50 SHOTS This Time

 

 Time to pull out our Bruce Springsteen CDs. 

41 shots
41 shots
41 shots
41 shots
41 shots
41 shots
41 shots
41 shots….
and we’ll take that ride
‘cross this bloody river
to the other side
41 shots… cut through the night
You’re kneeling over his body in the vestibule
Praying for his life
Is it a gun, is it a knife
Is it a wallet, this is your life
It ain’t no secret
(It ain’t no secret)
It ain’t no secret
(It ain’t no secret)
No secret my friend
You can get killed just for living in
Your American skin

41 shots
41 shots
41 shots
41 shots
41 shots and
Lena gets her son ready for school
She says “on these streets, Charles
You’ve got to understand the rules
If an officer stops you
Promise me you’ll always be polite,
that you’ll never ever run away
Promise Mama you’ll keep your hands in sight”

Is it a gun, is it a knife
Is it a wallet, this is your life
It ain’t no secret
It ain’t no secret
No secret my friend
You can get killed just for living in
Your American skin

41 shots
41 shots
41 shots
41 shots
(music bit)
41 shots
41 shots
41 shots
41 shots
Is it a gun, is it a knife
Is it in your heart, is it in your eyes
It ain’t no secret
(It ain’t no secret)
It ain’t no secret
(It ain’t no secret)
It ain’t no secret
(It ain’t no secret)

41 shots
And we’ll take that ride
Cross this bloody river
To the other side
41 shots
And my boots caked in this mud
We’re baptized in these waters
(baptized in these waters)
And in each other’s blood
(And in each others blood)

Is it a gun, is it a knife
Is it a wallet, this is your life
It ain’t no secret
It ain’t no secret
(It ain’t no secret)
It ain’t no secret
(It ain’t no secret)
No secret my friend
You can get killed just for living in
You can get killed just for living in
You can get killed just for living in
You can get killed just for living in
You can get killed just for living in
Your American Skin

(41 shots)You can get killed just for living in
(41 shots)You can get killed just for living in
(41 shots)You can get killed just for living in
(41 shots)You can get killed just for living in
(41 shots)You can get killed just for living in
(41 shots)You can get killed just for living in

Independent Audio/Video You Should Check Out (Fourth In A Long-Running Series)

Another thing worth checking out.

          IMMEDIATE RELEASE

Contact:    MELKI @       Onemelki@gmail.com
 
WAS MARTIN LUTHER KING A REPUBLICAN?


 
NEW HIPHOP & JAZZ ‘DOCUMIXTORY’ PODCAST ENDS SPECULATION ON WHERE HE STOOD ON THE ISSUES

RARE SPEECHES MIXED OVER A CORNUCOPIA OF GROOVES


November 16, 2006–Washington, D.C.—With current attempts by Republican candidates for office to label Martin Luther King, Jr., a Republican, and ongoing attempts by mainstream media to portray MLK as a “Dreamer,” author and Documixologist Melki releases his latest Documix, entitled “MLK: Blak At Ya.”

Melki fuses rare Marvin Gaye grooves with hiphop, funky R&B, and soul music as a backdrop to some of MLK’s most poignant speeches. In “Blak at Ya,” Dr. Martin Luther King, Jr. discusses the following topics: Racism in America; America’s War Machine, Threats to his Life and the American Value System, in audio recordings culled from speeches rarely if ever heard by the American public.

Interjected as well into the nearly 40-minute Documix are comments from various generations of African Americans about what MLK meant to them. One of the key questions asked was “Would things be different for African Americans if MLK were alive today?” The answers are both raw and powerful.

“I thought it insane for folks to attempt to co-opt MLK in one way or another, especially with so much of his audio out there for people to hear themselves,” said Melki, the author of 21 Hustle, a futuristic hiphop, sci-fi and mystical novel set in the year 2021. “If people can now transform MLK into a ‘conservative,’ then it’s not out the question to pick up a newspaper 50 years from now and see Dubya listed as a 5-time winner on Jeopardy,” joked Melki.

Melki is also the producer of several documixes including one on the Iraqi War entitled “The Low-IQ War MIX.”

