Charles Tisdale, A Black Press Warrior, Now An Ancestor

Asante Sana, Charles Tisdale. May the guardians of the Realm Of The Ancestors greet and salute you.

After posting, I got the following from Kalamu.

Charles Tisdale:
 Newspaper and Community Man

 

by C. Liegh McInnis

Owner, publisher, and editor of The Jackson Advocate, Charles Tisdale has made his transition to the other side. Besides being an excellent newspaper man, Tisdale’s thirty-year legacy is two-fold.  One, he used The Jackson Advocate to provide a voice to African Americans when they were poorly represented in the mainstream media. Two, he provided opportunity for most of the African American journalists in the Jackson Metro area to be published. Although my background is creative writing, my first publication was an article in The Jackson Advocate about the legislative changes in drug rehabilitation programs. Former Mississippi Link editor and journalist Nikki Burns and I used to discuss all the time that at one point most of the African American writers working at The Clarion Ledger got their starts under Tisdale.

Despite his desire to create a competitive paper, Tisdale remained steadfast to the notion that for The Jackson Advocate to be vital it must remain a community paper. For instance, no matter what many of us went on to do, he always treated us like we worked for The Advocate. Once, Tisdale and many of us were at some rally for some cause, and several of us were lingering after the event.  As I was leaving the event, Tisdale, barely acknowledging my presence, stated to me, “Have me an article about this by 5:00 p.m. tomorrow.”  To which my response was, “Yes, sir.” By the way, I missed the deadline, but Tisdale was able to get it in the paper somehow.  In fact, one of my goals as a writer was to rise to the level of Dr Jerry W. Ward and Dr. Ivory Paul Phillips who always have a column reserved in The Advocate.  To me, that is what it meant to be a real writer—to be so accomplished that you can always publish somewhere. Yet without Tisdale, Afro-Mississippi writers would not have this goal because Tisdale made sure that the paper survived bombings,attacks from other media outlets, and a lack of advertising and subscriptions. With pocket change and a prayer, Tisdale kept The Jackson Advocate alive so that the voice of the Afro-Mississippian would remain alive in all of its forms.

A complex man, Tisdale was not afraid of controversy. He called it like he saw it even if he was the only person who saw it that way. In his many editorials, Tisdale not only challenged whites whom he felt were hurting the black community, he had no problem challenging and chastising blacks, especially black elected officials whom he often placed in the Brown Society [Tisdale using his newspaper to expose Blacks to public ridicule]. Once when my father was placed in the Brown Society because he and Tisdale disagreed on a decision that my father made as Executive Director of the Hinds County Democratic Party, my father replied, “Well, at least he told me that I was going to be in the Brown Society over lunch.” For the entire time my father was in the Brown Society, Tisdale continued to publish various articles by me as well as have lunch from time to time with my father.  At his core, Tisdale was about the discourse, the discussion, the verbal/written debate.  He was an idea man who understood the importance of African Americans being able to voice their ideas, be exposed to other ideas, and make sovereign decisions about the types of ideas that governed and framed their lives.  We will miss his fire, his dedication, and his leadership for he made so many of our dreams into reality while making sure that we were represented equally and fairly.

C. Liegh McInnis is an author of seven books and a former publisher/editor of Black Magnolias Literary Journal. He can be contacted at Psychedelic Literature, 203 Lynn Lane, Clinton, MS  39056, (601) 925-1281, psychedeliclit@bellsouth.net.

Good Show, Tavis!

At Howard University for last night's Democratic debate are, from left, Hillary Clinton, Joseph Biden, Bill Richardson, John Edwards, Barack Obama, Dennis Kucinich, Mike Gravel and Christopher Dodd.

I was pleasantly surprised to see that Tavis kept his “product” consistent. Compared to C-SPAN, CNN, et. al., last night’s forum seemed like it occurred in an alternate Black (albeit “mainstream”) universe.

