Chuck D: "Reality" Shows Just Part Of The Tricknology

Ah, so refreshing…..  🙂 Just like that Hilltop editorial.

… When I was first asked to do an interview answering to VIBE‘s concern about reality shows and the mismanagement of female images in media, I straight out flatly refused. I’m neither arrogant, elitist, nor bitter, its just that the problems with the topic are beyond articles, sound bites, and special one off tele, broad, or even webcasts. It’s worthy of dissertation, educational curriculum, and books of new social science containing cultural analysis yet to be published and exposed. Quite frankly, I had my reservations until Danyel Smith took over the magazine (one which to me has had the tendency of coming off like a cultural coloring book). I wish the mag and VIXEN a testosterone-less good look and luck. And it’s the main reason agreeing to the issue here at hand.

With that said, the question of how blacks are treated in the world of reality television is answered simply in that reality TV is not reality at all. It’s shot, canned, edited, and processed Amerikkkan style like Mickey D fries, over 300 million served and told. The public should know that Flavor’s and other reality shows are shot five months beforehand within a ten day span, so how stupid is it when people wait week by week to find out something that at happened a half a year before? Pavlovic, eh? It’s no secret when we don’t control things, they can end up governing our existence. Black ownership in media is nil and none. Maybe there’s some negrownwership in the house, because corporations (usually a squad of white males) need them around to create and endorse ‘niggers’ – this avoids the race tag, I guess. Black media tries to justify parallel programming by saying they need numbers to stay in business. This is a root problem that quantifies black people in a rating system of eyeballs and ears rather than the old school issue of ‘quality’ and ‘feelin’ it.

But the scientific effects go beyond race as most Americans generally have a poor grip on geography and history (i.e. a shameful 18% of US citizens own passports, and many Americans we’re surprised so many black folk lived in New Orleans after watching the news drunken-ality of post Katrina). When one studies mass communication, you find that each situation broke a giant genie out of and busted the bottle with it. Martin Luther (not the king or the singer) with the printing press, Marconi with radio, and various events leading up to post World War Two invention of television. Television is considered the most powerful weapon/tool created to inflict influence. More powerful than a hundred trillion bibles, Korans, or Torahs in the minds of the masses. The power as far as black folk is concerned is like a snapshot of a gathering. If you were in that gathering and the snapshot was passed around, the first person you look for is yourself. This is the basic reason black folks flock and suck to the tube. Take science, drop it in some perceived culture, and you can have some millennium pied piper sht goin on.

Ok, before I lose you to whippings of ass distraction, which is the reality television credo; those powers that be move the M in ‘the masses’, and consider ‘them asses’ – just consumers. In a land where a village idiot reigns at the top, it’s no surprise that many citizens would be reduced to ‘vidiots’. Anti-lectualism and mass dumbassification puts big brother on blast, thus television across five hundred channels comes across as candied stress relief away from the rigors of reality. Thus reality gets created for mass consumption just like the black entertainment and athlete gods are created by the ‘godmakers’ that the public does not or doesn’t care to know.

When one examines the positioning of women and especially black women in the media, again it’s reduced to whatever sells. We’ve heard that sex sells for the longest time, but the past fifteen years corporations looking for numbers have perved their way into selling it to a severely underage demographic. Just check the nearest sixth-grader nearest you. Reality TV, music, hip hop and their adult themes have indirectly invited kids to the orgy.

This disturbance is Xeroxed, reflected, and re-emitted by hip hop in the treatment of women. If mass media has basically been a locker room that women have had to find a safe corner haven, then hip hop is that testosterone heavy, dude crib where the refrigerator’s empty, rugs filthy garbage overflowed, unkept nasty bathroom for all to trip over the debris. Videos have captured the eyeballs for years, and now if they can roll ten to fifteen hot chicks per rapper/singer, marketing teams ( I’m so sick of that wack term marketing 2006 = pimpin) can keep making ugly the new cute…WTF!? This process has been followed by television programming. To hell with an idea and script for the lowest denomination.

But Viacom and reality shows are inseparable, the real world jumped it off in the early 90’s. What’s more disturbed is that Christina Norman of MTV Networks, Debra L. Lee of BET, and Cathy Hughes of Radio One are all black women, and presidents of the most powerful portals of culture, image – portrayals that tens of millions of black folk visit daily, and at the same time black women’s images have never been so low. (a shameless plug here is all-female rap group Crew Grrl Order debut on my SLAMjamz.com label, it’ll be interesting to see the support of these womens’ recordings by these mega conglomerates come this October 2006) Then again when Biggie told the crowd to rub your privates if you love hip hop, and smart cats in fear of being called ‘out’ just did it cause Simon said it, what do you expect ten years later?

