
…….Farai Chideya’s “News and Notes” interview with Chinua Achebe?
It’s been 21 years since this song and this artist took over my mind, body and soul.
I remember telling people at the time that my goal was to bear HER child! LOL!
What made me think about her today? I was joking with a friend of mine about Spike Lee’s cameo in this video:
While watching it, I see today how well Spike blended social and cultural history, parody and even time travel.
Wow. The Power of Black Art. Food for thought.

I’m biased, but AJR—the winner of an Mirror Award for Overall Excellence from Syracuse University’s S.I. Newhouse School of Public Communications—can be a very good magazine when it wants to be. It’s a solid resource for its targeted audience—the small group of white men (and some white women) who guide American mainstream journalism. It’s important to point out, however, that the percentage of white females who write for it, and/or help manage it, has traditionally been VERY strong.
 
Veteran multimedia journalist Askia Muhammad has done something extraordinary. Over the last few years, he’s somehow gotten Soundprint, the nation’s premier public radio documentary series, to “publish” his autobiography, an audio chapter at a time.
Together these programs form a well-told mosaic of a life, filled with sound and soul.
Congrats, Askia, on this great and significant accomplishment.
But first, a little text.

Hip-Hop and the Corporate Function of Colonization
Jared A. Ball, Ph.D.
Green Institute Communications Fellow
Having elsewhere looked at the function of mass media as primary mechanisms of the maintenance of colony, recent events have again emerged requiring further investigation into the function of corporate control over the cultural expression of colonized populations. Though not specific to hip-hop the example as explored through that most popular of cultural expressions may help to make more clear the imperative of organization and political struggle in 2007. Within the last few weeks alone we have seen recent decisions and trends evolve demonstrating the intent and need among those in power to further ensure that mass media will perform its primary (only?) function of manipulating popular consciousness for the purpose of manipulating behavior of the audience (victims). These developments can only be understood in the context of a continuing process of subjugation in which media play a primary role in suppressing dissent.
Click here for the entire article
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VOXUNION MEDIA
voxunion.com
FreeMix Radio
May 28, 2007A special statement and call to action regarding the Copyright Royalty Board, copyright law and intellectual property rights as they relate to a lock down of our cultural expression and thought. The recent ruling of the Copyright Royalty Board threatens to further limit our ability to communicate freely. The decision has already caused VOXUNION MEDIA to cease our online archive of our Pacifica Network radio show here in Washington, DC, threatens to force into bankruptcy roughly 85% of all internet radio stations and continues to demonstrate the importance and necessity of FreeMix Radio: The Original Mixtape Radio Show. Click here to listen to our special report/announcement regarding this concern. Stream options and more available at voxunion.com.
VOXUNION MEDIA
voxunion.com
FreeMix Radio
May 10, 2007We sat down with Dedrick Muhammad of the Institute for Policy Studies to talk about the Black/White Wealth Divide. Click here for this first of an on-going series where we look at the actual economic condition of African America and how this relates, is essential to, the political economy of the United States. Stream options and more available at voxunion.com.
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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM wpfw.org (live stream)April 16, 2007
Today we discussed DC Emancipation Day and its international implications with our guests Rick and Michelle Tingling-Clemens. We also heard music from Gil Scott Heron, Jayne Cortez, DJ EuRok, NYOIL, Head-Roc, Eddie Kane, Freddie Hubbard and more. We also heard clips from Dr. James Turner of the Africana Studies and Research Center at Cornell University. Here’s the first part, and here’s the second. Visit voxunion.com for the stream/download options and much more.
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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM Washington, DC
wpfw.org
Mondays 1-3p ESTThis week was part 2 of our tribute to Malcolm X and part 1 of our two-week pledge drive. We were joined in studio by Dr. Todd Burroughs as we paid homage to Malcolm and Mumia Abu-Jamal all the while spinning music from Wu-Tang Clan, Archie Shepp, Mos Def, Vijay Iyer, Nex Millen and more. We also aired rarely heard audio from the documentary “Brother Minister” and speeches on Malcolm X and his image by Amiri Baraka and Dhoruba Bin-Wahad. Download the show by clicking the links here and/or visit voxunion.com for stream options and much more.Â
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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM Mondays 1-3p EST
wpfw.orgThis week we conclude our portion of the pledge drive. Thank you all for your support. But we did this in style. Head-Roc joined the show to donate his Negrophobia album as a thank you gift and we chopped it up with his music and that of Archie Shepp, Killer Mike, Charles Mingus, Asheru, Duke Ellington, John Coltrane and much more. We talked about the Black Power movement and mass media, Black “leadership,” DC’s underrepresented views of war protest, the music industry and more. Click to download parts 1 and 2and visit voxunion.com for stream/download options, show archives and much more.
