They should take this show on the road. 🙂 Sing along with me now: “Overture/Curtain, lights/This is it/The night of nights. No more rehearsing or nursing a part/We know every part by heart. Overture/Curtain, lights/This is it/We’ll hit the heights/And oh, what heights we’ll hit/On with the show, this is it!” LOL! 🙂

(Meanwhile, let’s peer past punditry for a minute. The first post-Katrina episodes of “This American Life” need to be heard (from) again. [On the main page, click on the “05” icon in the “Complete Archives” section. When you’re on the “Archives” page, scroll down to Show Nos. 296 and 297, clicking on the small megaphones next to the titles on the left-hand side.] Afterwards, move your mind ahead 365 days or so, because “News And Notes” has taken out the nice china. Farai Chideya‘s from-the-ground New Orleans stories from yesterday and today are required listening. [Is it just me, or is Farai is on her way to becoming a renaissance woman? :)] Anyway, her Katrina stories are airing this week on “N and N.”)

…………Richard Prince of “Journal-isms” fame has an update.

Here’s my unsolicited advice: Let our Brother Ed go back to television, since he now has that new Black Enterprise gig, and give FARAI the show. Yep. Makes sense, don’t it?

If you follow the MSM and/or news about people of color and you’re not reading “Richard Prince’s Journal-isms,” you’re wasting your online time. In his latest column, from the NABJ convention which began yesterday in Indianapolis, Prince updates the “News And Notes” story.

When “Eyes On The Prize” returns this fall to public television, check for the episode of “Eyes II” that starts with Amiri Baraka rapping about how Black people try to be Black, but they are prevented from doing so because there’s a white ghost on their shoulder or right behind them, warning that Black person of the consequences of the freedom to be oneself.

The current problems with National Public Radio’s “News And Notes” remind me of Baraka’s statement. The show is slowly fading, and host Ed Gordon may bolt.

I LOVE NPR’s “News and Notes with Ed Gordon” because it’s the only national Black news show that exists right now. On paper, it was a perfect match—NPR’s Mickey D-deep resources used to create a national Black perspective on the news. But here’s the problem: It’s a Black show produced by Black people on a white network funded personally and institutionally by liberal-to-moderate white people. So how do you pull off a Black “All Things Considered” for an audience who may not want it? (Whether Black America wants news or not is another story.) How to do a weekday Black newsmagazine on white terms for white people and a few HBCU stations? It may not be possible, but as a devotee of both Black radio AND NPR, I will continue to wish for it anyway. We’ll see what my Pen Pal, Michel Martin, comes up with when her NPR show premieres later this year or early next year.

My unsolicited suggestion to the white folks at NPR: If you keep “News And Notes,” loosen it up. Let the producers color outside the hegemonic lines; surprise me with something I haven’t heard before–or put a NEW spin on something I have heard before. Keep the roundtable, but wrap around it more poetry, music, commentaries and documentaries. (Everyone chant with me, now: “More ‘Soundprint,’ Less ‘ Morning Edition!'”) And for gosh sakes, let the staff produce content that OFFENDS SOMEBODY, whydon’tcha? 🙂 The very vanilla “On The Media,” another of my favorite NPR shows, seems to do whatever it wants to do every weekend. Its hosts are not afraid to challenge either its interviewees or its own assumptions. It gives itself the freedom—there’s that idea again!—to be silly. So please give me a reason to listen to “News And Notes” other than to prove my racial loyalty. Exorcise the white ghost.