The Last Word On…….

hp-half-blood-prince1

…… “Harry Potter and the Half-Blood Prince.” I’m torn over whether this is the best film of the six or just my personal favorite. I love that the film is completely about the characters.

sotomayor

……the fact that at least Black and Brown people have to prove their objectivity to biased white people for better jobs than, say, being a City Hall reporter. 🙂

policebadge1

……..Gatesgate. Well, I now know why Obama doesn’t risk sounding and acting like a Black man. The first time he does so, he has to pull a David Dinkins. And with the constant safety of himself and his family at sake (and those three points in Ohio and Pennsylvania he seems to be constantly worried about), I’m sure he wants to avoid what happened to New York City’s first Black mayor. White House Menu for this week: Beer, with cop-out nuts on the side. Real power has publicly exerted itself in America, and gave Black America a real teachable moment on that.

…..this new “Doctor Who” trailer. Of course it’s great. It’s a long wait. Ready for November. I’m really going to miss David Tennant. (Hope he’s happy in his new gig here for us in The States. I remember how extraordinary he was when he starred in a “Masterpiece” presentation.) Glad to see on youtube the (now-former?) “Doctor Who” team in its glory, at Comic-Con.

cell-phone

I thought this was a great idea. I once wrote about something like this.

shapeimage_3

…..what my friend Malik sent me. I’m glad to see stuff like this happening.

A Dignified Goodbye

Michael Jackson by Rolling Stone Magazine: Magazine Cover

 

Very dignified. Almost too reserved, frankly. (My mom disagreed; she thought it was an example of perfect pitch.) The comments from Berry Gordy and the Rev. Al Sharpton set the proper context. And Brooke Shields and Usher…..wow, I hope they’re being comforted. Missed Mariah Carey and Trey Lorenz’s opener, but I’m sure she nailed it. As Marlon, one of his brothers, said, “Maybe now, Michael, they will leave you alone.”

The wait by the mailbox for Rolling Stone now begins……..Vibe could have redeemed itself here, had it not died with him….. *SIGH* 😦

[JULY 10th UPDATE: And I found these two radio programs essential.]

Transformer (III of III)

ST/Auction

Here’s something I helped get published back in 1994. My friend and mentors’ comments here are not only still relevant, but do a good job of explaining Mike’s role.

MICHAEL JACKSON: VICTIM OF MEDIA MONEY MACHINE I

By Vicky Gholson, Ph.D.

When we find ourselves having produced one of the most
powerful and influential entertainment history leaders, it
is ironic we render ourselves silent in the face of
assault—not the assault of an industry, but the assault of
the mere idea that a man of African descent can be a master
of Black images and obtain massive wealth in the process.

Michael Jackson is a smokescreen in a continuous media
machine to reduce our image to the distortion normally
displayed by the news media. Michael has taken the Black
image and given it the dignity and prominence it had not
seen in years. (Forget about his current skin color:
Remember the African images in the “Remember The Time”
video, which was released during Black History Month?
Remember the multicultural focus and rage expressed in the
“Black or White” video?)

People have been mesmerized by the soap opera of
non-information. What is at fault is an industry created for
the development of mediocre talent, at best. What has not
been called into question—with the notable exception of the
Los Angeles chapter of the NAACP—is the lack of
journalistic responsibility in transmitting, for the most
part, tales of gossip.

Too often we forget that the aim of the mass media is to
influence public opinion. On the 6 o’clock news, we witness
a daily bloodletting of those of African descent being
sacrificed to maintain the image of purity.

michael-jackson-people-cover

The artist is involved in creative processes which fosters
independent thought and action. He or she is feared by those
who have no command of those processes.

Within Corporate America, the self-esteem, humanistic spirit
and aspirations of African-Americans are being controlled,
suppressed and altered every day. Too often, Black workers’
earnings are used as a barometer for others who are rewarded
when they surpass it.