The questioners showed why journalism experience still matters. I learned a lot about the condition of Black and Brown people in America from those questions. And I loved Cornel West’s quip about the journos in today’s “Journal-isms.” 🙂

The format left a lot to be desired, but it worked for those who knew how to make it work.

I get annoyed with Tavis sometimes, but not today. Lead on, homie, and let’s see what happens at Morgan this fall.

JULY 1 UPDATE: Tavis did well on “Meet The Press” today.  Being invited to be on that political roundtable is proof that the nation’s elite has now officially recognized you.

JULY 5 UPDATE: This criticism of the event is well-thought out and needs to be read and debated. It echoes many of my own problems with Tavis’ events. I think the difference is I’ve accepted what Tavis’ self-defined role as an agent of “Black hegemony.” Until Black leaders decide to put some real money behind the creation of a Black mass media structure, there we are, then. The folks I saw in the Howard crowd—a large number of them nationally known African-American notables, leaders, etc.—were happy with Tavis’ show. And I have learned the hard way not to be angrier than my people, particularly my “leaders.”

re: Tonight's Dems Presidential Candidate Forum: Enjoyed That Tavis Said On "Democracy Now!" This Morning…….

 

………………that there has been more diversity in the Presidential candidate pool than in the pool of panel journos. 🙂 Until tonight. The panel of journalists is comprised of two African-Americans and a Latino.

Let’s see how tonight’s forum goes.

On Internet Radio Protest Day, Sharing A Lantern That Has Lit My Way

I have kept with me a yellowed Black newspaper clipping from September 11, 1989. I thought that today, the day Internet radio is conducting its “Day of Silence” protest, would be a good day to share extended excerpts of it.

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‘Guerrilla Radio’:

Underground radio station operator uses ‘sneak attacks’ to educate community

By James Muhammad

Assistant Editor, The Final Call

SPRINGFIELD, Ill.–WTRA, “guerilla radio,” broadcasts from behind the wall.

“They say they put up the wall to protect the residents from the speeding traffic,” said Dewayne Readus, the voice and operator of the low-watt AM station, “but you notice they didn’t put sidewalks in for our children.

“The wall helps them in their control of us. They don’t want anything positive to come out of the Black community because that will disprove the myth…. that we’re dumb,” he said.

WTRA’s message comes out from the John Jay Homes housing project carried by weak radio waves but charged with the crusading spirit of its mastermind operator. The project sits in the shadow of the domed capitol building, behind the wall that blocks the blighted project from the casual glance of the speeding motorists making their way downtown.

Operating out of one of the apartments, Readus, a 30-year-old legally blind resident, is determined to educate and politicize his community, although local police attempted to silence his “Voice of the people,” as WTRA is called.

Until recently, Readus regularly operated the station from an upstairs room in his sister’s apartment. The station covered a radius of one-and-a-half miles, just enough to reach the housing unit[s…….

“When we talked about] the Urban League and the NAACP, we were alright,” said the independent contractor, “but when we started talking about police brutality, that’s when they came to shut us down.”

Readus’ controversial music and talk format had already attracted the ire of the city’s Black leadership whom he consistently criticized. He caught the attention of the police when he aired a tape recording made at the hospital bedside of a 52-year-old boxing coach who was severely beaten by security guards at a local department store.

Will Gray, an inspector with the Federal Communications Commission (FCC), visited Readus after he aired coverage of a hostage incident where the police cordoned off a Black neighborhood after a man took his girlfriend and her sister hostage.

[………H]e was fined $750, which Readus has vowed not to pay until he has his day in court.

“We are saying we have a right to access the airwaves,” Readus said. “The very fact that we can’t communicate with each other is a form of genocide.”

A frequent target of Readus’ commentary, Alderman Frank McNeil, said the station provided important information to the community and a viewpoint not offered by the “run-of-the-mill” media. “But he attacked every Black person in a leadership position who didn’t agree with his position. He never allowed opposing points of view to be aired,” McNeil opined.