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VOXUNION MEDIA
FreeMix Radio
March 21, 2007The Hip-Hop Caucus Launches its Make Hip-Hop Not War Tour
Reverend Lennox Yearwood and the Hip-Hop Caucus was in DC this week to launch their “Make Hip-Hop Not War” tour.  FreeMix Radio was there and caught up with some of the artists involved, including Head-Roc, Hasan Salaam, DJ Chela, A Alikes, ReadNex Poetry Squad and Akir. For more, visit hiphopcaucus.org.Â
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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM Mondays 1-3p (EST)
wpfw.orgThis week we completed our winter pledge drive by having a discussion of political organizing with Bill Fletcher. We also played portions of an interview with Soffiyah Elijah and Claude Marks of the Committee for the Defense of Human Rights who are currently working to free the eight former Black Panthers arrested in January on 35 year-old charges.  We also heard music from Head-Roc, Charles Mingus, Pharaoh Sanders, Amina and Amiri Baraka, Nikki Giovanni, Mos Def and more. To download the show, click here and here and visit voxunion.com for much more, including the latest from Roots Revolution. That show paid tribute to Burning Spear and honored Woman’s History Month by airing words from Angela Davis.
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VOXUNION MEDIA
FreeMix Radio: The Original Mixtape Radio Show (FM9)FM9 is here! The mixtape as emancipatory journalism is hitting the streets but we do make an online version available for download here and at www.voxunion.com, where you can get both the stream and download options.
Track List/Liner Notes
1. Cartman declares a race war
2. Kidnap the President’s Wife – Shout to DJ Jaheye and Hello… My Name is Capitalism (the mixtape).
3. Wack Media Takeover – a mix from the Borough to Borough mixtape by DJs Al Dente and Cut Chemist
4. NIGGERS! and X-Clan’s Black Boot Stompin’ followed by part one of our East of the River interviews on the Iraq war and war protest in DC
5. That’s Life – Killer Mike
6. Claude Marks and Soffiyah Elijah of Center for the Defense of Human Rights (cdhrsupport.org) talk about the San Francisco 8 and the re-arrest of Black Panthers to suppress political dissent and rebellion
7. Classic – KRS-One and Rakim
8. Part two of the East of the River interviews and specifically the treatment of young Black people by the police in DC
9. Public Service Announcement remix – Omekongo and D’Mite
This is a dope go-go influenced remix of Jay-Z’s classic but with a very different content
10. V is for Vendetta – Everyone should see this film a nd understand the context of this track
11. Black Power and Media – Head-Roc and The Funkinest Journalist explain the historical relationship between mass media and Black struggle. This is a clip from “Jazz and Justice,” which airs on WPFW 89.3 FM every Monday from 1-3p and is archived at voxunion.com
12. L.A. – Murs – Murs is just nice.
13. Media “Reform” – comments from the National Conference on Media Reform and why Black and Latino people need to be more involved in the production of media and in media criticism. Voices include Oriana Bolden and Rosa Clemente.
14. I’m Him – NEW! – Wise Intelligent
15. Black World Imagery – more from Jazz and Justice this time with Michelle Stephens and Suzette Gardner during our tribute to Bob Marley talk about the construction of Black image.