The Documix is available for downloads and streaming. The ‘MLK: Blak at Ya’ Documix is G-rated and available for commercial media and educational uses free of charge. To hear or download the Podcast of this Documix visit here.

Independent Audio/Video You Should Check Out (Third In A Long-Running Series)

The latest from FreeMix Radio.

Click here for

Music: Talib Kweli, Mos Def, Sizzla, Ghostface, Spinna, Hi-COUP, Blitz, Pharaoh Monch, Wildchild, M.O.P., Flawless Blak, Nas, Papoose, D’angelo, AZ, CL Smooth, Serious Jones, Premier, Common, Dead Prez and more…

News/Interviews: DC Radio CO-OP interviews Dead Prez plus: Johonna McCants discusses Carceral Studies and the Prison Industrial Complex, Nas and Pharoah speak and Mumia Abu-Jamal and Snoop talk pimping

voxunion.com - FreeMix Radio The Orgininal Mix Tape Radio Show

Note: The mixtape as emancipatory journalism is just now coming ready for its DC-area distribution. Here is the exclusive online edition which we encourage people to copy, burn, distribute as widely as possible. Those interested in receiving copies of the actual mixtape(s) please contact us.

Announcement: Those interested in publishing academic articles, essays, poems, etc. should check out the Journal of Global Culture from Words, Beats and Life: wblinc.org

Have You Checked Out……….

………..the VV article on The Source yet?

*SIGH*

I used to write for The Source‘s National Affairs section. Two very smart, very talented, strong sisters edited that part. Then Osorio became editor.

*SIGH*

Read Rolling Stone’s great cover story yet? (Its author was on “Democracy Now!”) You know, Rolling Stone is a Very White popular culture magazine (it seems to only cover Black people when they’re starving in Africa or when they have a mike or guitar in their hands in America), but, as a lifetime subscriber, I can say with some authority that it believes in more than selling CDs. Look here if you don’t believe me.

*SIGH*

And don’t get me started on the socio-political content of those other Bl—uh, I mean, “urban”  🙂 —music/popular culture magazines that represent Black IMAGES, not Black people. Meanwhile, Emerge has been dead for six years.

*SIGH*

Niggers are scared of revolution
But niggers shouldn’t be scared of revolution
Because revolution is nothing but change
And all niggers do is change

Niggers come in from work and change into pimping clothes
and hit the streets to make some quick change
Niggers change their hair from black to red to blond
and hope like hell their looks will change
Nigger kill other niggers
Just because one didn’t receive the correct change
Niggers change from men to women, from women to men
Niggers change, change, change You hear niggers say
Things are changing? Things are changing?
Yeah, things are changing
Niggers change into ‘Black’ nigger things
Black nigger things that go through all kinds of changes
The change in the day that makes them rant and rave
Black Power! Black Power!
And the change that comes over them at night, as they sigh and moan:
White thighs, ooh, white thighs
Niggers always goin’ through bullshit change
But when it comes for real change,
Niggers are scared of revolution
 

Niggers are actors, niggers are actors

Niggers act like they are in a hurry
to catch the first act of the ‘Great White Hope’
Niggers try to act like Malcolm
And when the white man doesn’t react
toward them like he did Malcolm
Niggers want to act violently
Niggers act so coooool and slick
causing white people to say:
What makes you niggers act like that?
Niggers act like you ain’t never seen nobody act before
But when it comes to acting out revolution


Niggers say: ‘I can’t dig them actions!’
Niggers are scared of revolution
 

Niggers are very untogether people
 

Niggers talk about getting high and riding around in ‘els’
Niggers should get high and ride to hell
Niggers talk about pimping
Pimping that, pimping what
Pimping yours, pimping mine
Just to be pimping, is a helluva line
 
Niggers are very untogether people

Niggers talk about the mind
Talk about: My mind is stronger than yours
“I got that bitch’s mind uptight!”
Niggers don’t know a damn thing about the mind
Or they’d be right
Niggers are scared of revolution

