Black People Don't Control Their Culture, Chapter 103

 

I guess all of us pundits have one same column we keep writing over and over.  :)  Enter Minister Paul Scott. I’ve been reading his columns online for at least a couple of years now.

I believe the story of what happened to hiphop is more complex than what he has laid out below. For example, what about the many external and internal factors of Black political and social development between the 1970s and the present that, in many ways, had Black people reject the goals and objectives of the Black Power movement? Regardless of my questions, he has made some good points in this one. And his memory of certain events match mine (which, means, of course, he’s RIGHT :)).

Note: I’m guilty of some editing and fact-correcting here.

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The Hip Hop Conspiracy

By TRUTH Minista Paul Scott

With her legacy of slavery and oppression, to say that this country has done some bad things to Black folks is an understatement. We all know about the African Holocaust/Maafa (the slave trade) and the Tuskegee
Experiment
as well as other examples of the
mistreatment of Afrikan people by the European. But in a society that has corrupted everything Black to serve its own evil purposes, how could we think that HipHop would be exempt from its evil schemes?

We all know the well told story of how when Hip Hop first started in the mid-to-late 1970s, it was about partying. By the late 1980s, the HipHop nation under the leadership of President Chuck D and Secretary of Defense Professor Griff, young Black America was exposed to the teachings of Malcolm X and Huey P. Newton.

We are very familiar with the story of rap’s golden era, as it is known among the cool, HipHop insiders who remember when breaking meant more than someone’s arm being broken in response to a “diss.” And when graffiti on a wall was an easily overlooked misdemeanor, not a felony. And when the color of a  bandana wrapped around somebody’s head wasn’t perceived as a glorified death warrant.

So the million-dollar question becomes: how did the sound of sweet soul music become sour? Or better yet, as Public Enemy asked in the early 90’s: “Who Stole the Soul?”

Let us begin in 1988, when so-called  “gangsta” rap began to emerge out of California and how a few young Brothas out of Compton staged a hostile takeover of HipHop.

For a time “Conscious rap” and “Gangsta rap” coexisted in almost perfect harmony, a musical ying and yang, so to speak. When the elders would criticize the lyrics of some to the songs, the conscious rappers would serve as ambassadors of goodwill for the “G’s” and
quickly point out that the rappers were just being attacked because they were young Black men saying something that white society did not want to hear.

After all, they were just calling it as they saw it—or, in the vernacular, they were just “keeping it real.” How many times was heard their worn-out Arnold Schwarzenegger excuse, “Well, he can kill 100 people in a movie and nobody says a word, but  when we..” Well, they were very right and very wrong. The young rappers underestimated the depths that this society would go to to prevent the “rising of a Black Messiah” or to destroy anything that would serve as a catalyst for social change. As Neely Fuller once said, “If you do not understand white supremacy, everything else will just confuse you.”

In the early-to-mid 90s, the anti-gangsta rap forces in the Black community formed a dangerous alliance with white conservatives that had no love for Black youth from the giddy up. They took the lead on the “gangsta rap
issue” under the guise of “family values.” So the
battle against negative lyrics became an attack on Black youth. Instead of rap that talked about drugs and violence being attacked, all rappers that rapped about anything stronger then “Parents Just Don’t Understand” (remember the debut of Will “Fresh Prince” Smith?) were seen as the
enemy.

Since the Black Nationalist community—who could have “attacked” the negative rap but not the rapper, or “love the sinner but hate the sin”—were still banned from the media, the only people that our youth saw preaching against negative lyrics were old preachers
and civil rights crusaders. The media loved promoting the C. Delores Tuckers as poster children of music morality. For over two years the battle raged between the the Hip Hop Nation and The Family Values Nation.

See, the year 1992 changed the game. The LA Rebellion (called by the white media the LA Riots or the Rodney King Verdict Aftermath).  Until then, the effect of rap music on the minds of Black youth was still a matter of debate. Could the rebellious words of the rappers actually be manifested in the actions of
Afrikan youth?

White America wondered: if we really ticked Black people off, would they really Fight the Power, as rap group Public Enemy urged? In May of 1992, white America’s worst nightmare was realized when thousands of Black people took to the streets, with rap music
supplying the soundtrack. White reporters were shocked when, interviewing “gang members” that they saw that the grassroots could easily articulate the oppression of Afrikan people, both nationally and globally. Rap with a message had to be stopped by any means necessary.

When the dust settled the gangsta rappers emerged stronger than ever, the Family Values people emerged with more political clout and the only casualties of war were the “conscious rappers.” Was it a coincidence that the majority of rappers that did not make it through this politically created “Rap Armageddon” unscarred were the “conscious rappers” Sister Souljah, X Clan, Public Enemy, Paris) And the ones that did make it took a 180-degree turn and got smart, finding out that the “gangsta” style was the safer and more lucrative wave of the future (see Ice Cube post-NWA career). So in the end, it was not gangsta rap that destroyed positive rap; it was the anti-rap forces that put the nail in the coffin of pro-Black rap.

So what was left was symbol without substance—or, as The Temptations sang, “a ball of confusion.” All of the energy that was created by X-Clan and Paris had no oulet. Our children knew that they were being attacked but without the guidance of the Black Nationalist community, had no idea who the enemy was.
They became modern day rebels without a cause.

The enemy was no longer The Man or his racist, oppressive system; instead, the media promoted the idea that the Black man was the enemy who must be destroyed. We were no longer “Brothers” or “Strong Black men”; we were Niggas—“real” Niggas doing “real” things, like busting a cap in another nigga. Passe was the idea that we were Nubian Kings, protecting our Nubian Queens; naw, Sun, we was now they pimps and they was our Hos.

It seems that the music that we created has become just another tool for the oppression of the Afrikan mind. So that is why today all of the music sounds the same. The music of 2007 sounds the same as the music of 1995. Our youth seem to be all talking, acting and
dressing the same. Why? Because it is easier to control a monolithic people. As Carter G. Woodson once broke down, “When you control a man ‘s thinking you do not have to worry about his actions.” Hip Hop has become White Supremacy’s multi-billion dollar marketing scheme.