Today Readus operates what he calls “guerilla radio,” a “sneak attack” approach to getting his message out at varying times during the week.

“They haven’t made their move because they don’t know how to go about doing what they want to do,” Readus said, defiantly. “Ultimately, they probably just want to get rid of me. That’s their history.”

Even McNeil agreed that the relationship between Black people and the police is “very tense.”

Police Chief Mike Walton said he contacted the FCC only after he received complaints about vulgarity used on the station. He also described Readus as a “man with a small following who causes more trouble than he helps.”

However large or small Readus’ following may be, he has had an impact on the city and his community.

“He let kids and parents know what was going on in the world,” said Emmanuel Morehead, 17, who said he often listened to the station.

“I would like to see his station bigger so he can reach the broader community,” said Bill Robinson, 42. “But he’s got to make his program where people will come to him with information. He’s got to open up more.”

Readus said he welcomes the threat of arrest so WTRA’s struggle can be an example to others. The station also served as a training ground for young boys and girls interested in radio, he said.

“Somebody tell the children how WTRA served as an advocate for the people when the police wouldn’t police themselves,” Readus proclaimed. “Somebody tell the young people how we fought police brutality by broadcasting the personal testimonies of African-American victims.”

Copyright 1989, 2007 by The Final Call Newspaper Co.

My View Of "Fantastic Four: Rise Of The Silver Surfer"

The 8-year-old (or so) I was with Friday night loved it. And my 9:15 p.m. Silver Spring showing looked sold out. When my friend Raoul Dennis asked for my verdict right after it was over, I said, “Well, it’s better the first, but what is that really saying?” We both laughed.

This is the reality of  “Fantastic Four: Rise Of The Silver Surfer.” Believe it or not, no mistakes were made the first time around, because all Tim Story did was make a better version of the first film. And I can’t be too mad at the brother; if my film made $300 million worldwide, would I really change that much?

That said, it IS better and worth seeing—even if you are a die-hard fan. At least the F.F. acted like the scientists/explorers they are in cartoons and comics. At least there were more scenes with Alicia Masters (and both her banter with Johnny Storm, and his conversations with and about her, were GREAT).

And Ol’ Chrome-Dome was on point. Visually, very much the character who blew my mind as a kid.

I’m excited about the Silver Surfer spin-off that’s in development. I hope in that film Galactus will be portrayed more traditionally. The storm thing DID work for “Rise,” though. As one poster said on “The Fantastic Four Message Board“: “While seeing Galactus looked cool back in my younger days I think we have all become a bit more sophisticated and I don’t think a big guy setting up some equipment on the the rooftop of a NYC skyscraper would have been better than the ominous looking Galactic Storm that threatens to consume the planet. Perhaps one day the original trilogy can be done by a top flight outfit like Pixar because I think he would look more plausible in that type of film.”

Blah, blah, blah. 🙂 None of this—including the weird (read: too fake) look that Jessica Alba’s very blond wig and too-blue contacts generated, the critics-reinforced opinion that many, MANY scenes could have been better acted—really matters. Silly Rabbit; Tricks Are For Kids. As I explained to a colleague on Friday before seeing the film: “I’m stuck. I’ve LOVED these characters since I was 10 years old.”

So with the Surfer risen, The Cosmic Quartet gains another group of 8-year-olds as a fan base, while the 10-year-old in me waits to join the next batch on line Opening Day for “FF3” in 2009. Not EXACTLY a lose-lose. 🙂

Congrats To American Journalism Review!

I’m biased, but AJRthe winner of an Mirror Award for Overall Excellence from Syracuse University’s S.I. Newhouse School of Public Communications—can be a very good magazine when it wants to be. It’s a solid resource for its targeted audience—the small group of white men (and some white women) who guide American mainstream journalism. It’s important to point out, however, that the percentage of white females who write for it, and/or help manage it, has traditionally been VERY strong.