Niggers fuck. Niggers fuck, fuck, fuck
Niggers love the word fuck
They think it’s so fuckin’ cute
They fuck you around
The first thing they say when they’re mad: ‘Fuck it’
You play a little too much with them
They say ‘Fuck you’
When it’s time to TCB,
Niggers are somewhere fucking
Try to be nice to them, they fuck over you
Niggers don’t realize while they doin’ all this fucking
They’re getting fucked around
And when they do realize it’s too late
So niggers just get fucked up
Niggers talk about fucking
Fuckin’ that, fuckin’ this, fuckin’ yours, fuckin’ my sis
Not knowing what they’re fucking for
They ain’t fucking for love and appreciation
Just fucking to be fucking.
Niggers fuck white thighs, black thighs, yellow thighs, brown thighs
Niggers fuck ankles when they run out of thighs
Niggers fuck Sally, Linda, and Sue
And if you don’t watch out
Niggers will fuck you!
Niggers would fuck ‘Fuck’ if it could be fucked
But when it comes to fucking for revolutionary causes
Niggers say ‘Fuck revolution!’
Niggers are scared of revolution


Niggers are players, niggers are players, are players
Niggers play football, baseball and basketball
while the white man cuttin’ off their balls

When the nigger’s play ain’t tight enough
to play with some black thighs,
Niggers play with white thighs
to see if they still have some play left
And when there ain’t no white thighs to play with
Niggers play with themselves
Niggers tell you they’re ready to be liberated
But when you say ‘Let’s go take our liberation’
Niggers reply: ‘I was just playin’
Niggers are playing with revolution and losing
Niggers are scared of revolution

Niggers do a lot of shootin’
Niggers shoot off at the mouth
Niggers shoot pool, niggers shoot craps
Niggers cut around the corner and shoot down the street
Niggers shoot sharp glances at white women
Niggers shoot dope into their arm
Niggers shoot guns and rifles on New Year’s Eve
A new year that is coming in
The white police will do more shooting at them
Where are niggers when the revolution needs some shots!?
Yeah, you know. Niggers are somewhere shootin’ the shit
Niggers are scared of revolution


Niggers are lovers, niggers are lovers are lovers
Niggers love to see Clark Gable make love to Marilyn Monroe
Niggers love to see Tarzan fuck all the natives
Niggers love to hear the Lone Ranger yell “Heigh Ho Silver!”
Niggers love commercials, niggers love commercials 
Oh how niggers love commercials: 
“You can take niggers out of the country, but you can’t take the country out of niggers”


 
Niggers are lovers, are lovers, are lovers
Niggers loved to hear Malcolm rap
But they didn’t love Malcolm

Niggers love everything but themselves

I love niggers, I love niggers, I love niggers
Because niggers are me
And I should only love that which is me

I love niggers, I love niggers, I love niggers
I love to see niggers go through changes
Love to see niggers act
Love to see niggers make them plays and shoot the shit
But there is one thing about niggers I do not love
Niggers are scared of revolution
—“Niggers Are Scared Of Revolution” by The Last Poets

Happy 40th Birthday, (Both) Black Panthers!

I’m not just talking about the Party. That reunion happened in Oak Town over the weekend. Check out the archives here, and here’s two articles. It was good to hear a former Philadelphia Panther, Mumia Abu-Jamal, set it off with his commentary. His Op-Ed served as an appropriate and powerful open to the Pacifica broadcast. His BPP anniversary oriented interview, aired later in the program, was on-point as well. Here’s the transcript of the latter.

This photo is from a long time ago in a galaxy far, far away. Bro. Mumia, as he was known then, as Lt. of Communication for the Philadelphia branch of the BPP. He was 15 at the time. The picture was on the front page of The Sunday Philadelphia Inqurier in January 1970. It was published one month to the day of the COINTEL-PRO-led police murders of Fred Hampton and Mark Clark.

(Related asides: First, are you as excited as I am about Kathleen Cleaver’s forthcoming autobiography? Like Mumia’s forthcoming book on jailhouse lawyers, it can’t come soon enough. Second, let’s enjoy this footage for as long as we can.)