16. Jesse Jackson is not the emperor of Black people! – Napolean’s Dynamite – Mos Def
17. Class and Black Women – part of an old FreeMix interview with Elaine Brown former head of the Black Panther Party.
18. Payola – Paul Porter of IndustryEars.com talks about the latest in payola
19. Mind is Free – NEW! – Hasan Salaam. More great music from this unheralded emcee.
20. Martha’s Table Teen Program – an interview with Tim Jones and his work with DC youth.
21. Who Shot Rudy? – Screwball gets in trouble for making a song that talks about a dream that Rudy Giuliani gets shot. You can shoot Black people, smack women, pimp, sell dope and all that but don’t get it twisted into thinking we are free. It was all a dream…
22. Modern Day Slavery – Joell Ortiz and Immortal Technique – We’re Young Lords!
23. Outro and contact information
24. Whites Win!
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Amos Wilson

James Turner
VOXUNION MEDIA
Jazz and Justice
March 26, 2007
WPFW 89.3 FM Mondays 1-3p ESTThis week we heard from Drs. Amos Wilson and James Turner andÂ
community thoughts on yet another “nigger!” incident. This plus music from legendary DC poet Face, Naima Jamal, new KRS-One, Gil Scott-Heron, The Coup and more. Download the show here and here or visit voxunion.com for stream/download options and much more.
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Jazz and Justice
April 2, 2007
WPFW 89.3 FM Mondays 1-3p EST
wpfw.orgThis week we were joined by Obi Egbuna of the Pan-African Liberation Organization and Head-Roc for a discussion of Zimbabwe and pan-Africanism. We also heard from Kwame Ture plus music from John Coltrane, Dead-Prez, Roy Ayers, Sonny Fortune, Bob Marley, The Coup and more. To download click here and here and visit voxunion.com for stream/download options and more.
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IMPORTANT ANNOUNCEMENT! Words, Beats and Life/Global Journal of Hip-Hop Culture has launched its new website. Educators in need of a great hip-hop-based teaching tool and those looking to expand their own horizons will find this, the original hip-hop academic journal, to be a powerful resource.
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VOXUNION MEDIA
Jazz and Justice
WPFW 89.3 FM Washington, DC
Mondays 1-3p EST
Live Online wpfw.orgThis week we celebrated the Spring Equinox (some call it “passover” or “easter”) and the birthday of Paul Robeson. We heard music from John Coltrane, The Els featuring Asheru, Julius Hemphill, Oscar Peterson, KRS-One, Charles Earland, Common and Alice Coltrane. The celebration included a look at the African origins of major Western religion by Charles Finch and Brother Tehuti. All this plus the world premier of “Heru Walks,” a remix of Kanye’s original, by Kasba.  Download the show here and here and visit voxunion.com for the stream/download options and much more.
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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM wpfw.org (live stream)
April 16, 2007Today we discussed DC Emancipation Day and its international implications with our guests Rick and Michelle Tingling-Clemens.  We also heard music from Gil Scott Heron, Jayne Cortez, DJ EuRok, NYOIL, Head-Roc, Eddie Kane, Freddie Hubbard and more. We also heard clips from Dr. James Turner of the Africana Studies and Research Center at Cornell University. Download the clips here and here and visit voxunion.com for the stream/download options and much more.
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VOXUNION MEDIA
Jazz and Justice
WPFW 89.3FM Pacifica Radio Washington, DC
Mondays 1-3p EST (wpfw.org live stream)This week Lisa Fager of Industry Ears and students from the University of Maryland joined the show to talk about their research monitoring commercial hip-hop radio. We heard music from The Welfare Poets, Hugh Masekela, Abbey Lincoln, ReadNex, Fertile Ground, Immortal Technique, A Tribe Called Quest, Eric Dolphy and much more.Â
We also heard from Dr. Greg Kimanthi Carr and portions of his remarks at this week’s conference of the Association for the Study of Classical African Civilization (ASCAC). Download the show here and here and visit voxunion.com for stream/download options plus much more.

Enjoyed Studs Terkel being interviewed today on “Democracy Now!” I’ve wanted to be the next coming of Studs for at least 15 years now. Happy 95th Birthday, Studs!
Wanted to post some excerpts I particularly enjoyed. So here they are.
I’m known as a poet of the tape recorder, right? The fact is I have no idea how the hell it works. I’m terrible, I’m a nut, mechanically. I can’t drive a car. I can’t ride a bike. I don’t know what “internet†means, or “website.†Google is an old-time comic strip — “Barney Google†— with his goo-goo-googly eyes.
Â
And so, you see, I’m not up on all the current stuff. And people say, “Boy, on that tape recorder, you capture those people.†No, they capture themselves, because I am inept. That comes out quite clearly.