The Audiobiography of Askia Muhammad

 

Veteran multimedia journalist Askia Muhammad has done something extraordinary. Over the last few years, he’s somehow gotten Soundprint, the nation’s premier public radio documentary series, to “publish” his autobiography, an audio chapter at a time.

Together these programs form a well-told mosaic of a life, filled with sound and soul.

Congrats, Askia, on this great and significant accomplishment.

Kalamu Is Contributor To New Book On Katrina And Race

 

From Kalamu, by Kalamu (partially).

Dear Friends and Allies,

South End Press has just released a powerful new anthology of post-Katrina writing called “WHAT LIES BENEATH: Katrina, Race, and the State of The Nation.”

The book features a new piece I wrote about race, reconstruction, and community organizing in New Orleans post-Katrina, as well as several excellent contributions by an impressive and inspiring array of writers, poets, teachers and organizers.

I will be participating in two book release events in the next few weeks—one in New York City, and one in New Orleans. For those of you in one of those cities, I hope you’ll come out. See below for more details on the events, and on the book.

In solidarity,

Jordan

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WHAT LIES BENEATH:
Katrina, Race, and the State of The Nation
edited by the South End Press collective, afterword by Joy James

New York City Book Release Event
Thursday, May 24, 7:00PM
Discussion on Katrina, Race and Resistance, featuring Jordan Flaherty and Eric Tang. (see below for bios) Presentation will also include new video from New Orleans.
Bluestockings Bookstore
172 Allen Street between Stanton and Rivington :: 212.777.6028
http://www.bluestockings.com/

New Orleans Book Release Event
Friday, June 8, 6:00PM
Panel and discussion, featuring contributing authors Kalamu Ya Salaam, Mayaba Liebenthal, and Jordan Flaherty.
Community Book Center
2523 Bayou Rd (near Broad and Esplanade) (504) 948-7323

“We who live below the water line have no choice. Our first priority is to survive. Our second priority is to struggle. Our ultimate responsibility is to win. Survive. Struggle. Win. This book is a record of these efforts.”

—Kalamu Ya Salaam, from the Introduction

More about the book:

With an eye toward community organizing and radical scholarship, this accessible anthology is both a people’s history and a collective vision for the future of New Orleans.

Contributors include: Kalamu Ya Salaam, Charmaine Neville, INCITE! Women of Color Against Violence, Jordan Flaherty, Suheir Hammad, Common Ground, and Lewis Lapham.

“What Lies Beneath” rests on the premise that Hurricane Katrina mirrors with terrible poignancy the state of a nation—a damning and bitterly accurate portrait of everyday life in America. Despite a chorus of claims to the contrary, Hurricane Katrina was not an equal opportunity disaster. Its asymmetrical impact on people’s lives vis-a-vis their relative place within the matrix of oppression cannot be denied. If your life was hard before the hurricane, it was exponentially harder during and after the storm—and remains so up to this day. For those who suffer daily the existing, pervasive, and insidious social inequities that are the US reality, Katrina was not an anomaly. It was simply business as usual.

“‘What Lies Beneath’ will keep us thinking for a long time about what happened, why it happened, and provoke us to examine honestly the nature of the society in which we live.”
— Howard Zinn, author, “A People’s History of the United States”

“‘What Lies Beneath’ tells the real story of those abandoned to face Hurricane Katrina, and reveals the people’s uprising that provided shelter, aid, and comfort where there would be none.”
—Jeff Chang, author, “Can’t Stop, Won’t Stop”

About the authors/presenters:

Mayaba Liebenthal is a Black feminist, anarchist, human rights advocate and community organizer committed to creating projects/institutions that support self-determined and sustainable community development.

Kalamu Ya Salaam is a poet, writer, editor, teacher, filmmaker, arts administrator and co-director of Students at the Center, an independent writing program that works within New Orleans public high schools.

Eric Tang was Associate Director at CAAAV: Organizing Asian Communities, serving as a community organizer in the refugee neighborhoods of the Bronx, New York. The author of numerous essays and articles on Southeast Asian refugee politics, community activism, and social movement theory, Tang teaches at the Worker Education Center of CUNY. Eric’s writing in ColorLines Magazine shared a journalism award from New America Media for best Katrina-related coverage in the Ethnic press.