With this in mind, the media assault against Michael Jackson
has created money to be spent, new personalities to be
quoted, and increases in audiences for tabloid TV shows and
rags that would not normally be doing this well in an
unstable economy. (I am reminded of the photographers that
nearly crushed the Jackson women while trying to get a shot
of the men during a 1984 “Victory Tour” press conference in
New York City.)

Why is it that these accusations have mostly been carried in
news pages, but when Jackson receives a standing ovation at
the recent NAACP Image Awards, it’s just a small item in the
entertainment sections?

Isn’t there a historical pattern of using Blacks to react to
a depressed economy? These accusations could have come years ago; so why have they come now, in the wake of urban
rebellions, the downsizing of Corporate America and the
general lackluster of today’s media events?

The problem is between those who control the creative
process and those who control the money. The latter would
rather destroy the former than co-exist.

MICHAEL JACKSON: VICTIM OF MEDIA MONEY MACHINE II

Jealousy is behind the Michael Jackson media assault.

Adults have removed a figure that has supplied three
generations of children with rhyme, lyric and image to cope
with the cynicism of adulthood. The children are the
victims, the psychological casualties of this mass media war
for power and of greed.

michael-jackson-the-wiz

For an entire industry to react so singularly, so
irresponsibly, is frightening. Why? It was knowing the power
and enormous wealth of a 35-year-old man. Many are working
overtime to figure out how to tie up his money or get as
much of it as possible. This is particularly true of those
who not only have no clue to how the creative process works,
but openly resent those who obtain such power. Those who
can’t put the King in check knock all of the pieces off the
table.

However, we have a clue on the level of a mother’s
anguish—Katherine Jackson’s anguish—of watching her child
absorb such negative energy.

It is an indictment of the mass media that they have not
interviewed the mothers of every child who allegedly had a
negative interaction with Michael Jackson.

Where are the adults in this crisis? Where were they during
these alleged incidents? Why aren’t ALL the adults
undergoing the same media character assassination as is
Michael Jackson? If something did happen, then ALL the
adults are responsible.

If Michael Jackson is guilty of anything, it’s of not listening
to his one sincere guide—his mother, Katherine. She has
demonstrated the strength of the African mother. She has to,
because no entertainment family has had to endure the public
assault hers have.

It’s time for the African village to become loud, demanding
and supportive of our cultural contributors. We must never
be allowed to look back and see that we participated, by
omission, in the destruction of one of our greatest cultural
diplomats just because the media saw nothing happening of
note recently in Buckingham Palace!

As for Michael Jackson, he must purge those who are disloyal
to him in order to avoid a repeat of this situation.

 

He must also take his creative energy and channel it into
his art. It will only lead to his greatest work.

His creativity will lead to his healing. In the struggle,
any warrior must focus on his or her strengths. His or her
relationship to the village is to absorb, share and inspire.

This process ensures victory.

Copyright 1994, 2009 by Vicky Gholson, Ph.D.

VICKY GHOLSON, PH.D. is a media specialist with more than 30 years experience in all aspects of mass media.  Her email is vfre2bme@yahoo.com.

Transformer (I of III)

The key moment here is at the very end, when Mike is on the run from folks trying to capture him—detain him, constrain him, define him. The smile on his face as he infuriates King Eddie is more than just Bugs Bunnyish cleverness; it’s bliss. (He’s completely in his element here, a combo of Eshu, the Yoruba Trickster God and the mysterious magician from/for the [African] world.)  He tries to run away. Seemingly trapped, he then turns into sand, confounding his opponents. The moment works because since it’s Michael Jackson, you think he actually did that. Fifty years of morphing into any shape, every shape. A half-century of re-defining American and world entertainment. Michael showed us that magic wasn’t just possible in fantasy, but actually present, in the world, in us. He continued to produce it, on his own terms, and allowed us to bear witness so we could tell the tale of a man who spent an entire life transforming pain into pleasure.