Sometimes I turn the wrong button down. And that person in the housing project, she sees it doesn’t work, and she reminds me of it. And as I say, “Oh, I goofed,†at that moment, she is my equal or better than my equal. In other words, I am not, whoever it is, [inaudible], “Today” or “60 Minutes” or Kathy, whoever she is. It’s me, a guy who’s in trouble, and she helps me out. And so, I’m playing this tape recorder for this woman, very poor, very pretty. I don’t know whether she’s white or black. In those days, the early public housing projects were all mixed. And these little kids running around want to hear their mama’s voice on this new machine. And so, I’m playing it back, and she’s hearing her voice for the first time in her life, and suddenly she says, “Oh, my god!†And I say, “What is it?†She said, “I never thought I felt that way before.†Well, that’s an astonishing moment for her and for me, one you might say are fellow travelers together. So that’s the exciting stuff. She discovers that she does have a voice, that she counts.
The key word, by the way, in all of these people is they must feel they “count.†Nick von Hoffman, the columnist, used to work for the organizer Saul Alinsky, and he said once people get in a group and that group thinks as they do, he feels he counts or she counts more than alone. And so, that’s what it’s about.

AMY GOODMAN: What do you want them to think of when someone says “Studs Terkel�
STUDS TERKEL: I want them to think of somebody who remembers them, to be remembered, whether it be me or anyone else. They want Studs Terkel, maybe as somebody — I’m romanticizing myself now — somebody who gave me hope. One of my books is Hope Dies Last. Without hope, forget it. It’s hope and thought, and that can counting. That’s what it’s about. That’s what I hope I’m about.
…………….to study the classics. 🙂

Nas feat. Rakim, KRS-One, Kanye West – Classic (Remix) (Video)
Â
To watch or listen to this, click here. Afterwards, check this out from Davey D.
AMY GOODMAN: In Philadelphia, Mumia Abu-Jamal’s legal team is preparing for a hearing on Thursday that could decide the fate of the imprisoned former Black Panther. Mumia Abu-Jamal has been on death row for twenty-five years, after being convicted of killing a police officer following a controversial trial before a predominantly white jury.
On Thursday, the Third Circuit Court of Appeals will hear oral arguments to decide whether Mumia Abu-Jamal gets a new trial, life in prison without parole or execution. Hundreds of supporters, including Danny Glover and Cynthia McKinney, are planning to rally outside the courthouse.
In a few minutes, we’ll be joined in Philadelphia by Linn Washington, a columnist for The Philadelphia Tribune and professor at Temple University. But first, we turn to Mumia Abu-Jamal in his own words. Before he was jailed, Mumia Abu-Jamal was an award-winning journalist in Philadelphia. He continues his journalism behind bars, regularly records commentaries for the Prison Radio Project. This essay is called “Furor Over Politicizing Justice.â€
MUMIA ABU-JAMAL: As voices now rise over recent revelations of White House pressures to remove uncooperative US attorneys from their posts, protests over the politicizing of the Justice Department have approached the dimensions of a media firestorm. From the den, we may assume that US attorneys are supremely apolitical. They’re but impartial officers of state power who do not deign to submit to the winding whims of politics nor the bile of bias. It is remarkable to see political appointees denounce the very practice of politics as if it were contagious disease.
In truth, the Department of Justice isn’t less political than other departments of government; it may even be more political. Who is prosecuted and for what is a political decision. Indeed, many of the removed US attorneys reportedly did not try death penalty cases with the enthusiasm that the Justice Department required. Ain’t that political? When the Justice Department targeted the former governor of Illinois, George Ryan, who made international news for his dismantling of that state’s death row, wasn’t that political? What of the recent indictments of the San Francisco Eight, former Black Panthers, some who have been subjected to torture both in the ’70s and more recently in connection with an alleged 1971 attack on a San Francisco police station? Ain’t that political?
To suggest that a politically appointed official isn’t subject to political pressure is like believing in the tooth fairy. It’s OK if you’re five years old, but not if you’re an adult. Huey P. Newton, founder of the Black Panther Party, once said, “Everything is political,†meaning how we live, what we eat, education, health, how we interact socially. All of these things are impacted by our political decisions.
Now, none of this is to suggest that these removals ordered by Attorney General Alberto Gonzales weren’t slimy. They’re slimy as whale poop. But let’s not even run amok with our unquestioned assumptions. Gonzales is the reincarnation of Nixon’s John Mitchell, the Watergate-era Attorney General who left the office in handcuffs. In fact, John Dean, a Nixon aide during the Watergate scandal, has written a book, the title of which aptly summarizes the present administration: Worse Than Watergate.