But all is not lost. A group of some of the strongest Afrikan minds on the planet have gathered to form The Hip Hop Intelligence Project. Our goal: once and for all solve the Hip Hop Conspiracy.

Most people would not place the solving of the Hip Hop Conspiracy in the same category with the questions surrounding the disappearance of Jimmy Hoffa or the assassination of Martin Luther King. But does it matter for those of us Afrikans still in the struggle?

You bet your Timberland boots it does….

For more information on the Hip Hop Intelligence Project, contact Scott at hiphopintel@yahoo.com .

Independent Audio/Video You Should Check Out (Ninth In A Long-Running Series)

 

 

January 15, 2007
VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM wpfw.org (live stream)
Mondays 1-3p EST
 

Today’s show is a special tribute to Dr. King.

Part 1 features King himself and music from Dead Prez, Head-Roc, Archie Shepp, Jack DeJohnette, Wise Intelligent plus a special DocuMix from Melki.

Part 2 features music from Blitz, Immortal Technique and commentary from Mumia Abu-Jamal, a breakdown of US mainstream media’s image assassination prior to the physical one—including a look at the FBI’s Counter Intelligence Program (COINTELPRO)—and Bill Fletcher bringing us from then to now through a look at King and the labor movement.

Click the links to download each part and visit VOXUNION.COM for streaming options, plus much more.

 

———–

In addition, here’s something else in which you might be interested.

Congrats To………..

…….the “Ugly Betty” folks and the Dream Team!

From EUR……..

 

EURextra Newsbits 

‘DREAMGIRLS’ IS GOLDEN: Hudson, Murphy and picture itself win ‘Globes’; Whitaker wins too.

If you’ve already seen it, you can’t be surprised at the wins for “Dreamgirls” at last night’s Golden Globes Awards. The acting honors (and congrats) for the flick went out to Eddie Murphy and big screen newcomer Jennifer Hudson.

Jennifer Hudson poses with the award she won for best supporting actress for her work in 'Dreamgirls' at the 64th Annual Golden Globe Awards on Monday, Jan. 15, 2007, in Beverly Hills, Calif. 

Murphy took the Golden Globe for Best Supporting Actor and Hudson snagged the statuette for Best Supporting Actress at the 64th annual Golden Globes. The two star in the musical “Dreamgirls.”

Of course we’d be on the late freight if we didn’t acknowledge that “Dreamgirls” itself won the Golden Globe’s Musical or Comedy motion picture category.

Additionally, Forest Whitaker took best actor as Ugandan dictator Idi Amin in “The Last King of Scotland.”

With this win, Murphy has finally received a major film honor after 25 years in the business. The actor had been nominated for a Globe honor three times before. On the other hand, “Dreamgirls” marks Hudson’s film debut.

“I had always dreamed, but I never ever dreamed this big,” former “American Idol” finalist Hudson said. “This goes far beyond anything I could have ever imagined,” said supporting-actress winner Hudson, who dedicated her award to Florence Ballard, one of the singers from the Supremes on which “Dreamgirls” is based.

“Wow. I’ll be damned,” said Murphy, upon accepting his award.

With the Golden Globes considered the runner-up to the Academy Awards, the Oscar buzz is only getting louder for the young starlet.

As Hollywood’s second-biggest film honors, the Globes are something of a dress rehearsal for the Oscars, whose nominations come out Jan. 23. The Oscar ceremony will be on Feb. 25. Nominations for the Oscars closed Saturday, so the outcome of the Globes cannot affect who gets nominated.

The diss of the evening came from Justin Timberlake, who, in accepting the Best Original Song award on behalf of Prince for  His Royal Baddness’ “Song of the Heart” from “Happy Feet” (even though Prince himself can be seen sitting in the audience later in the show), bent his knees to speak UP into  the microphone, as if to feign being the height of the Minneapolis superstar. 

For a full list of winners, go here.

National Conference for Media Reform Honors King's Legacy, Looks to the Future

 

Jan. 14, 2007  

FOR IMMEDIATE RELEASE

Contact: Craig Aaron, (202) 441-9983 (in Memphis); Jen Howard, (703) 517-6273 (in Memphis)

Speeches Evoke The Civil Rights Movement While Urging A New Generation Of Activists To Mobilize For Better Media

MEMPHIS—On the weekend before Dr. Martin Luther King Jr.’s birthday, headliners at the National Conference for Media Reform evoked the legacy of the civil rights movement while rallying more than 3,500 attendees for media reform.

“The nettlesome task about which Dr. King spoke is still being carried out by people who embody character, courage and the fortitude to make decisions in support of truth not spin, people who critically embrace diversity and reject monopoly,” actor and activist Danny Glover told the crowd Friday.

The Rev. Jesse Jackson pushed for more access to media and independent news.

“[King] brings us to this point today, 40 years later, to define the great issues of our time—the broken promises, the new schemes of denials, the impact of a media that freezes out democracy, the media that looks at the world through a key hole and not the door,” he said. “We must fight to open up airwaves for all the people.”

“The absence of women in the media is glaring,” Jane Fonda said in a speech at the conference’s closing session. “The media environment that is overwhelmingly white is also overwhelmingly male. Today, I hope to show you that  media that leaves women out is fundamentally, crucially flawed.”

Photo

Jane Fonda delivers one of the main addresses

“Martin Luther King Jr. didn’t get famous giving a speech called, ‘I have a complaint,’ ” said Van Jones, founder for the Ella Baker Center for Human Rights. “The brother had a dream. We need to be able to have a movement that stands for that.”

“The wave of the future is a wave of technological empowerment and innovation,” said Rep. Ed Markey (D-Mass.). “It is a wave of grassroots activism that can make a difference in Washington, D.C., down to every single community in our country. It’s a wave of digital democracy the likes of which we have never seen in the history of our country.”

“The depth of this conference reflects the maturing power of this grassroots movement into a real force in American politics,” said Federal Communications Commissioner Jonathan Adelstein. “No longer on the defense, media reform has a positive agenda to reclaim citizen, especially minority, ownership of the public airwaves and equal access to the Internet. Nobody in government can afford to ignore the organization and sophistication of this national movement for media democracy.”