Brief Book Reviews: "Heroes Of Film, Comics and American Culture" and "Bayou," Volume One

bayou-cover

Bayou, Volume One.
Jeremy Love.
ZudaComics.com.
$14.45.

It’s common knowledge that the classic, pre-Disney-ized children’s stories of yesterdecade were, in actuality, horror tales designed to scare good behavior into children. Don’t go down that road. Don’t go into that house. Don’t chat with that talking animal, and for goodness sakes, don’t follow him!

The first volume of “Bayou” really scared me because it took the whimsical horror of “Alice in Wonderland” and meshed it with the real-life terror of Jim Crow, in all its pre-Rosa Parks grisly gore and anger. This graphic novel, written and drawn by the superbly talented Jeremy Love, has the deceptive look of a children’s book, but it’s a serious meditation on life and death, bravery and freedom, seen through the eyes of Lee Wagstaff, a tough, resilient girl who refuses to let her daddy be lynched. All because Lily, a white girl and Lee’s friend, was swallowed by a mysterious ogre in the Bayou.

The masterwork is published by DC Comics’ new online imprint, ZudaComics. “Bayou” is the first-ever Zuda book. The story is copyrighted by Gettosake, which should be very proud of itself. Once again, DC shows it has an eye for stories of great quality.

Love won five of 10 Glyph awards this year—a five-for-five sweep of its nominations. (The Glyphs are given out by the East Coast Black Age of Comics Convention.) “Bayou” won Story of the Year, Best Writer, Best Artist, Best Female Character and Best Comic Strip.

Part Two cannot come to me fast enough. Hurry, DC!

 

Heroes of Film, Comics and American Culture.
Lisa M. DeTora.
McFarland & Company, Inc.
327 pp. $39.95.

 captain_america2

This book is right on time because there are rumors in the electronic air that Steve Rogers, killed during Marvel’s Civil War and during the even darker days of the end of the second Bush term, will return to life this summer.

[JUNE 28th UPDATE: Yep, he’s back.]

Jason Dittmer wrote about Cap in this scholarly anthology, which seeks to examine the relationship of fictional heroes to American domestic life. The book is broad, with its 18 authors looking askew at heroes ranging from the newly-domesticated sheriff in the classic flick “High Noon” to the action engaged by a pregnant Xena, Warrior Princess. (A real-life examination of the impact of 9-11 on national discourse deals with the issue of racism.)

So Captain America, Dittmer writes, “was created [by Joe Simon and Jack Kirby in the 1940s] as a symbolic wall to keep the interior space of the nation pure.”  When Stan Lee and Kirby revived him in the 1960s, the theme was “debate over the meaning of America itself.”  I wonder what he would say about Rogers’ resurrection during the Age of Obama—-the rebirth of hope during the Era of Hope?

cap-shot2

Highlights include Ronald C. Thomas Jr.’s discussion of “Rockefeller Republican” Tony Stark as an extension of his Iron Man identity (and Ol’ Shellhead, of course, being the “embodiment” of the military-industrial complex) and Marc Edward DiPaolo’s deconstruction of Batman as a restrained version of Bush(‘s War On Terror policies) or, as the author put it, “part Donald Trump, part Vampire.”

Dittmer and the other authors plow over ideas well-tread by generations of fanboys and fangirls. (Ex: As a comic, Cap works best as Cap, not Steve, and works best in a battle setting, not one of domestic tranquility.) But as a member of both the scholarly and geek camps, it’s good to see this kind of treatment.

One Step Forward, Two Steps Back

History was indeed made yesterday. It was the kind of history that Obama likes to make. The President had chosen someone in his own (personal and ideological) image.

If I wasn’t paying attention, I’d think that Obama was the most progressive president I’ve ever seen. And maybe he is. But maybe that’s just not good enough.

The more I turn on the radio, the more disturbed I get. Isn’t anyone going to challenge him on any of this? I think we can both enjoy the history and ask critical questions.