Why no calls for Gonzales’s resignation when news came out about FBI snooping on US citizens? For torture alone, he should be canned. The media, which was an accomplice in the crimes of invasion and occupation, now turns up the volume, because eight lawyers were fired. Doesn’t this smack of classic class bias? Let’s not rely on a fable. From death row, this is Mumia Abu-Jamal.
AMY GOODMAN: And this is Democracy Now! Linn Washington now joins us in Philadelphia, columnist for The Philadelphia Tribune, journalism professor at Temple University, has been following Mumia Abu-Jamal’s case for, well, the last quarter century. Welcome to Democracy Now!, Professor Washington.
LINN WASHINGTON: Hi, Amy. How are you?
AMY GOODMAN: It’s good to have you with us. Talk about this hearing that will be taking place on Thursday. How significant is it?
LINN WASHINGTON: Well, this is a very significant hearing, because it can determine whether Abu-Jamal finally gets a fair trial or if he’s fast-tracked for that conveyor belt for execution. There’s four basic issues here, one involving discriminatory practices in the selection of the jury. The other is the alleged bias of the trial judge during the 1995 appeals hearing, bias that, I must say, that independent journalists from mainstream news media around the country, including media that has been hostile to Abu-Jamal, felt was an absolute travesty in terms of the bias. And then there’s two other really technical issues, one involving the jury verdict form and the other involving an argument that the prosecutor made to the jury to try to lessen their responsibility in finding Abu-Jamal liable for death, interestingly language that the Pennsylvania Supreme Court outlawed in 1986, re-imposed when Abu-Jamal had his first appeal hearing in ’89, and then reversed itself again in 1990. It’s ironic that you played that particular commentary by Abu-Jamal dealing with politicization of the justice system, because that is exactly what’s happening in this case and has been a part of it for the last twenty-five years.
AMY GOODMAN: Now, what about the appeals judge panel? Who are these judges? Why would this be different than any other time?
LINN WASHINGTON: Well, for one thing, this particular court, or should I say the federal court system, has a better track record of being fair. The core problem with the Abu-Jamal case in terms of how the judiciary has handled this is that the judiciary has consistently failed to apply its own legal precedents. And to break that down in layman’s terms, courts are supposed to follow rules, and the rules are previous rulings. And in the Abu-Jamal case, they just keep going back and forth, flip-flopping all over the place.
So hopefully the Third Circuit will be that forum where finally judges apply the law. If, in fact, they apply the law, the three judges on this particular panel have participated in panels of the Third Circuit Court of Appeals over the last three and a half years, where they have overturned life sentences and death sentences because of the jury discriminatory selection practices of the Philadelphia District Attorney’s office.
AMY GOODMAN: We’re talking to Linn Washington, columnist for the Philadelphia Tribune. Did you know Mumia Abu-Jamal before he was imprisoned?
LINN WASHINGTON: I knew him. Wow, let me just say this, I knew him before people called me “sir†and “mister.†They called me “young man.†I first met Mumia in 1973 when we both worked at Temple University’s radio station, WRTI-FM. We were acquaintances from, I guess, a period of 1976 up through his incarceration, or shall I say, his arrest and subsequent incarceration. We worked very closely together as reporters here in Philadelphia, and, yes, we did, in fact, develop a good friendship.
AMY GOODMAN: This hearing on Thursday, there’s expected to be a major rally outside. Can you talk about the preparations, and also what do you expect to come out of it? When will the decision be made?
LINN WASHINGTON: Well, from what I’m told, both from checking with my sources and reading press releases, because I’m not a part of the activism related to this, they expect busloads of people from outside of the city, a groundswell of support within the city, people coming in from Europe, England and France and Germany, in particular.
And in terms of the outcome, the case will — or should I say the panel will probably deliberate a couple of weeks, if not one or two months, and then they will issue their opinion. The federal courts usually proceed in their deliberations a lot quicker than state courts, so we could have a decision in this case clearly before the end of the year, perhaps as recently or as soon as a couple of months.
AMY GOODMAN: That decision could be…what are the options?