Video of major speeches and audio of all sessions at the National Conference for Media Reform are available at www.freepress.net/conference .

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Free Press (www.freepress.net ) is a national, nonpartisan organization working to reform the media. Through education, organizing and advocacy, we promote diverse and independent media ownership, strong public media, and universal access to communications.

National Conference for Media Reform Hosts All-Star Lineup

 

Got this from playahata.com. I’ve tacked on the group’s press release at the end. Also, here’s some required reading from the Black perspective.

———

Historic event draws Hollywood actors, famed journalists, legendary civil rights leaders, renowned musicians, acclaimed scholars, grassroots activists to Memphis MEMPHIS — Riding a wave of unprecedented activism and interest around media issues, the 2007 National Conference for Media Reform— hosted by Free Press—will kick off this week in Memphis.

WHAT: 2007 National Conference for Media Reform
WHERE: Memphis Cook Convention Center, Memphis
WHEN: Jan. 12-14, 2007
WHO: Nearly 3,000 activists, media makers, journalists, policymakers, scholars and concerned citizens from across the country.

Online registration for conference participants is now closed.

However, those wishing to attend the conference can still register and pay at the conference site. Tuesday, Jan. 9 is the last day for members of the media covering the event to register for press credentials — please send all requests by noon to credentials@freepress.net.

Conference speakers and presenters and Free Press staff are available for interviews or comment before and during the event. The full conference schedule is now available here.

 

The event is packed with nearly 100 hands-on workshops, film screenings and interactive panels. See below for a list of some of the daily highlights of this momentous weekend:

THURSDAY, JAN. 11
9 p.m. — Join Free Press and MoveOn.org Civic Action for
SavetheInternet.com’s Party for the Future at the Gibson Guitar Factory near historic Beale Street (145 Lt. George Lee Ave.).

FRIDAY, JAN. 12
(All events at the Memphis Cook Convention Center)
9:30 a.m. — Welcome from Dr. Willie Herenton, Mayor of Memphis.

10 a.m. — Opening plenary with legendary journalist Bill Moyers.

11:30 a.m. — Press conference releasing new media ownership studies.

12:15 p.m. — Rev. Jesse Jackson headlines the afternoon plenary.

1:15 p.m. — Phil Donahue moderates “Inside Corporate Media: Can It Tell the Truth?” panel. Plus sessions on “The Fight over Media Ownership”; “Media and Elections”; “State Battlegrounds in Media Reform”; and more.

3:15 p.m. — “Saving the Internet” explores what’s next for the grassroots movement that made Net Neutrality a major issue last year; industry critic Paul Porter looks at “Payola: Radio, Records and the FCC”; former FCC Commissioner Gloria Tristani moderates a discussion on “Children & Media Policy”; and more.

8 p.m. — “The Memphis Music Showcase & Rally” features appearances by Rev. Al Green’s Gospel Choir, North Mississippi Allstars, Burnside Exploration, Jimbo & Olga, FCC Commissioners Michael Copps & Jonathan Adelstein, actor and activist Danny Glover, Amy Goodman of Democracy Now!, hip-hop activist Davey D and more.

SATURDAY, JAN. 12
(All events at the Memphis Cook Convention Center)
8 a.m. — Sen. Bernie Sanders (I-Vt.) addresses the conference.

9 a.m. — FCC Commissioners take questions on what’s happening in Washington; leaders discuss “Why Media Policy Is a Civil Rights Issue”; Dan Gillmor and Jay Rosen join a panel on “Citizen Journalism”; and more.

11 a.m. — Reps. Maurice Hinchey (D-N.Y.), Steve Cohen (D-Tenn.) and Sanders offer a “Capitol Hill Update”; Memphis musicians Sid Selvidge and James Alexander join a panel on “Music & Media Reform”; grassroots activists on “The Battle to Control America’s Media”; and more.

1 p.m. — Andy Bichlbaum of The Yes Men shows clips from his upcoming film.

2: 30 p.m. — Laura Flanders, Amy Goodman, Robert Greenwald and blogger Atrios highlight “Winning Alternatives”; D.C. policy experts look ahead at “Washington 2007”; “Hip-Hop Activism for Media Justice”; and more.

4:30 p.m. — Veteran White House correspondent Helen Thomas debates “The Press at War & the War on the Press”; Media watchdogs David Brock, Janine Jackson and Norman Solomon; PBS’s David Brancaccio leads a panel on “The Future of Public Broadcasting”; plus a discussion about Dr. Martin Luther King Jr. and the media with Judge D’Army Bailey and other civil rights experts; and more.

8 p.m. — A Keynote Event features Geena Davis, Rep. Ed Markey (D-Mass.), Media Monopoly author Ben Bagdikian, former NAACP director Ben Hooks, Rev. Lennox Yearwood of the Hip-Hop Caucus, radio host Deepa Fernandes, Free Press founder Robert W. McChesney and other special guests — plus a performance by The Bar-Kays.

SUNDAY, JAN. 14
(All events at the Memphis Cook Convention Center)
9 a.m. – Jeff Chester of the Center for Digital Democracy, Ms. Magazine executive editor Katherine Spillar, journalist Roberto Lovato and community media innovator Wally Bowen on “Envisioning the Future of Independent Media”; plus hands-on workshops and a presentation by leading media scholars.

11 a.m. – The 2007 National Conference for Media Reform concludes with stirring closing remarks from Academy award-winner and activist Jane Fonda and Van Jones of the Ella Baker Center for Human Rights.

More information about the National Conference for Media Reform is available here.

***

Jan. 10, 2007

FOR IMMEDIATE RELEASE

Contact:

Craig Aaron, (202) 441-9983 (in Memphis)

Jen Howard, (703) 517-6273 (in Memphis)

 

Memphis Conference Spotlights Media Issues

National Conference for Media Reform kicks off Friday, with nearly 3,000 activists, journalists, policymakers and concerned citizens in attendance

MEMPHIS—The 2007 National Conference for Media Reform—a landmark event filled with rousing speeches, musical performances, provocative panels and instructive workshops—promises to put reforming America’s media system in the national spotlight.