 

This brings me to Flav’s scenario. Yes, there is a problem, but he’s been generally the same cat I pulled up from his humble beginnings twenty-five years ago. Flav has always existed with a somewhat conscious surrounding, and Public Enemy was a varied, diversified collection of personalities, just as our neighborhood depicted. And we reflected that black men we’re still grouped in one boxed Amerikkan cookie cutter category, whether lawyer, clown, militant, athlete, mechanic, drug dealer, drug addict, soldier, academic cat, thug etc. At the crest of R&B (Reagan and Bush) black life was considered valueless in Amerikka. Flav was Skittles and Starburst to Professor Griff’s okra and beets, and everything else we did was in between. Somehow along the way black life and culture was deemed profitable, and the big great white male took interest and fought over the seven seas of soul. Niggativity, which was a minority element in the hood, had its DNA corporately extracted and created the climate for a ‘Flavor Of Love’ and others. It’s called diminishing returns. I’m glad Flav is busy, really not surprised at all ( been traveling and living with dude all over the earth 20 years people, 56 countries, 54 tours….hello, why would I be surprised?) But it’s a double wince at times when the stats say that it’s a well-watched program by the masses of blackfolk and the topic the next day amongst blackfolk at school and work. Grown people, mind you.

Personally I thought Flavor was the smartest cat in the room on ‘Surreal Life,’ and showed the heart he had in ‘Strange Love’ (although I interjected when I heard a conflict was shot between he and his ex, and I threatened VH-1 and the production company if they aired it, we’d have problems…they were calling the conflict ‘good TV’…… sht) When Flav told me he was doing a Flavor version of ‘ The Bachelor,’ I just laughed and wished him luck. Flavor Flav is addicted to fame; he ain’t never changed. When he has had run ins with the law and some substance cases, it’s been when his fame was on the low. In that position I know this magazine and other cultural mags, shows, blogs, etc., would cover the worst news unfit to print to get black folk’s knee-jerk consumer response at the register. After continued run ins and possible boredom in the Bronx, Hank Shocklee and I suggested he head to California. Hollywood—the place where every time I visit and leave there I have to take IQ rehab. You must understand twenty years ago, myself and Hank formed a noisy rap vehicle in words and sonic assault. PE was to destroy music as we knew it, because it was elitist from a position of black complacency. We knew individuals, in the form of Negroes and niggers marionetted in black guise, for the sake of getting rich for self and never thinking, were running abundant under those blonde suits. At least we knew Flav would be the loudest in whatever room, restaurant he was in. In a twisted way, perhaps he was an asteroid smash landed to possibly change the terrain of imagery, and wake some people up.

The truth is that our image was forsaken in the 90’s when drawing the line was blurred, set back or didn’t matter as much. Black folk started calling athletes and entertainers ‘heroes and legends’ instead of everyday people doing real and important things. Class clowns and thugs were co signed and socially applauded and rewarded by lazier working images and shielded by money. While teachers, and valedictorians were being clowned, thus silencing the smartest kids in the room.

Corporations millennium-marketing big picture says Black people are not asked, we are told, and black women are simply just ordered, whether it’s a demand or as virtual plate-side condiments.

We’ve gone from being laughed with to laughed at. Contrary to popular belief things ain’t gotta be hip hop or have streetcred to cut across to us, but somebody better reverse this momentum that Amerikkan whitefolks believe, or forever culture here will be petri dished in a boardroom.

Ultimately this is a wake up call to prevent the ‘falling off of black America.’ It has little to do with how much money one has, when black folks stop praising and weighing cultural and social success to things and individuals just because money is made, then some of the climate will reverse itself. When culture and news props up those with degrees and key community profile instead of putting celebrity baby-mama issues on the front blast page and reflects cats who work everyday for our people with no gloss, floss and glory then the climate will reverse. Perhaps Flavor is an introduction to black folks killing off the nigger in ourselves.

This just in….the rest of PE continues to do and contribute socially nationally and abroad, we’re balanced as a structure and expect no coverage or publicity campaign costing 6k a month. But I don’t do reality TV and won’t bend for it. Amongst many things I’ve been on the Air America Radio network the past three years with a black woman co-host, Gia’na Garel, boosting social-cultural-political opinions nationally and abroad. We expect a minority of listeners, but also I realize the glaring fact that if I’d merely robbed a gas station I wouldn’t need a publicist, I’d be put on blast on every black media outlet possible and every black person beyond reading this would easily apply my name to the negative, like what Eddie Johnson just went through.