But there’s another 40th Panther birthday to celebrate: the one of the Marvel Comics superhero. Same age, believe it or not. The African warrior-king was the first Black superhero to appear in American comics.

When you have a free half-hour, you can check out this animated adaptation of the character’s first appearance—at least until it disappears. 🙂

“Prey Of The Black Panther”, Part One

“Prey Of The Black Panther,” Part Two

“Prey Of The Black Panther,” Part Three

Tracey Edmonds Drops a Bomb About Radio at FCC Hearings

From Davey D:

Tracey Edmonds Drops a Bomb About Radio at FCC Hearings

by Davey D

Yesterday (Oct 3 2006) film producer Tracey Edmonds spoke at the FCC Hearings in Los Angeles and relayed a disturbing story that took place during the 2004 elections.

She and her ex-husband-Kenny Babyface Edmonds along with Russell Simmons gathered up an all-star line up of urban artists to do a Get Out and Vote song called ‘Wake Up Everybody.’ It featured everyone from Mary J Blige to Wyclef Jean to Missy Elliot.

The song came at a time when other efforts including P-Diddy’s ‘Vote or Die’ campaign Russell Simmons’ Hip Hop Summit Action Network campaign and the National Hip Hop Political Convention were in full swing trying to engage the Hip Hop/urban audience to be more politically involved.

‘Wake Up Everybody’ was an ambitious project which caused quite a buzz as the video and the making of the video/song went on to be the number one on MTV. However, when it came to getting the non partisan song on radio all kinds of trickery came into play.

Edmonds testified yesterday that a certain radio chain which ‘owns more than 1000 stations’ (Clear Channel) refused to play the record. This happened in spite of large numbers of requests from listeners.

Edmonds was later informed that the owners of the station chain (Lowry Mays who is good friends of the Bush family) did not want this song on his airwaves because it might’ve led to massive voter turn out amongst the youth vote for John Kerry.

I know that I played the record while working as an urban programmer for AOL Radio and got great feedback.

I also recall hearing industry grumblings that the only way that song would see the light of day was if a million dollars was dropped in their coffeurs. You can hear Tracey ‘s testimony by clicking here.

Chuck D: "Reality" Shows Just Part Of The Tricknology

Ah, so refreshing…..  🙂 Just like that Hilltop editorial.

… When I was first asked to do an interview answering to VIBE‘s concern about reality shows and the mismanagement of female images in media, I straight out flatly refused. I’m neither arrogant, elitist, nor bitter, its just that the problems with the topic are beyond articles, sound bites, and special one off tele, broad, or even webcasts. It’s worthy of dissertation, educational curriculum, and books of new social science containing cultural analysis yet to be published and exposed. Quite frankly, I had my reservations until Danyel Smith took over the magazine (one which to me has had the tendency of coming off like a cultural coloring book). I wish the mag and VIXEN a testosterone-less good look and luck. And it’s the main reason agreeing to the issue here at hand.

With that said, the question of how blacks are treated in the world of reality television is answered simply in that reality TV is not reality at all. It’s shot, canned, edited, and processed Amerikkkan style like Mickey D fries, over 300 million served and told. The public should know that Flavor’s and other reality shows are shot five months beforehand within a ten day span, so how stupid is it when people wait week by week to find out something that at happened a half a year before? Pavlovic, eh? It’s no secret when we don’t control things, they can end up governing our existence. Black ownership in media is nil and none. Maybe there’s some negrownwership in the house, because corporations (usually a squad of white males) need them around to create and endorse ‘niggers’ – this avoids the race tag, I guess. Black media tries to justify parallel programming by saying they need numbers to stay in business. This is a root problem that quantifies black people in a rating system of eyeballs and ears rather than the old school issue of ‘quality’ and ‘feelin’ it.