“More than 3,000 activists from across the country will gather in Memphis to declare that media reform is now on the national agenda,” said Robert W. McChesney, president and co-founder of Free Press, the national, nonpartisan group hosting the conference. “After years of fighting to prevent further consolidation of media ownership and the dumbing down of our airwaves, the movement is ready to pursue reforms that will transform American media.”

Headliners at the event—taking place at the Memphis Cook Convention Center—include legendary broadcaster Bill Moyers, Rev. Jesse Jackson, actors and activists Jane Fonda, Geena Davis and Danny Glover, Vermont Sen. Bernie Sanders, Massachusetts Rep. Ed Markey, New York Rep. Maurice Hinchey, FCC Commissioners Michael J. Copps and Jonathan S. Adelstein, and civil rights activist Van Jones plus musical performances by The Bar-Kays, Rev. Al Green’s Gospel Choir and the North Mississippi Allstars.

“Media reform in this country is a story of activism that has made a huge difference,” said Commissioner Michael J. Copps. “The bipartisan, nationwide cry of outrage over our media has coalesced into a genuine and superbly organized grassroots movement. This year’s Free Press conference promises to be a first-rate forum for the latest thinking on how citizens can get involved in the fight for a better, fairer and more democratic media system in this country.” The beginning of a new Congress in January means that legislators will have a fresh start in crafting a new media and telecommunications legislation, with new leadership in place on key committees in both the House and Senate.

“The National Conference for Media Reform in Memphis will provide a venue where those of us who care about ensuring that this country has a free, diverse and independent media will come together to exchange ideas, work to create even better ones, and help to continue setting this country on the right path with media reform,” said Congressman Maurice Hinchey (D-N.Y.), chairman of the Future of American Media Caucus.

From Jan. 12-14, more than 3,000 media activists, educators, journalists, policymakers and concerned citizens from nearly every state in the union will attend the National Conference for Media Reform, an event that aims to move media issues to the forefront of public discourse in the United States.

“We cannot achieve equality for women without full and fair representation in the media,” said Kim Gandy, president of the National Organization of Women. “This conference provides the opportunity to network with activists from around the country and ensure that women’s rights issues are an integral part of the burgeoning media reform movement.”

On the weekend before Dr. Martin Luther King Jr.’s birthday, media reformers will honor Dr. King’s legacy and vision by exploring and deepening the significant connections between the civil rights movement and the movement for media reform. “Memphis and the Mid-South are fortunate to have a conference here of this magnitude,” said Judge D’Army Bailey, founder of the National Civil Rights Museum. “For an area that has experienced so much social activism and civil rights history to have people of this caliber and commitment to social justice raising important issues of media and communications is a windfall. Hopefully this conference will leave behind strategies for local community leaders and activists that will make difference long after the event has left town.”

This is the third National Conference for Media Reform and builds on the success of the 2005 conference in St. Louis and 2003 conference in Madison, Wis.

“The activists who gather in Memphis recognize that they are no longer shouting from the sidelines; they are beginning to shape communications policy in the United States,” said journalist and Free Press co-founder John Nichols.

Online registration for conference participants is now closed. However, those wishing to attend the conference can still register and pay at the conference site.Full coverage of the 2007 National Conference for Media Reform—including streaming video, audio downloads of key sessions, and daily editions of the Media Minutes radio show—will be available at throughout the weekend at http://www.freepress.net/conference .

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Free Press is a national, nonpartisan organization working to reform the media. Through education, organizing and advocacy, we promote diverse and independent media ownership, strong public media, and universal access to communications.

One Writer's View Of The Best And Worst Of Black Nonfiction Books In 2006

Got this from Kalamu. It’s from a site of which, before today, I had never heard.

And while you’re at it, check out this list. There is some overlap.

 

The 10 Best (and 5

 Worst) Black Books of

 2006

Revisiting a Banner Year for

Black Writers

by Kam Williams 

2006 turned out to be an explosive, coming-of-age year for African-American writers of nonfiction. Proof for me was that there were so many phenomenal texts to choose from when compiling this list that I found it quite a challenge to settle on the final 10. What’s probably most interesting about the authors who did win is that half of them are relative unknowns, either self-published or associated with modest-sized book companies.

Displaying a variety of unique voices and covering a wide spectrum of subject-matter, the only thing that these gifted craftsmen have in common is an unbridled passion and a soul still intact. For they are able to express themselves on paper in a recognizably black, and larger-than-life fashion, doing with words what Aretha can do with her voice, and what Coltrane could do with his horn.

Since nothing I say in this limited space could possibly do justice to these welcome additions to the field of black literature, I strongly suggest that you consider reading any whose descriptions pique your curiosity.

10 Best Black Books of 2006

1. Diary of a Lost Girl by Kola Boof

 Diary of A Lost Girl: The Autobiography Of Kola Boof

This alternately heartbreaking and brutally-honest autobiography is not only my top pick of 2006, but just might be the most brilliant deconstruction of the plight of present-day African-Americans yet written. Born in The Sudan in March of 1972, she was orphaned at the age of seven after her parents were murdered for speaking out against the government’s involvement in the revival of the slave trade. After being abandoned by her grandmother for being too dark-skinned, Kola eventually found her way to the United States where she was adopted by a kindly African-American couple with a big family.

Diary of a Lost Girl is a welcome addition to the genre of African-American memoir for it represents the unalloyed emotions of an intelligent, defiant, controversial, frequently profane and proud black woman, a survivor who somehow overcame one of the worst childhoods imaginable to share an abundance of intriguing, if debatable insights about her adopted homeland.

2. Deconstructing Tyrone:A New Look at Black Masculinity in the Hip-Hop Generation
by Natalie Hopkinson & Natalie Y. Moore

 Deconstructing Tyrone: A New Look at Black Masculinity in the Hip-Hop Generation

A superb, thorough, and intellectually-honest examination of the latter-day African-American male. Leaving no stone unturned, the co-authors assess how such phenomena as homophobia, the incarceration rate, brothers on the down-low, abandonment by baby-daddies, gangsta rap’s influuence, academic underachievement and underemployment have contributed to what they see as an unfortunate schism between brothers and sisters.