LINN WASHINGTON: Well, the options, from what I understand, are a couple. One, the appeals court could order a whole new trial for Abu-Jamal. Number two, they could send the case back to the district court judge who handled it, which is called a remand, with instructions to hold a hearing or make rulings in a particular way that would probably be on the jury selection discrimination issue. They could also order a new PCRA. In 1995, there was a state-level appeal, and in this appeal, this is where the trial judge, Albert Sabo, the original trial judge, engaged in egregious misconduct. So the federal courts could order a new PCRA hearing, and I’m told that may, in all probability, take place in a federal court.
They could also uphold Abu-Jamal’s conviction. Then there would be perhaps — well, not perhaps, there would be an appeal to the US Supreme Court. In all likelihood, given the composition of that court, Abu-Jamal’s conviction would be upheld, and then it would come back to the governor of the state, and he has already pledged — some more politicization — that he would sign a death warrant, and then things would move along on a wholly different track.
AMY GOODMAN: Governor Rendell?
LINN WASHINGTON: Governor Ed Rendell, who was the DA of Philadelphia at the time of Abu-Jamal’s original trial, subsequently became the mayor of the city, where he presided over extraordinary police brutality, fighting it tooth and nail, and now he’s the — when I say fighting it tooth and nail, not fighting against it, fighting to cover it up and to ameliorate it — and now he’s the governor of our state.
AMY GOODMAN: I remember going to Philadelphia for one of the hearings that was before Judge Sabo in 1995. It was a remarkable, I guess you could say, performance. He would walk in and out of the courtroom.
LINN WASHINGTON: Yes, yes. I mean, this guy was the absolute worst. His behavior in 1995 was so bad that Philadelphia’s mainstream media not only editorialized against it, saying it was a travesty of justice and undermined any semblance of a fair trial, it actually gave fuel to Abu-Jamal’s supporters’ complaints. But like I said, these people were normally hostile to Abu-Jamal, and they were really outraged by it. But, unfortunately, the Pennsylvania Supreme Court wasn’t. And in their 1998 opinion upholding Abu-Jamal’s appeal, they said the opinions of a handful of journalists do not convince us that Sabo was not impartial, despite him doing a, b, c, d, e, f, g, h, i…x, y, z, you know, all the way down, a whole litany of things that he did, but they said, he was, in fact, impartial, and we’re going to stand by it. That, too, was a travesty.
But you have to understand, there’s been such politicization of this court, five members of the seven-member Supreme Court that upheld Abu-Jamal’s conviction in 1998 received campaign contributions and campaign support from the Fraternal Order of Police, which is a Philadelphia police union, the main group that is pushing for his execution. Does that give the appearance of impartiality? It doesn’t to a lot of people, because of the campaign finances.
There was a study done, ironically, in 1998, where the Pennsylvania Supreme Court had a commission do a survey of the public, and — what was it — four out of ten, or it was an extraordinarily high percentage of the public in Pennsylvania, felt that campaign contributions had a direct impact on rulings and deliberations of all courts, including the Pennsylvania Supreme Court.
AMY GOODMAN: Linn Washington, we’ll leave it there, but we’ll continue to cover this case through the week. Columnist for the Philadelphia Tribune, Linn Washington, also a journalist and professor at Temple University, thanks so much for joining us, as we end today’s broadcast with Mumia Abu-Jamal in his own words. Last November, he appeared on the Block Report Radio program.
MUMIA ABU-JAMAL: People who believe purely in the law are sometimes met with unbelief. They can’t believe that the law hasn’t done the right thing. That’s because they have a misunderstanding of the law. I mean, what has happened in my case has happened in other people’s cases. The question is not the law, but the people. If people organize and people understand that it will take the power of the people, you know, to change this thing, then they’ll understand what they need to do, if they feel compelled, if they feel pushed, if they feel that this is the right thing to do.
But, you know, if we know anything from history, we know that the law has been the force for the outlaw for hundreds of years for our people. I mean, right after the Civil War, the so-called Reconstruction amendments were put in the Constitution, but for millions of our people all across the country, it was as if no such amendments were written, because our people still couldn’t vote. We were not free. We couldn’t make contracts or have jobs or go to decent schools. You know, look at our condition today. So the law is one thing. The people are another. I rely on the people.
AMY GOODMAN: Mumia Abu-Jamal. His hearing will be on Thursday in Philadelphia.