So I would like this to be read, and thoroughly comprehended. If not and it’s fulla sht and too deep, then there you have it. I’m glad you’ve made it this far. Don’t expect some reality show nearest you. I’m not for sale and quick to telling people ‘nunya gd damn bizness…’

Gone….

“I cannot teach you, I can only help you explore yourself.” –Bruce Lee

Chuck D

Mistachuck@rapstation.com

On The Real radioshow w Giana Garel Airamericaradio.com

sunday nights 11p-1est.

http://www.publicenemy.com/

http://www.slamjamz.com/

http://www.rapstation.com/

 

I Know You're Watching This Tomorrow Night

National PBS Premiere on P.O.V.
Tuesday, September 19 at 10 p.m.
(check your local listings)
 

In the wake of his stepfather’s death, Thomas Allen Harris embarks on a journey of reconciliation with the man who raised him as a son but whom he could never call “father.” As part of the first wave of black South African exiles, Harris’s stepfather, B. Pule Leinaeng, and his eleven comrades left their home in Bloemfontein in 1960. They told the world about the brutality of the apartheid system and raised support for the fledgling African National Congress and its leader, Nelson Mandela. Drawing upon the memories of the surviving disciples and their families, along with the talent of young South African actors who portray their harrowing experiences, “Twelve Disciples of Nelson Mandela” tells an intimate story of family and home against the backdrop of a global movement for freedom. A co-production of the Independent Television Service (ITVS), in association with P.O.V./American Documentary and the National Black Programming Consortium.

MTV Networks A "Diversity" Champion?

The latest from Lisa Fager.

FOR IMMEDIATE RELEASE 

Lisa Fager, Lisa@IndustryEars.com
202 253-0435

Please SIGN PETITION and pass on.

MTV NETWORKS A ‘DIVERSITY’ CHAMPION?
Kaitz Foundation Cites MTV Networks a Model Network for Diversity Programming (Stop laughing!)

WASHINGTON—The Walter Kaitz Foundation has announced that on Wednesday, Sept. 13, it will honor MTV Networks with the Diversity Champion Award during its 23rd Annual Dinner at the Hilton New York in Manhattan.  

A press release by the Kaitz Foundation describes MTV Networks as promoting “culturally relevant programs [that] are the most outward demonstration of their dedication to diversity.” Additionally, the Foundation cited that MTV Networks provides its viewers “with content that has global appeal” and emphasizes their programming that “strives to meet the needs of diverse audiences.” 

As a think tank group that focuses on the impact of media on children and communities of color, Industry Ears is perplexed by the Kaitz Foundation’s choice.

The following programs are but a few current examples of MTV Networks’ “diverse” programming:

  • “Where My Dogs At?” – a Saturday afternoon cartoon show on MTV2 with an episode in which African American women are portrayed as dogs on leashes (i.e., “bitches”) and who defecate on the floor.
  • “Yo Momma” – a tasteless and insensitive show on MTV pitting teens against each other to spew racist and hate-speech insults for crowd reaction.  MTV refers to the pitted groups as “rivalries.”
  • “Flavor of Love” – A VH1 show that proffers exploitative and demeaning images of women through what is described on the VH1 website as “sensational, raunchy and outrageous” entertainment.
  • Music Videos – According to some researchers, MTV networks consistent airing of narrowly focused music videos are particularly damaging to children’s self-concept and social attitudes.

Do these examples reflect the action of a “diversity champion”? 

Historically MTV Networks has been criticized for its lack of programming diversity and its promotion of content that is below community standards. 

The Walter Kaitz Foundation’s choice to honor MTV Networks is perplexing.

Industry Ears encourages all concerned citizens to Take Action by signing our online petition to let the Walter Kaitz Foundation’s Executive Director, David Porter, know that MTV Networks is not the model for programming diversity and we hope that this is not an exemplar for other cable networks to emulate.    

Go here to sign the petition.    

The petition will be hand delivered to the Walter Kaitz Foundation on Thursday, Sept. 21st.  The last day to sign petition is Sept. 20.  

About Industry Ears 

Established in 2004 by co-founders Lisa Fager and Paul Porter, Industry Ears (www.IndustryEars.org ) is a new generation think tank focused on media’s impact on children and communities of color. IE is dedicated to addressing and finding solutions to negative and harmful content through media education, research, advocacy, public policy and continuous dialogue with industry stakeholders.

