—the small group of white men (and some white women) who guide American mainstream journalism. It’s important to point out, however, that the percentage of white females who write for it, and/or help manage it, has traditionally been VERY strong.

"Right To Return": Tavis Gives A Week Of Tee Vee Time To Katrina

 

Congrats to Tavis Smiley and Jonathan Demme for doing the right thing. Necessary viewing this week.

KQED/Channel 9
CHANNEL 9 -San Francisco, San Jose (Bay Area) 1:00 am PBS
May 10, 2007
CONTACT: Joel Brokaw (310) 273-2060, Laurel Lambert (323) 953-5246

FOR IMMEDIATE RELEASE

“TAVIS SMILEY” ON PBS DEVOTES ONE WEEK OF PROGRAMMING TO JONATHAN DEMME’S STIRRING DOCUMENTARY FOOTAGE ON POST-KATRINA NEW ORLEANS, AIRING NATIONWIDE ON PBS

Academy Award-winning director Jonathan Demme is joining forces with PBS’s Tavis Smiley to present a unique week-long series on post-Katrina New Orleans called “Right to Return: New Home Movies from the Lower 9th Ward.”

The series consists of “portrait” documentaries filmed in New Orleans over the course of 2006, leading into January of this year. The five short films chart the efforts of a disparate group of New Orleanians who braved unimaginable adversity after the floods of 2005 in an attempt to reclaim their homes, their neighborhoods – primarily in the Lower 9th Ward – and their shattered lives and livelihoods. The residents presented in the unfolding seasonal format include teachers, ministers, a retired chef, volunteer workers, the owner of the legendary “Mother-In-Law Lounge,” librarians, and workers from all walks of life.

“Right to Return” will air nightly for a week, beginning Monday, May 28th on the “Tavis Smiley” late-night PBS program – seen on over 200 PBS affiliates nationwide.

“This American story of lives lost, souls shattered and uncommon courage must be told, even though the waters have subsided,” stated Tavis Smiley. “I’m pleased and honored to have the opportunity alongside an iconic director and producer like Jonathan Demme to tell that story.”

“This is an extremely personal project for me,” stated Jonathan Demme. “We started filming four months after the floods. I felt drawn, as an American filmmaker, to contribute somehow to the audio-visual record of what these people were going through in their heroic efforts to jump start their lives in the face of this epic, tragic event. I wanted to be a part of getting these stories out, and I am so thrilled and proud to be doing so with Tavis Smiley.”

Demme added, “It’s really wonderful that Tavis Smiley is providing a window into the lives of these amazing people – the spirituality, courage, imagination, tenacity, and humor that fuels their commitment to restore their homes is truly inspiring and moving to me.”

Each night, Demme will join Smiley on location to set up the portraits and introduce the people featured in each episode. The main individuals profiled will have the opportunity at the end of each program to give an update on how their lives have changed since the floods that devastated their homes in the fall of 2005.

Norman Lear, who is a major sponsor of the Demme films, said of the PBS broadcast of “Tavis Smiley,” “The New Orleanians presented on the shows represent the best we as human beings are capable of.”

The segments feature original music scores by Barry Eastmond, Donald Harrison Jr., James McBride and Steve Elson. Additional music is provided by Algerian violinist Djamel Ben Yelles, Ernie K-Doe, and others.

Jonathan Demme won an Oscar as best director in the 1991 film “Silence of the Lambs,” and a Gotham award for his documentary “The Agronomist” in 2005. He has previously made several documentaries on Haiti as well as portrait films on Nelson Mandela and Robert Castle.

The full-length film version of “Right to Return,” produced by Demme with Daniel Wolff and Abdul Franklin, is expected to be released theatrically later this year.

“Tavis Smiley” on PBS is produced by the The Smiley Group Inc./TS Media Inc. in association with KCET/Hollywood. Underwriting for “Tavis Smiley” on PBS is provided by Toyota, Wal-Mart and PBS. Additional funding for “Right to Return” is provided by the Lear Family Foundation. For more information, visit http://www.pbs.org/tavissmiley .
http://www.tavistalks.com .

Directed by Jonathan Demme
Produced by Jonathan Demme, Daniel Wolff, and Abdul Franklin
Executive Producers
Neda Armian and Lisa Hepner
Tavis Smiley and Neal Kendall (for “Tavis Smiley” on PBS)
Original music by Barry Eastmond, Donald Harrison Jr., Steve Elson and James McBride
Additional music by Djamel Ben Yelles, Ernie K-Doe, Christian Scott, and The Young Guardians of the Flame
A Clinica Estetico Production

The Audiobiography of Askia Muhammad

 

Veteran multimedia journalist Askia Muhammad has done something extraordinary. Over the last few years, he’s somehow gotten Soundprint, the nation’s premier public radio documentary series, to “publish” his autobiography, an audio chapter at a time.

Together these programs form a well-told mosaic of a life, filled with sound and soul.

Congrats, Askia, on this great and significant accomplishment.