Just got this today. I was a huge Transmetropolitan fan, so I’m down with Vertigo. I eagerly await this.
Dear Producer/Editor,
Hip-Hop is a culture that can bring a community together with youth outreach and block parties or divide a neighborhood with violence and gangs. It’s a world built of DJs, Emcees, Writers and B-Boys, a world that grew from the streets. In SENTENCES: THE LIFE OF MF GRIMM, first-time graphic novel writer Percy Carey, a legend in underground Hip-Hop, provides an all access pass into his life and his community.
Carey’s memoir is a profoundly moving coming-of-age story of turf wars and emcee battles that begins in a most unexpected place “the set of “Sesame Street,” where a young Carey had his first taste of celebrity. Years later he recorded with MF Doom and performed with Tupac Shakur, the Dogg Pound and Snoop Dogg. Once again, celebrity seemed imminent.
Carey’s life then took an unexpected turn. On his way to a promising meeting with Atlantic Records, he was gunned down by rival drug dealers” an attack that left him paralyzed from the neck down. To this day, Carey remains confined to a wheelchair. After serving time and beating a life sentence for conspiracy to distribute narcotics, Carey has reclaimed his life and his music, founding Day By Day Entertainment and releasing a series of Hip-Hop albums.
In his first literary work, Carey collaborates with artist Ronald Wimberly (Swamp Thing, Lucifer) to create a book that is at once shocking, moving and inspirational. Wimberly’s striking black-and-white artwork perfectly captures Carey’s life providing a sharp-focused lens into the Hip-Hop world.
On sale this September from Vertigo, SENTENCES: THE LIFE OF M.F. GRIMM is intensely sincere and insightful, providing a griping look at a life lived fully and fervently. A highly charismatic individual, Carey is available for interviews to discuss this seminal piece of work.
Best,
David Hyde | Director of Publicity, DC Comics
 
Got this from Kalamu. It’s in response to this.
Notes on “An Open Letter to Oprah Winfrey”
By Taalam Acey
I want to approach this critique cautiously if only because these ideas are among my most sincere. I applaud you for writing your “Open Letter to Oprah Winfrey,” and though it took me awhile to get around to reading it, I’m glad I did. When James Baldwin remarked that, “The poet or the revolutionary is there to articulate the necessity,” I’m sure that your open letter was the sort of agitation he had in mind.
I was not born of a minister and school teacher. Instead my parents were Black Nationalists in Imamu Amiri Baraka’s Committee for a Unified Newark. Unlike you, I was influenced by both Rakim and June Jordan. I affirm these things because they will no doubt color the critique that follows.
As for the illustrious Ms. Winfrey, I too grew up watching her on television. As a teen, my mother had me read Alice Walker’s “The Color Purple.” In the film, Ms. Winfrey’s portrayal of Sofia was exactly how I envisioned it. It was not surprising that she garnered one of that film’s 11 Oscar nominations (though, the film somehow didn’t win a single Oscar).
Of more relevance here, however, is that Ms. Winfrey, ironically, played a major role in my appreciation for gangsta rap. In 1989, Harpo, her company, produced (and she starred in) Gloria Naylor’s “The Women of Brewster Place.” Back then I was sure that white America despised young Black men. However, in my 18th year, her mini-series convinced me that Black women might hate us even more. I felt demonized. Though, I didn’t care much for “hard core rappers” beforehand, after Brewster Place, my feelings of betrayal rendered their messages vital.
A few months later, when Ms. Winfrey donated $1 million dollars to your alma mater, I remember thinking it had to be a function of her guilt.
Since then, she has given repeatedly and contributed to the education of hundreds of Morehouse students. I no longer doubt her sincerity. Still, I have come to believe there is a dichotomy in her perception of young black males. She has gone on record about being sexually abused by relatives (including a 19 year old cousin) beginning when she was 9 years old. However, she also credits moving in with her father as saving her life. In fact, while Vernon Winfrey was named by her mother as only one of a few potential fathers, he nevertheless took responsibility for Oprah and refused paternity tests throughout her life.
I mention none of this to be disrespectful to Ms. Winfrey. She is a self-made billionaire, Television Hall of Fame inductee and media mogul. Yet, she is also human and, like the rest of us, her past experiences may shed light on her current convictions.