The fundamental question the book raises repeatedly, but in a myriad of ways, is “How can you love your culture, hip-hop, but love yourself, too?” Can a self-respecting black woman embrace the typical black male in spite of the gender frictions without capitulating and accepting the “video ho” label? An excellent, urgent study designed to initiate a healthy, long-overdue debate about the prospects and direction of the Hip-Hop Generation by exposing its prevailing male imagery as unacceptably misogynistic, and as more emasculated than macho.

3 Not in My Family: AIDS in the African-American Family
Edited by Gil L. Robertson, IV

Not In My Family: AIDS in the African American Community

This urgent, informative and groundbreaking book takes AIDS out of the inner-city closet by initiating an intelligent dialogue designed to shake both brothers and sisters out of their complacency and thereby inspire everyone to action. Among the sixty or so contributors to this timely text are entertainers, such as Patti LaBelle, Jasmine Guy, Sheryl Lee Ralph, Mo’Nique and Hill Harper; physicians, including Dr. Donna Christensen, DR. James Benton and Dr. Joycelyn Elders; AIDS activists Phill Wilson and Christopher Cathcart; ministers, like Reverend Al Sharpton and Calvin Butts; best-selling authors, such as Randall Robinson and Omar Tyree; and Congressmen Barbara Lee, Jesse Jackson, Jr. and Gregory Meeks.

But just as moving as the clarion call sounded by any of these celebs, are the heartfelt stories related by ordinary folks without any pedigree. Filled to overflowing with almost sacred moments, Not in My Family is a must read, but not merely as a heart-wrenching collection of moving AIDS memoirs. For perhaps more significantly, this seminal work simultaneously serves as the means of kickstarting candid dialogue about an array of pressing, collateral topics, ranging from homophobia to incarceration to brothers on the down low to low self-esteem to the use of condoms to the role of the Church in combating this virtually-invisible genocide quietly claiming African-Americana.

4. White Men Can’t Hump (As Good As Black Men): Race & Sex in America, Volumes I & II
by Todd Wooten

White Men Can't Hump ,as Good As Black Men: Race & Sex in America

White Men Can't Hump (as Good as Black Men): Volume II: Sex & Race in America

Not only can’t white men jump, but they apparently can’t hump either, at least according to Todd Wooten, a Marine-turned-self-appointed expert on mating habits across the color line. To his credit, the sagacious, salacious sex historian makes up for his lack of credentials with an infectious enthusiasm for his material and a colorful ability to turn a phrase, even if he is prone to profanity.

Taking no prisoners, the author is an equal-opportunity offender, and an admirable in his effort to close the human divide by addressing a litany of uncomfortable issues with the goal of eradicating both intolerance and underachievement. Overall, the book happens to be quite an entertaining page-turner which rests on the basic premise that the legacy of slavery has left black males both devalued and blamed for their collective lower station
in life.

5. The Covenant with Black America
Edited by Tavis Smiley

 The Covenant with Black America

Every February, talk show host Tavis Smiley has convened some of the most brilliant black minds around to assess the State of the Black Union. Feeling that an annual symposium simply exchanging opinions wasn’t enough, he decided to come up with a blueprint addressing the most critical issues confronting the African-American community.

The Covenant with Black America amounts to an exhaustive, encyclopedic assault on the litany of woes presently plaguing African-Americans. What makes this treatise unique is the plethora of practical guidance it provides in terms of the undoing the persisting inequalities. In advocating evolutionary as opposed to revolutionary solutions, this inclusive, optimistic opus ought to inspire anyone who reads it to get involved personally, and to lend their talents to the eradication of the seemingly intractable impediments to black progress.

6. Mixed: My Life in Black and White
By Angela Nissel

Mixed: My Life in Black and White

Halle Berry’s blurb on the front cover of this poignant memoir misleadingly describes it as, “Hilarious!” A must read, yes. Halle was ostensibly quoted not as a literary critic because she has a black parent and a white parent, just like the book’s author. Nevertheless, while Angela Nissel’s autobiography has more than its share of humorous moments, its prevailing tone is stone cold sober.

Brutally honest in tone, her heartbreaking tale begins when she was abandoned at an early age by her Jewish father to be raised alone in West Philadelphia by her African-American mother, Gwen. Unfortunately, for Angela, this meant that she had to grow up fast during her formative years, negotiating her way in a community where many challenged her blackness because she was not only light-skinned, but half-white.

Mixed graphically relates her battle with depression and suicidal tendencies, her stint as a stripper, her being threatened with a gun by a neighbor, and her post-collegiate decision to date white guys after being unable to interest black professionals. Given how low she had to go before bottoming-out, it’s a minor miracle this survivor is still with us, let alone flourishing, having finally found both the man and job of her dreams.

7. Getting It Wrong – How Black Public Intellectuals Are Failing Black America
by Algernon Austin

Getting It Wrong: How Black Public Intellectuals Are Failing Black America

The author’s primary contention, here, is that ivory tower blacks, who have lost touch with the community, now feel comfortable indicting less fortunate black folks they left behind for exhibiting symptoms simply long-associated with poverty. Such blaming of the victims is destructive, Austin suggests, because it relies on a stereotyping which makes it convenient for Middle America to see skin color rather than a racist, exploitative economy as the explanation for the plight of the least of their brethren.

He goes on to indict the legal system as “the most anti-black institution” in the country arguing that it defines “criminality as an inherent characteristic, as a trait, of blackness.” Consistently separating myth from fact in this fashion, Getting It Wrong is an excellent opus in that it deliberately deconstructs the unfair and color-coded stereotypes which the both the black bourgeoisie and the white mainstream culture have come to resort to when referring to African-American ghetto-dwellers.

8. Letters to a Young Brother – MANifest Your Destiny
by Hill Harper

Letters to a Young Brother: MANifest Your Destiny

Lately, it seems that everyday another study is announced sharing some sobering statistics about the dire straits of the African-American male.