But the scientific effects go beyond race as most Americans generally have a poor grip on geography and history (i.e. a shameful 18% of US citizens own passports, and many Americans we’re surprised so many black folk lived in New Orleans after watching the news drunken-ality of post Katrina). When one studies mass communication, you find that each situation broke a giant genie out of and busted the bottle with it. Martin Luther (not the king or the singer) with the printing press, Marconi with radio, and various events leading up to post World War Two invention of television. Television is considered the most powerful weapon/tool created to inflict influence. More powerful than a hundred trillion bibles, Korans, or Torahs in the minds of the masses. The power as far as black folk is concerned is like a snapshot of a gathering. If you were in that gathering and the snapshot was passed around, the first person you look for is yourself. This is the basic reason black folks flock and suck to the tube. Take science, drop it in some perceived culture, and you can have some millennium pied piper sht goin on.

Ok, before I lose you to whippings of ass distraction, which is the reality television credo; those powers that be move the M in ‘the masses’, and consider ‘them asses’ – just consumers. In a land where a village idiot reigns at the top, it’s no surprise that many citizens would be reduced to ‘vidiots’. Anti-lectualism and mass dumbassification puts big brother on blast, thus television across five hundred channels comes across as candied stress relief away from the rigors of reality. Thus reality gets created for mass consumption just like the black entertainment and athlete gods are created by the ‘godmakers’ that the public does not or doesn’t care to know.

When one examines the positioning of women and especially black women in the media, again it’s reduced to whatever sells. We’ve heard that sex sells for the longest time, but the past fifteen years corporations looking for numbers have perved their way into selling it to a severely underage demographic. Just check the nearest sixth-grader nearest you. Reality TV, music, hip hop and their adult themes have indirectly invited kids to the orgy.

This disturbance is Xeroxed, reflected, and re-emitted by hip hop in the treatment of women. If mass media has basically been a locker room that women have had to find a safe corner haven, then hip hop is that testosterone heavy, dude crib where the refrigerator’s empty, rugs filthy garbage overflowed, unkept nasty bathroom for all to trip over the debris. Videos have captured the eyeballs for years, and now if they can roll ten to fifteen hot chicks per rapper/singer, marketing teams ( I’m so sick of that wack term marketing 2006 = pimpin) can keep making ugly the new cute…WTF!? This process has been followed by television programming. To hell with an idea and script for the lowest denomination.

But Viacom and reality shows are inseparable, the real world jumped it off in the early 90’s. What’s more disturbed is that Christina Norman of MTV Networks, Debra L. Lee of BET, and Cathy Hughes of Radio One are all black women, and presidents of the most powerful portals of culture, image – portrayals that tens of millions of black folk visit daily, and at the same time black women’s images have never been so low. (a shameless plug here is all-female rap group Crew Grrl Order debut on my SLAMjamz.com label, it’ll be interesting to see the support of these womens’ recordings by these mega conglomerates come this October 2006) Then again when Biggie told the crowd to rub your privates if you love hip hop, and smart cats in fear of being called ‘out’ just did it cause Simon said it, what do you expect ten years later?

 

This brings me to Flav’s scenario. Yes, there is a problem, but he’s been generally the same cat I pulled up from his humble beginnings twenty-five years ago. Flav has always existed with a somewhat conscious surrounding, and Public Enemy was a varied, diversified collection of personalities, just as our neighborhood depicted. And we reflected that black men we’re still grouped in one boxed Amerikkan cookie cutter category, whether lawyer, clown, militant, athlete, mechanic, drug dealer, drug addict, soldier, academic cat, thug etc. At the crest of R&B (Reagan and Bush) black life was considered valueless in Amerikka. Flav was Skittles and Starburst to Professor Griff’s okra and beets, and everything else we did was in between. Somehow along the way black life and culture was deemed profitable, and the big great white male took interest and fought over the seven seas of soul. Niggativity, which was a minority element in the hood, had its DNA corporately extracted and created the climate for a ‘Flavor Of Love’ and others. It’s called diminishing returns. I’m glad Flav is busy, really not surprised at all ( been traveling and living with dude all over the earth 20 years people, 56 countries, 54 tours….hello, why would I be surprised?) But it’s a double wince at times when the stats say that it’s a well-watched program by the masses of blackfolk and the topic the next day amongst blackfolk at school and work. Grown people, mind you.