Jordan Flaherty is a writer and community organizer based in New Orleans. He is an editor of Left Turn magazine and has written about politics and culture for The Village Voice, New York Press, Labor Notes, Radical Society, and in several books. Jordan’s articles from the Gulf Coast after Hurricane Katrina have appeared in periodicals around the world, including Die Zeit in Germany, Clarin in Argentina, Juventude Rebelde in Cuba, Red Pepper in England, and many more. His writing in ColorLines magazine shared a journalism award from New America Media for best Katrina-related coverage in the Ethnic press.

For more information or to purchase a copy of “What Lies Beneath,” click here.

A portion of the proceeds from What Lies Beneath will be donated to The People’s Hurricane Relief Fund and Oversight Coalition.

Independent Audio/Video You Should Check Out (Eleventh In A Long-Running Series)

But first, a little text.

Hip-Hop and the Corporate Function of Colonization

Jared A. Ball, Ph.D.

Green Institute Communications Fellow

Having elsewhere looked at the function of mass media as primary mechanisms of the maintenance of colony, recent events have again emerged requiring further investigation into the function of corporate control over the cultural expression of colonized populations. Though not specific to hip-hop the example as explored through that most popular of cultural expressions may help to make more clear the imperative of organization and political struggle in 2007. Within the last few weeks alone we have seen recent decisions and trends evolve demonstrating the intent and need among those in power to further ensure that mass media will perform its primary (only?) function of manipulating popular consciousness for the purpose of manipulating behavior of the audience (victims). These developments can only be understood in the context of a continuing process of subjugation in which media play a primary role in suppressing dissent.

Click here for the entire article

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VOXUNION MEDIA
voxunion.com
FreeMix Radio
May 28, 2007

A special statement and call to action regarding the Copyright Royalty Board, copyright law and intellectual property rights as they relate to a lock down of our cultural expression and thought. The recent ruling of the Copyright Royalty Board threatens to further limit our ability to communicate freely. The decision has already caused VOXUNION MEDIA to cease our online archive of our Pacifica Network radio show here in Washington, DC, threatens to force into bankruptcy roughly 85% of all internet radio stations and continues to demonstrate the importance and necessity of FreeMix Radio: The Original Mixtape Radio Show. Click here to listen to our special report/announcement regarding this concern. Stream options and more available at voxunion.com.

VOXUNION MEDIA
voxunion.com

FreeMix Radio
May 10, 2007

We sat down with Dedrick Muhammad of the Institute for Policy Studies to talk about the Black/White Wealth Divide. Click here for this first of an on-going series where we look at the actual economic condition of African America and how this relates, is essential to, the political economy of the United States. Stream options and more available at voxunion.com.

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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM wpfw.org (live stream)

April 16, 2007

Today we discussed DC Emancipation Day and its international implications with our guests Rick and Michelle Tingling-Clemens. We also heard music from Gil Scott Heron, Jayne Cortez, DJ EuRok, NYOIL, Head-Roc, Eddie Kane, Freddie Hubbard and more. We also heard clips from Dr. James Turner of the Africana Studies and Research Center at Cornell University. Here’s the first part, and here’s the second. Visit voxunion.com for the stream/download options and much more.

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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM Washington, DC
wpfw.org
Mondays 1-3p EST

This week was part 2 of our tribute to Malcolm X and part 1 of our two-week pledge drive.  We were joined in studio by Dr. Todd Burroughs as we paid homage to Malcolm and Mumia Abu-Jamal all the while spinning music from Wu-Tang Clan, Archie Shepp, Mos Def, Vijay Iyer, Nex Millen and more.  We also aired rarely heard audio from the documentary “Brother Minister” and speeches on Malcolm X and his image by Amiri Baraka and Dhoruba Bin-Wahad.  Download the show by clicking the links here and/or visit voxunion.com for stream options and much more. 