Whether it has to do with employment, parenting, education, incarceration, or any other factors correlated with success in this society, all indications are that the black male is currently in crisis. For this reason, Hill Harper, star of CBS-TV’s “CSI: NY,” was inspired to publish Letters to a Young Brother, a priceless, no-nonsense, step-by-step guide out of the ghetto, provided it reaches a pair of receptive ears with a support team prepared to help him achieve his dream. The salient message being delivered by this how-to primer is that education is power, that material possessions do not ensure happiness, and that it’s important to be the architect of your own life.

9. Black Cops Against Brutality: A Crisis Action Plan
by DeLacy Davis

 

The book is an invaluable, police encounter survival guide, for it offers plenty of sound advice on how to handle the situation, if you are unlucky enough to get detained by a cop for whatever reason. Obviously, as a recently-retired, veteran police officer, the author has some sage insights to share, such as to remain calm, roll down your car window, turn on the ceiling light and keep both hands on the wheel during a motor vehicle stop.

He also lets you know how to handle the situation when the authorities arrive at your door, whether with or without a warrant, or if they simply begin questioning you right on the street.

Of equal import is how Delacy addresses what to do when you’ve become the victim of a profile stop, an unlawful arrest or an unfair search and seizure. Here, he delineates each step of the subsequent civilian complaint process, from keeping a log sheet, to finding an attorney, filing charges, and contacting the press and your political representatives.Finally, because the author sees the issue as a nationwide crisis, he stresses the need to develop strategies for eradicating police brutality once and for all. Overall, this arrives readily recommended as a legally-sound, morally-upright and most practical guide by a brother who breaks the blue wall of silence to help hip the people about how to deal with the criminal justice system most effectively.

10. Lynched by Corporate America – The Gripping True Story of How One African-American Survived Doing Business with a Fortune 500 Giant
by Herman Malone and Robert Schwab

Lynched by Corporate America: The Gripping True Story of How One African American Survived Doing Business with a Fortune 500 Giant 

In 1969, shortly after being honorably discharged by the Air Force, Herman Malone returned to his hometown of Camden, Arkansas. One evening soon thereafter, the 21 year-old vet was profile-stopped by two white cops who took him for a ride during which they warned that he might find himself floating dead in the swamp if he didn’t leave town immediately.

That’s how he ended up in Denver where he started a company called RMES Communications, Inc. By 1990, RMES was flourishing, generating about $10 million in annual sales as an approved vendor for US West, one of the seven Baby Bells. At this juncture, it looked like happily-ever-after for Herman and his family. But unfortunately, their version of the American Dream soon turned into a neverending nightmare when a new CEO took control of US West a couple of years later.

For, according to Malone, the new chairman systematically began backing out of its established agreements with black-owned businesses. So, the suddenly-disenfranchised African-Americans filed a class action suit alleging racial discrimination against the Fortune 500 mega-corp. And it is that frustrating, drawn-out legal battle which is oh so painstakingly recounted in Lynched by Corporate America.

As an attorney, I found this cautionary tale about the justice system rather riveting. Filled with copious quotes ostensibly recounted from court transcripts, Mr. Malone makes a very convincing argument that a combination of racism and a judicial kowtowing to corporate interests played a significant role in the resolution of the case. While discouraging, this should come as no surprise to anyone familiar with the age-old legal maxim well-known to lawyers, “In the halls of justice, the only justice is in the halls.”

Honorable Mention

Mama Made the Difference:
Life Lessons My Mother Taught Me

By Bishop T.D. Jakes

Mama Made the Difference

Forty Million Dollar Slaves:
The Rise, Fall, and Redemption of the Black Athlete

By William C. Rhoden

Forty Million Dollar Slaves: The Rise, Fall, and Redemption of the Black Athlete

Jokes My Father Never Taught Me:
Life, Love, and Loss with Richard Pryor

By Rain Pryor

Jokes My Father Never Taught Me: Life, Love, and Loss with Richard Pryor

Life Out of Context
By Walter Mosley

Life Out of Context

Living Black History:
How Reimagining the African-American Past Can Remake America’s Racial Future

By Manning Marable

Living Black History: How Reimagining the African-American Past Can Remake America's Racial Future

A Hand to Guide Me:
Legends and Leaders Celebrate the People Who Shaped Their Lives

By Denzel Washington with Daniel Paisner

A Hand to Guide Me

Don’t Shoot! I’m Coming Out:
How to Man-Up & Set Heterosexuals Straight

By Benn Setfrey

DON'T SHOOT! I'm Coming Out ~ How to

Stripped Bare:
The 12 Truths That Will Help You Land the Very Best Black Man

By LaDawn Black

Stripped Bare

Color Him Father:
Stories of Love and Rediscovery of Black Men

Edited by Stephana I. Colbert and Valerie I. Harrison

Color Him Father: Stories of Love and Rediscovery of Black Men

Historical Dictionary of African-American Television
By Kathleen Fearn-Banks

Historical Dictionary of African-American Television (Historical Dictionaries of Literature and the Arts)

Don’t Make a Black Woman Take Off Her Earrings:
Madea’s Uninhibited Commentaries on Love and Life

By Tyler Perry

Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life

Words to Our Now:
Imagination and Dissent
By Thomas Glave

 Words to Our Now: Imagination and Dissent

5 Worst Black Books of 2006
1. The Audacity of Hope: Thoughts on Reclaiming the American Dream
By Barack Obama
  The Audacity of Hope: Thoughts on Reclaiming the American Dream 

This tame tome was ostensibly carefully crafted with the intent of enabling Senator Obama to be all things to all people. Unfortunately, it ends up reading like little more than the transparent game plan of a guileful politician. When discussing racism, he comes off as no liberal, but more in the “content of your character” camp as advocated by African-American neo-cons like Shelby Steele and John McWhorter. In this regard, he has no problem putting the onus on blacks to accommodate themselves to the mainstream culture, because “members of every minority group continue to be measured largely by the degree of our assimilation.”

Obama goes on to conclude that “the single biggest thing” we could do to reduce inner-city poverty “is to encourage teenage girls to finish high school and avoid having children out of wedlock.” If these sort of simplistic “blaming the victim” pronouncements are truly Barack’s best ideas on how to reclaim the American Dream, I suggest he keep dreaming.