Personally I thought Flavor was the smartest cat in the room on ‘Surreal Life,’ and showed the heart he had in ‘Strange Love’ (although I interjected when I heard a conflict was shot between he and his ex, and I threatened VH-1 and the production company if they aired it, we’d have problems…they were calling the conflict ‘good TV’…… sht) When Flav told me he was doing a Flavor version of ‘ The Bachelor,’ I just laughed and wished him luck. Flavor Flav is addicted to fame; he ain’t never changed. When he has had run ins with the law and some substance cases, it’s been when his fame was on the low. In that position I know this magazine and other cultural mags, shows, blogs, etc., would cover the worst news unfit to print to get black folk’s knee-jerk consumer response at the register. After continued run ins and possible boredom in the Bronx, Hank Shocklee and I suggested he head to California. Hollywood—the place where every time I visit and leave there I have to take IQ rehab. You must understand twenty years ago, myself and Hank formed a noisy rap vehicle in words and sonic assault. PE was to destroy music as we knew it, because it was elitist from a position of black complacency. We knew individuals, in the form of Negroes and niggers marionetted in black guise, for the sake of getting rich for self and never thinking, were running abundant under those blonde suits. At least we knew Flav would be the loudest in whatever room, restaurant he was in. In a twisted way, perhaps he was an asteroid smash landed to possibly change the terrain of imagery, and wake some people up.

The truth is that our image was forsaken in the 90’s when drawing the line was blurred, set back or didn’t matter as much. Black folk started calling athletes and entertainers ‘heroes and legends’ instead of everyday people doing real and important things. Class clowns and thugs were co signed and socially applauded and rewarded by lazier working images and shielded by money. While teachers, and valedictorians were being clowned, thus silencing the smartest kids in the room.

Corporations millennium-marketing big picture says Black people are not asked, we are told, and black women are simply just ordered, whether it’s a demand or as virtual plate-side condiments.

We’ve gone from being laughed with to laughed at. Contrary to popular belief things ain’t gotta be hip hop or have streetcred to cut across to us, but somebody better reverse this momentum that Amerikkan whitefolks believe, or forever culture here will be petri dished in a boardroom.

Ultimately this is a wake up call to prevent the ‘falling off of black America.’ It has little to do with how much money one has, when black folks stop praising and weighing cultural and social success to things and individuals just because money is made, then some of the climate will reverse itself. When culture and news props up those with degrees and key community profile instead of putting celebrity baby-mama issues on the front blast page and reflects cats who work everyday for our people with no gloss, floss and glory then the climate will reverse. Perhaps Flavor is an introduction to black folks killing off the nigger in ourselves.

This just in….the rest of PE continues to do and contribute socially nationally and abroad, we’re balanced as a structure and expect no coverage or publicity campaign costing 6k a month. But I don’t do reality TV and won’t bend for it. Amongst many things I’ve been on the Air America Radio network the past three years with a black woman co-host, Gia’na Garel, boosting social-cultural-political opinions nationally and abroad. We expect a minority of listeners, but also I realize the glaring fact that if I’d merely robbed a gas station I wouldn’t need a publicist, I’d be put on blast on every black media outlet possible and every black person beyond reading this would easily apply my name to the negative, like what Eddie Johnson just went through.

So I would like this to be read, and thoroughly comprehended. If not and it’s fulla sht and too deep, then there you have it. I’m glad you’ve made it this far. Don’t expect some reality show nearest you. I’m not for sale and quick to telling people ‘nunya gd damn bizness…’

Gone….

“I cannot teach you, I can only help you explore yourself.” –Bruce Lee

Chuck D

Mistachuck@rapstation.com

On The Real radioshow w Giana Garel Airamericaradio.com

sunday nights 11p-1est.

http://www.publicenemy.com/

http://www.slamjamz.com/

http://www.rapstation.com/

 

Miss "On The Real," Chuck D's Air America Show, Last Night?

Here’s a part of it that might interest you. Voxunion.com describes it thusly: “Paul Porter (IndustryEars.com) was interviewed by Chuck D tonight for Air America Radio.  The discussion centered on the crisis of Black Radio, payola, consolidated ownership of media and its impact on 
Black consciousness and struggle.”

So there ya go.