Thus, having discussed the above, I’d like to assert that many of today’s rap lyrics conform more to the values of her 19-year-old cousin than they do those of her father.
I love Hip-Hop. It is and has always been sacred to me. There was something spiritual about Rakim’s flow and something evangelical about KRS-One’s diatribes. In high school, I spent time with Queen Latifah and was pretty close with Cut Master DC (of “Brooklyn’s in the House” fame). I attended shows at Union Square, The Tunnel and even The Castle in the South Bronx. I almost don’t know where to stop… During my teens, I got to drive Red Alert from a show in Jersey back to NY and talked him to death. I remember dancin’ to Crash Crew records, arguing over who was the best emcee in the Fearless Four, losing my mind when the Sugar Hill Gang and The Furious Five did a record together. There are entire Slick Rick, Rakim and Biggie songs that I still know word for word. Believe me, I too am a hip hop head.
Hip Hop in its organic form is [Grandmaster Flash and The Furious Five featuring] Melle Mel’s “The Message.” Nevertheless, there’s always been room for Ice Cube and Snoop. They had a story to tell. Our problem now has become that the stories are being told ad nauseam and by people who not only haven’t lived them, but aren’t inspired to tell them.
I’m into Spoken Word, one of many forms of poetry. There can be no doubt that rap is another. True, all rappers are not poets. But, even by the definition you applied, all Spoken Word artists aren’t poets either. Few artists of any artform operate from a sincerely vulnerable place. That is not a Hip-Hop phenomenon.
The problem is bigger than vulnerability. When you declared, “There is no true hatred of women in Hip Hop,” I can only assume that you meant in the Hip-Hop that you and other “Backpackers” support—those of you who choose “to associate…with the more “conscious” or politically astute artists of the Hip Hop community.” Surely you don’t believe that today’s rappers intend their endless litany of “Bitch,” “Ho,” and “Slut” as displays of affection.
I agree with you that, at our root, we inherently worship the feminine. Sadly it seems that for most of us now, at all points above our root, we’ve begin to worship money more. The problem with most of Hip-Hop is that it’s being co-opted. I cannot imagine what, if any point, you were attempting by mentioning that 50 Cent and George Bush share a birthday. I agree that George Bush is one of the gangsters that control this country, but I am certain that 50 Cent is not one of the “gangsters” that controls Hip-Hop. He may control his entourage and his bank account, but not much more. Curtis Jackson is an “artist,” not a mogul. So can you tell me if Lyor Cohen or Jimmy Iovine share a birthday with Bush? That might be slightly relevant.
You are right that “Censorship will never solve our problems.” Boycotting the sponsors of a radio show that made disparaging remarks about young black girls isn’t censorship though. In America, dollars vote. It is not censorship to use your dollars to vote a bigot off the air. The dramatic decline in the sale of rap records since 2005 is also not due to censorship. People are voting for change. We no longer care to support songs about how your car and house are better than mine because you’re really good at selling crack to my children.
This is a serious social issue and has nothing to do with the depiction of G*d in Christianity or any other religion. I’ve heard the argument about the proper Holy Trinity being man, woman and child, previously. I’ve attended lectures about instances of chauvinism in organized religion. Still I take issue with the logic that the Western depiction of G*d has driven emcees crazy.
You concluded by saying:
“If we are to sincerely address the change we are praying for then we must first address to whom we are praying.”
That’s the point, emcees have begun praying to mammon. Most mainstream rappers no longer take pride in their lyricism. They simply write whatever the record company believes it can easily sell. The problem is selfishness, not religion. Believe me, we haven’t reached this point in our history because too many rappers have become obsessed with studying the Bible.
This particular weapon of mass destruction is NOT the one that asserts that a holy trinity would be “a father, a male child, and a ghost.” This weapon of mass destruction IS wealthy racist white men who exploit and mass market poor young black men who are willing to denigrate themselves for money. We do not require disconnected excuses, only change.
The primary problem with rappers today is selfishness. That’s the very quality that separated Oprah’s father from her 19-year-old cousin. I’ll end by saying there’s nothing more vulnerable than a broke talentless rapper in the hands of a racist white media mogul. In the end, I hope you understand that these notes are not about you and I but, instead, the masses of oppressed people who deserve to know the truth.
In Brotherhood,