2. White Guilt: How Blacks & Whites Together Destroyed the Promise of the Civil Rights Era
By Shelby Steele

White Guilt: How Blacks and Whites Together Destroyed the Promise of the Civil Rights Era

This very spirited, anti-African-American screed repeatedly blames the victims for their lot in life at every turn, and in a sadistic fashion, almost as if he savors the smug cruelty suggested by his insensitivity. He tempers his caustic commentary with constant reminders that he, too, is black, invariably juxtaposing each criticism with an autobiographical aside in which he makes flip comments concluding that if he could avoid this or that pitfall and pull himself up by his bootstraps, anybody else can.

Euphoric in his having achieved the American Dream which has proven to be so elusive for most blacks, Steele repeatedly proclaims himself to be cured of the schizophrenia he says has a destructive hold on most other African-American intellectuals. “Tired of living a lie” in order to be black, he has found bliss in a Negro Nirvana free of the “corrupting falseness” of the pressure to identify with folks who look like him and with prevailing black points-of-view.

Since Shelby Steele has apparently found not only a psychic, but a physically comfy, suburban refuge from the rigors of what he terms “race fatigue,” perhaps this arrogant Republican apologist ought to consider refraining from delivering condescending lectures to those unfortunates still stuck in the slums.

3. Enough – The Phony Leaders, Dead-End Movements, and Culture of Failure That Are Undermining Black America and What We Can Do About It
By Juan Williams

Enough: The Phony Leaders, Dead-End Movements, and Culture of Failure That Are Undermining Black America--and What We Can Do About It 

Juan Williams is best known for his appearances as a panelist on the Fox News Channel. So, it comes as no surprise, that the political pundit might publish a right-wing diatribe which basically blames African Americans themselves and their Democratic leaders for the assortment of ills which still beset the community. Williams has rather harsh words for everyone from Reverend Jesse Jackson to Julian Bond to Randall Robinson to Reverend Al Sharpton.

When not indulging in character assassination, the author devotes his attention to topical issues such as the handling of Hurricane to Katrina. Enough’s most mind-boggling passages are those covering the tragedy, especially since the book is dedicated to “the people rising above Katrina’s storm.” Yet, rather than question how the city, state and federal authorities could have all abandoned thousands upon thousands of poor black folk for days on end, Williams conveniently concludes that, “The government response was the result of ineptitude, not racism.”

Meanwhile, he has issues with black “paranoia” about New Orleans and sees the black church, strong families, and a tradition of “self-help” as a viable solution to rebuilding the devastated Lower Ninth Ward. Reads more like a series of Republican talking points than an honest assessment of the state of African-Americana. Enough is enough!

4. Hokum: An Anthology of African-American Humor
Edited by Paul Beatty

Hokum: An Anthology of African-American Humor 

When I cracked open this collection of black jokes with a watermelon on the cover, I frankly expected to find material far funnier than a pathetic mix of goofball commentaries which devotes entire chapters to losers like Mike Tyson, a functional illiterate who probably wasn’t even trying to make people laugh when he went on the diatribes recounted here.

To the press, Iron Mike once said this about Lennox Lewis: “I want to eat his children. Praise be to Allah!” The ex-champ is later showcased at his best when simply rambling like a cross between a punch-drunk boxer and a mental patient with diarrhea of the mouth: “At times, I come across as crude or crass. That irritates you when I come across like a Neanderthal or a babbling idiot, but I like to be that person. I like to show you all that person, because that’s who you come to see.”

Where are the examples of the acerbic wit of Richard Pryor, Paul Mooney, Godfrey Cambridge, Dick Gregory and other brilliant African-American comedians known for their biting social satire? Not here. Maybe I missed something, but Hokum strikes this critic as a ho-hum hoax perpetrated on the public, since it’s ostensibly designed more for those interested in laughing at black folks than in laughing with them.  Buy this book and the only joke’s on you.

5. Secret Daughter: A Mixed-Race Daughter and the Mother Who Gave Her Away
by June Cross

Secret Daughter: A Mixed-Race Daughter and the Mother Who Gave Her Away 

Ten years ago, PBS aired a documentary entitled “Secret Daughter,” a gut-wrenching bio-pic about the life of little orphan June, abandoned by both of her parents at an early age to be raised by strangers in Atlantic City. What made Ms. Cross’ story so compelling was not the fact that her father was black and her mother was white, but that her mother was such an ice princess when her long-lost daughter tracked her down with a camera crew to ask her why she had dumped her on the doorstep of people she barely knew so many years ago.

June came off as oh-so masochistic trying to kiss-up to her cold-hearted mom who did little to hide her annoyance that this sepia skeleton would come jumping out of her closet at a time when she was happily-married and had a white daughter. After hitting an emotional dead end retracing her roots, one would think that Cross would drop the “Love me, Mommy!” act and move on with her life.

But instead she decided to write a memoir which, unfortunately, is not nearly as riveting as the already televised account of her ordeal. For the orphan is far too inclined to give her absentee-mom a pass, ostensibly because the woman was white, and because segregation is an acceptable explanation for her being abandoned.

June just doesn’t understand that there’s no excuse for the way that racist witch denied and mistreated her till the day she died. Before she tries to convince the world that her mother was misunderstood and actually really loved her, June needs to convince herself of it, and then figure a way to erase the monster we witnessed on that damning PBS broadcast from our collective memory.

Lloyd Kam Williams is a syndicated writer whose articles appear in 100+ periodicals around the country. In addition to his legal background, he has degrees from three Ivy League schools: a BA from Cornell, an MA from Brown and and MBA from The Wharton School. He lives in Princeton with his wife and son.

 

The Adventures of Melki: Glocks and Cops

 

By Malik Russell

Note From Malik: This column was written originally in 2000. I’m re-issuing it in response to the recent police shootings of Sean Bell, an unarmed African American man in Queens, New York.

“The Adventures of Melki” is a fictional hiphop/social commentary column that addresses social problems from the perspective of a young Black male.