Obama 'Endorsed' By Biography Channel? And Why Don't Women Get Better Political Roles On Tee Vee?

An interesting CampusProgress.org article that I thought you’d want to read.

Biography’s Unnatural Women: On and off TV, men get better political roles than women

By Sarah Laskow, Yale University
Wednesday, September 6, 2006

The names are already familiar: Clinton, McCain, Condi. Inevitably, the next presidential election will be about celebrity: The media has already begun obsessing about the details of the event with all the ebullience of E! before the Oscars.

Unexpectedly, that media includes the Biography Channel, which seems to have implicitly endorsed Sen. Barack Obama (D-Ill.). Recently a series of paired profiles aired under the rubric “Then & Now,” and with a heavy hand matched Obama with John F. Kennedy. The all too obvious implication was that Obama is a sort of inevitable President.

The Biography Channel trades in celebrity; naturally they would prefer that the candidate with the handsomest face win the nation’s highest office. But the “Then & Now” series distinctly understands what it takes to be president, and demonstrates why Obama has a better chance of being elected in 2008 than either of the high profile women who might run.

There’s a key moment in each hour-long Biography program, and it comes precisely at the 30-minute mark. This juncture always portrays pain or absolute triumph, as when, in a typical Hollywood bio, Vivian Leigh (best known as Scarlett O’Hara in Gone with the Wind) becomes mentally ill. Right before the half-hour, after the usual obstacles to success have been overcome and accolades won, a wide-eyed picture of the subject will take up the screen as the emotion intensifies. The camera will close in just a bit more. At this moment, the text of the inane narrator ceases to communicate anything at all (though he’s still talking), because the only thing that matters is the pair of eyes on the screen. From the still frame, the celebrity gazes out, and for that one moment, succeeds in telling his or her own story.

This moment works wonderfully in Biography’s profiles of politicians. President Kennedy and Senator Obama, when playing their roles well, are idealists who might actually accomplish some of their goals. With all of the real political compromise edited out and only the personal motivation left standing, you can read into their eyes all the hope in the world.

Click here for the entire article

I (HEART) Katie, But What's Really Going On…..

…….is that, for good or for ill, she’s taken the first hour of “The Today Show” to the evening with her! LOL!

(Well, CBS and She With The Great Legs wanted to change the game. So, okay……. Maybe she’s actually following those suggestions folks made earlier this year.  I have a big crush on Katie, so I’ll just ignore the spinning Murrow bones many media critics have been talking about. [You mean they HAVEN’T been spinning since Nancy Kerrigan and O.J.? :)] Somewhere in Heaven, I believe that Peter is doing a REAL newscast, and I wish I could see it. )

I began watching “Today” a decade or so ago because I very much liked the “hard news” first 20 minutes, where she had no problem opening a polite-but-firm can or two of whup-ass on an interviewee. So this transition will eventually work out for everyone who cares about this kind of thing. 

Some journalists of color have criticized the lack of racial diversity in the new newscasts’ on-air correspondents over the last two days, but I did like the Latina she used in last night’s “Free Speech” segment.

*******

And here’s a Post-Script, from “Today’s WORD On Journalism”:

TODAY’S WORD ON JOURNALISM–Thursday, Sept. 7, 2006

More on Katie Couric:
“I’m always happy when a woman succeeds. Even if
you think anchoring is stupid, which it is, and
the evening news a pile of propagandistic
claptrap, which it mostly is, it’s good to see
another bastion of male supremacy fall by the
wayside. Anything that gets women thinking they
can do anything is good! And there is the simple
issue of fairness–of rewarding women for their
work on equal terms with men. It’s another crack
in the glass ceiling and every woman who’s come
up against that should be glad. If the news is a
bit fluffier under Katie C, you can bet that’s
because CBS has done market research showing that
will up their ratings. Unfortunately, most people
are very interested in Tom Cruise and Katie
Holmes’ baby.”
   –Katha Pollitt, writer, the morning after
Couric’s debut as CBS Evening News anchor, 9/6/06.

* * * * *
TODAY’S WORD ON JOURNALISM is a free “service”
sent to the 1,500 or so misguided volunteer
subscribers around the planet. If you have
recovered from whatever led you to subscribe and
don’t want it anymore, send “unsubscribe.” Or if
you want to afflict someone else, send me the
email address and watch the fun begin.
(Disclaimer: While I just quote ’em, I don’t
necessarily endorse ’em. All, in theory, contain
at least a kernel of insight.)