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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM Mondays 1-3p EST
wpfw.org

This week we conclude our portion of the pledge drive. Thank you all for your support. But we did this in style. Head-Roc joined the show to donate his Negrophobia album as a thank you gift and we chopped it up with his music and that of Archie Shepp, Killer Mike, Charles Mingus, Asheru, Duke Ellington, John Coltrane and much more. We talked about the Black Power movement and mass media, Black “leadership,” DC’s underrepresented views of war protest, the music industry and more. Click to download parts 1 and 2and visit voxunion.com for stream/download options, show archives and much more.

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VOXUNION MEDIA
FreeMix Radio
March 21, 2007

The Hip-Hop Caucus Launches its Make Hip-Hop Not War Tour

Reverend Lennox Yearwood and the Hip-Hop Caucus was in DC this week to launch their “Make Hip-Hop Not War” tour.  FreeMix Radio was there and caught up with some of the artists involved, including Head-Roc, Hasan Salaam, DJ Chela, A Alikes, ReadNex Poetry Squad and Akir.  For more, visit hiphopcaucus.org. 

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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM Mondays 1-3p (EST)
wpfw.org

This week we completed our winter pledge drive by having a discussion of political organizing with Bill Fletcher.  We also played portions of an interview with Soffiyah Elijah and Claude Marks of the Committee for the Defense of Human Rights who are currently working to free the eight former Black Panthers arrested in January on 35 year-old charges.  We also heard music from Head-Roc, Charles Mingus, Pharaoh Sanders, Amina and Amiri Baraka, Nikki Giovanni, Mos Def and more.  To download the show, click here and here and visit voxunion.com for much more, including the latest from Roots Revolution. That show paid tribute to Burning Spear and honored Woman’s History Month by airing words from Angela Davis.

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VOXUNION MEDIA
FreeMix Radio: The Original Mixtape Radio Show (FM9)

FM9 is here! The mixtape as emancipatory journalism is hitting the streets but we do make an online version available for download here and at www.voxunion.com, where you can get both the stream and download options.

Track List/Liner Notes
1. Cartman declares a race war
2. Kidnap the President’s Wife – Shout to DJ Jaheye and Hello… My Name is Capitalism (the mixtape).
3. Wack Media Takeover – a mix from the Borough to Borough mixtape by DJs Al Dente and Cut Chemist
4. NIGGERS! and X-Clan’s Black Boot Stompin’ followed by part one of our East of the River interviews on the Iraq war and war protest in DC
5. That’s Life – Killer Mike
6. Claude Marks and Soffiyah Elijah of Center for the Defense of Human Rights (cdhrsupport.org) talk about the San Francisco 8 and the re-arrest of Black Panthers to suppress political dissent and rebellion
7. Classic – KRS-One and Rakim
8. Part two of the East of the River interviews and specifically the treatment of young Black people by the police in DC
9. Public Service Announcement remix – Omekongo and D’Mite
This is a dope go-go influenced remix of Jay-Z’s classic but with a very different content
10. V is for Vendetta – Everyone should see this film a nd understand the context of this track
11. Black Power and Media – Head-Roc and The Funkinest Journalist explain the historical relationship between mass media and Black struggle. This is a clip from “Jazz and Justice,” which airs on WPFW 89.3 FM every Monday from 1-3p and is archived at voxunion.com
12. L.A. – Murs – Murs is just nice.
13. Media “Reform” – comments from the National Conference on Media Reform and why Black and Latino people need to be more involved in the production of media and in media criticism. Voices include Oriana Bolden and Rosa Clemente.
14. I’m Him – NEW! – Wise Intelligent
15. Black World Imagery – more from Jazz and Justice this time with Michelle Stephens and Suzette Gardner during our tribute to Bob Marley talk about the construction of Black image.
16. Jesse Jackson is not the emperor of Black people! – Napolean’s Dynamite – Mos Def
17. Class and Black Women – part of an old FreeMix interview with Elaine Brown former head of the Black Panther Party.
18. Payola – Paul Porter of IndustryEars.com talks about the latest in payola
19. Mind is Free – NEW! – Hasan Salaam. More great music from this unheralded emcee.
20. Martha’s Table Teen Program – an interview with Tim Jones and his work with DC youth.
21. Who Shot Rudy? – Screwball gets in trouble for making a song that talks about a dream that Rudy Giuliani gets shot. You can shoot Black people, smack women, pimp, sell dope and all that but don’t get it twisted into thinking we are free. It was all a dream…
22. Modern Day Slavery – Joell Ortiz and Immortal Technique – We’re Young Lords!
23. Outro and contact information
24. Whites Win!