————————-

The fictional adventures of Melki represents one of the various manifestations or alter-egos of FLUID: The Mental Realm of Hiphop. Melki, otherwise known as DJ Fluid, must make mixed-tapes to live. Trapped in the “NOW” and judged by the public aka “Da Heads,” he must constantly outdo his previous mix or disappear into the dimensional void of  “WUZ.”


Melki lay there bleeding from eight bullet holes, staring at the wide-eyed cops. His eyes pleaded WHY? But, he barely had the strength to stay conscious, much less say something. The color from the ever-increasing amount of squad cars blended in the night sky like a patriotic sherbet. Damn, thought Melki, I just bought this sweatsuit with matching kicks. Now I’ve got to clean blood out of them. What could I use to get these stains out? Refusing to give up the ghost, he held on, supplementing his own breath with that of the ancestors, clinging to life like a blade of grass surrounded by cement, he clutched tightly the final copy of his demo tape on disc.

Cops stood around him joking. “I thought he had a gun,” he overheard one say.

His thoughts drifted back to six hours earlier in the studio laying tracks for his upcoming album. He thought he was on his way to meet a rep from Def Jam, instead Death sent his.

SIX Hours ago… “Yo, Sun, I want you to bring those lyrics again. This time with more emotional content,” demanded Melki.

Ra stared at Melki in a confused state. “’Emotional content’? Kid, you got break down what ya saying.”

Melki took a deep breath. “You know, the same type of energy that you’d bring if this was a fight with someone that tried to take ya cake or Game Seven of the NBA finals. Emotional content, Sun, you feeling me? After this cut, we through and I can bring my demo to the reps from Def Jam on time,” spouts Melki. 

“Okay, Okay, Fluid, I gotcha, let’s do this again, ’cause I gots to get my lady something for our 3-month anniversary,” said Ra.

Melki, otherwise known as DJ Fluid, kicks up the speakers and brings in the baseline, as RA gets ready to release his verbal barrage. Ra starts swerving his head back and forth and with emotional content, catches the beat like clockwork:

“Till I begin, in it to win it
The flow, impacts in a minute
We travel with comets like Bennett
Flip rent like project tenants
Moreover I snatch the pennant
Grammar—I break and bend it
Tell Lies, just like the Senate
Nose grows, Pinocchio
I implode
Where can U go?
For Justice….

TWO Hours ago…Melki pulls out his cellular, anxiously dialing the digits to stardom. His demo was done. He was now officially on his way to Bling-Bling Land, and wondered what designer jean suit he’d wear to the Soul Train Awards. Akademic or Sean John?

“Yo, Who dis?”

“It’s me, Melki. Yo, kid the demo is done! I should be able to drop it off around ten, Cool?”

“Cool.”

Grinning, Melki packs his gear and carefully slides his demo into the pocket of his black hoody. “Yo, Ra, let me catch a ride uptown.”

Ra stares at Melki. “I told you I got to make a few runs, you ready? Cause I’m ready,” spurts Ra, biting on a chew stick.

An HOUR ago…Joe Soldin and Mickey sat in their unmarked squad car, checking out honey dips passing by. Mickey had followed his father into the police force and after 4 years of patrolling the black community, he knew them better than they knew themselves. In his mind, he was the Thin Blue Line preventing complete chaos. They wuz animals, he thought. Most of them, ‘cept my partner Joe. Joe had come up in the hood and now escaped it. He loved his suburban community, and hated anyone or anything reminding him of where he came from. He’d risen above that now. He knew how to keep these fools in check. The only thing they respect is a glock.

THIRTY Minutes ago… Melki and Ra zoomed uptown in Ra’s new SUV. In-between emceeing and writing lyrics, Ra had worked three jobs to achieve this piece of American pie. Melki threw in one of his old mixed tapes and Ra bopped his head wildly in accord with his normal behavior. Melki looked at Ra and realized why Ra never drank or smoked—he didn’t need it. 

“Yo, Melki, peep this, our first video, we could be coming out the sky in a spaceship….” Suddenly sirens erupt behind Ra and Melki. “Damn,” says Ra, looking at Melki. “What these fools want? Melki, you ain’t got no warrants or nothing, right?”

“Naw, fool, I ain’t no criminal, I just do music.”

 

Melki and Ra sit there hands on the wheel, while the unmarked car behind them sat there for what seemed like hours. Finally two officers came out the vehicle, one white, the other black. Glocks drawn they scurried to the car and pointed their pistols point blank at the two occupants. Sweat began to drip from Melki’s eyebrow to his nose to the floor.

“Get out, punks. How you pay for this jeep? Huh? These are our streets, Nigga, so I’m gonna say this once, get out slowly and onto the ground, you know the position.”

Melki and Ra slowly crawl out and squat on hands and knees on the cold cement. Without warning, Joe Soldin clubs Ra with the butt of his glock and just starts beating him senseless.

“See what ya friend got,” says Mickey. “We got something for you to, so tell us what you got in the truck.”

“Huh?” Melki says, “I ain’t got nothing, idiots, nothing, just this,” quickly pulling his demo tape out, half-blinded by the siren lights and moans from Ra. 

He hears Mickey scream, “He’s got a gun!” Before Melki could respond, the two cops blast away 22 shots, eight of which strike Melki in the back. Melki lay there in a pool of blood, wondering which would come first—an ambulance or death. This ain’t the way the video supposed to end, he thought.

“Every respectable, half-way competent social scientist who has paid attention at all to the issues of crime and delinquency know: that crime is endemic in all social classes: that the administration of justice is grossly biased against the Negro and the lower class defendant; that arrest and imprisonment is a process reserved almost exclusively for the black and the poor; and that the major function of the police is the preservation, not only of the public order, but of the social order—that is, of inequality between man and man. To blather on and on about the slum as a breeding place of crime, about lower class culture as generating milieu of delinquency—a presumably liberal explanation of the prevalence of crime among the poor-is to engage (surely, almost consciously) in ideological warfare against the poor in the interest of maintaining the status quo. It is one of the most detestable forms of blaming the victim.” – “Blaming the Victim” by William Ryan

Malik Russell is an activist, journalist and criminal justice expert.