Ted Pease, WORDmeister & Professor of Interesting Stuff
Utah State University, Logan, Utah
http://www.usu.edu/journalism/faculty/pease/
To receive Today’s Word on Journalism, send “subscribe” to
tpease@cc.usu.edu
See the WORD online at the Hard News Café: http://www.hardnewscafe.usu.edu

A Glimpse Of The Futu—er, Present? :)

A couple of months or so ago, my friend and comrade Jared Ball and I wrote about the need for a “B-SPAN”—a Black C-SPAN that would serve the people’s needs.

So I was more than slightly intrigued when I found the following in my email box this morning:

Wi-Fi TV Launches Black and African-American Internet TV and Chat as Digital Divide Closes

Wi-Fi TV Leads the Way in Bringing Black Themes to the Changing Face of Television and Millions of Black Internet Users

NEWPORT BEACH, CA — (MARKET WIRE) — August 23, 2006 — Wi-Fi TV Inc. (PINKSHEETS: WTVN) today became the first Internet TV provider in the world to create channel categories for Black and African American TV channels and live chat.

“As live interactive TV comes to Internet enabled PCs, laptops, cellular phones and mobile devices, and the nature of TV itself is re-invented, Wi-Fi TV will work to make the growing economic power, compelling history and great cultural richness of African-Americans a vital part of the mix,” said Alex Kanakaris, Chairman of Wi-Fi TV Inc.

Wi-Fi TV (www.Wi-FiTV.com) will provide extensive links to the Wi-Fi TV Black and African-American channel pages from throughout its live interactive TV web site, and will place channels and content pertaining to Black themes in many different Wi-Fi TV categories, including Education, Entertainment, Politics, News, Music and History.

“Wi-Fi TV is taking the lead in bringing African American live TV content to the Internet, in connecting Internet TV with African Americans and in providing education, culture and entertainment for an African American audience,” said Mr. Kanakaris. “We are actively selling Wi-Fi TV Channels to the African American community and are truly excited about the kind of content we will be able to provide that old fashioned analog TV never will,” he added.

According to the New York Times (March 31, 2006, article by Michael Marriott) the “Digital Divide” is closing as Blacks turn to the Internet. “African-Americans are steadily gaining access to and ease with the Internet, signaling a remarkable closing of the ‘digital divide’ that many experts had worried would be a crippling disadvantage in achieving success,” the newspaper reported.

According to the New York Times:

— African-Americans, even those at the lower end of the economic scale,
are making significant gains in online adoption.
— Organizations that serve African-Americans are turning to the Internet
to reach out to them.
— The sharpest growth is among young people but African-Americans of
various ages are increasing usage as well.

According to a Pew national survey of people 18 and older, completed in February 2006, 74 percent of whites go online, 61 percent of African-Americans do and 80 percent of English-speaking Hispanic-Americans report using the Internet.

In a similar Pew survey in 1998, just 42 percent of white American adults said they used the Internet while only 23 percent of African-American adults did so. Forty percent of English-speaking Hispanic-Americans said they used the Internet at that time.

About Wi-Fi TV, Inc.

Wi-Fi TV can be seen over the Internet in the United States, Latin America and globally. 300 channels of live TV programming, Country and Category specific breaking news and free voice over IP phone calls are available at www.Wi-FiTV.com.

Wi-Fi TV viewers from 130 countries around the world are tracked on the home page (www.Wi-FiTV.com) by the independent NeoTracker. Wi-Fi TV, Inc. has opened a new content and technology demo room for the press in Newport Beach, California. For further information contact Colby Marceau, (949) 716-9397, info@wi-fitv.com.

Hope You're Reading……….

…………….BlackAmericaWeb‘s five-part series on Katrina, One Year Later.

While you’re there, check out BAW’s article on the current state of Black television.

I’m beginning to no longer remember a time in which we didn’t have immediately accessible, national Black-generated print reporting. It’s a good feeling for this Black media historian and AFRO and NNPA News Service alum. 🙂

Katrina Appointment Television

And then the waters came. They clearly haven’t left our psyches yet—and they shouldn’t.

Anyway, Richard Prince has, as usual, done a great public service. The “Journal-isms” columnist compiled this list of Katrina network and cable coverage. The electronic onslaught starts tomorrow or so.

(Also, if you missed Spike’s documentary, the entire thing—both parts, all four acts—will air on HBO again Tuesday night.) For those with satellite or digital cable, here’s the full schedule on where and when it’ll air on HBO’s “family” of channels AFTER Tuesday.