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Amos Wilson

James Turner

VOXUNION MEDIA
Jazz and Justice
March 26, 2007
WPFW 89.3 FM Mondays 1-3p EST

This week we heard from Drs. Amos Wilson and James Turner and 
community thoughts on yet another “nigger!” incident.  This plus music from legendary DC poet Face, Naima Jamal, new KRS-One, Gil Scott-Heron, The Coup and more.  Download the show here and here or visit voxunion.com for stream/download options and much more.

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Jazz and Justice
April 2, 2007
WPFW 89.3 FM Mondays 1-3p EST
wpfw.org

This week we were joined by Obi Egbuna of the Pan-African Liberation Organization and Head-Roc for a discussion of Zimbabwe and pan-Africanism. We also heard from Kwame Ture plus music from John Coltrane, Dead-Prez, Roy Ayers, Sonny Fortune, Bob Marley, The Coup and more. To download click here and here and visit voxunion.com for stream/download options and more.

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IMPORTANT ANNOUNCEMENT! Words, Beats and Life/Global Journal of Hip-Hop Culture has launched its new website. Educators in need of a great hip-hop-based teaching tool and those looking to expand their own horizons will find this, the original hip-hop academic journal, to be a powerful resource.

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VOXUNION MEDIA
Jazz and Justice
WPFW 89.3 FM Washington, DC
Mondays 1-3p EST
Live Online wpfw.org

This week we celebrated the Spring Equinox (some call it “passover” or “easter”) and the birthday of Paul Robeson.  We heard music from John Coltrane, The Els featuring Asheru, Julius Hemphill, Oscar Peterson, KRS-One, Charles Earland, Common and Alice Coltrane.  The celebration included a look at the African origins of major Western religion by Charles Finch and Brother Tehuti.  All this plus the world premier of “Heru Walks,” a remix of Kanye’s original, by Kasba.  Download the show here and here and visit voxunion.com for the stream/download options and much more.

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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM wpfw.org (live stream)
April 16, 2007

Today we discussed DC Emancipation Day and its international implications with our guests Rick and Michelle Tingling-Clemens.  We also heard music from Gil Scott Heron, Jayne Cortez, DJ EuRok, NYOIL, Head-Roc, Eddie Kane, Freddie Hubbard and more.  We also heard clips from Dr. James Turner of the Africana Studies and Research Center at Cornell University.  Download the clips here and here and visit voxunion.com for the stream/download options and much more.

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VOXUNION MEDIA
Jazz and Justice
WPFW 89.3FM Pacifica Radio Washington, DC
Mondays 1-3p EST (wpfw.org live stream)

This week Lisa Fager of Industry Ears and students from the University of Maryland joined the show to talk about their research monitoring commercial hip-hop radio.  We heard music from The Welfare Poets, Hugh Masekela, Abbey Lincoln, ReadNex, Fertile Ground, Immortal Technique, A Tribe Called Quest, Eric Dolphy and much more. 

We also heard from Dr. Greg Kimanthi Carr and portions of his remarks at this week’s conference of the Association for the Study of Classical African Civilization (ASCAC).  Download the show here and here and visit voxunion.com for stream/download options plus much more.