Imus, Part XI: Invisible Women? A Black Woman's Response To Don Imus' Most Recent Sexist-Racist Remarks

 

From April Silver, by April Silver.

Invisible Women?

A Black Woman’s Response to Don Imus Most Recent Sexist-Racist Remarks

By April R. Silver

(April 9, 2007)  The recent media frenzy around national radio and talk show host Don Imus’ sexist-racist comments about the women’s basketball team at Rutgers University (New Brunswick) is one more item in the evidence column of how women are regarded by men. With a natural fluidity, Imus casually referred to the Rutgers players as nappy-headed hos.

Two days later (Friday, April 5), he read a statement that was supposed to be an apology. Today, he extended his apology by saying “I’m a good person. I said a bad thing.” 

When I first read the news, “What the hell…?” was all I could muster. Blood rushed. My heart ached and I lamented for Black women. Then I went back to doing what I was doing. It was surreal to not be surprised or outraged by his comments, but I wasn’t. From what I know about Imus, which is not much, he’s a veteran offender of everybody (except White men, I suppose). That men, be they Black or White, see women through idealized or dehumanized lenses, is not new. That Imus, in particular, would make ignorant comments, is status quo. So “shock jocks” are not shocking any longer. 

Perhaps the hardening began as I was growing up in Los Angeles in the 1980’s. LAPD’s death grip of choice for Black people was the choke-hold. That was one of my first understandings that some white people with authority had it in for Black people. And some non-authorative white people too! In 1998, James Byrd of Jasper, Texas was murdered by three racist white men. They hitched him to the back of their truck and dragged him for 3 miles. It’s believed that Byrd was alive for some of the time he was being dragged. A fast forward to recent times would bypass countless other racist murders and hate crimes, but it would bring one up to speed with Michael Richards’ rant about niggas at the Laugh Factory, as well as the NYPD murder of Sean Bell in New York, among other maddening things in this so-called civilized society. 

No doubt my hardening is also cemented by the current all-time high sexist state of affairs of today’s hip hop. Grown Black men, aided by white affluent male financiers, over-saturate our multi-media landscapes with sex, sex, and more mega sex fantasies – which do an excellent job of animalizing women or only presenting them, as Dr. Beverly Guy-Sheftall so eloquently states in Byron Hurt’s groundbreaking documentary “Hip Hop: Beyond Beats and Rhymes,”  as “objects to be fucked.” 

  

But Black sexist men, whether they care to admit it or not, take their cues from White sexist men. They reinforce each other and form unspoken alliances – all at our expense. But oppressed anybodies take their cues from dominating forces. It’s universal, scientific, and is part of the reason why women accommodate injustices from men.

Some Good Men

“If men had to go through what ya’ll go through today, the movement would have been started a long time ago. We couldn’t endure all that you put up with.” A male friend’s comments one afternoon as we discussed a few sacrifices that women make in order to please men. Our rituals around hair, make up, and body, mostly, not exclusively, have their origins in our desire to indulge men. Another friend, who is also regarded as an anti-sexist male, told me that his activist work is largely inspired by a woman in his life who was killed at the hands of an abusive husband. “When I first started challenging men about our sexist behavior, I was very nervous.” He confided. “I never knew what I was going to say, let alone how it was going to be received. But I would conjure up Tara (not the woman’s real name) and she would “talk” to me. She would guide me in taking up her cause. I felt like I was defending her and other abused women. I was glad to do it and I became less and less nervous over time.” I know plenty men who understand that the discussions about gender must involve men. I’m baffled that I know many men wise enough to stand this ground. They are a rare breed and I don’t exactly how they arrived at this place in their lives so securely…there’s nothing in our society that nurtures such thinking.

   

The thinking that gets upheld in this country is the normal Imus, he and his bashing kind—Black and White (Howard Stern, Star, formerly of Hot 97 and Power 105 in New York and others). More often than not, these men get rewarded by default. Their sexist-racist views are not eradicated, but are suspended, as if in mid-air, for the world to behold and publicly criticize…for a time. They have jobs to come back to…somewhere in the entertainment field, no matter how irresponsible and violating the comments. So cozy is the old-boy network, Imus doesn’t have to pause from his job right away…even his suspension is held in suspension. There have been meetings, marches, and mea culpas for a few days now. Imus’ firing has been called for by Jesse Jackson, Rev. Al Sharpton, Brian Monroe, president of the National Association of Black Journalists, and many others. Despite my hardening to these sex-race fests that pop up on the national scene every few months, I am still jolted by a glaring factor. 

The Mule of the World

The exclusion of Black women weighing in on this controversy is thunderous. In the immediate aftermath of the comment, I never got the impression that “the media” was even remotely interested in feedback from the young Black women hit, or from any other Black woman for that matter. The respondent faces of this controversy have been predominately male. In fact, the one woman who was given a national platform this night on CNN’s Paula Zahn was a white woman — an enlightened, well-spoken, and progressive one — but a white woman nonetheless.

The by-passing of Black women is the kind of obnoxious, oppressive exclusion that “the media,” and the white affluent men who own it, have embraced for decades. Black women don’t immediately come to mind in the search for analysts or independent thinkers, even when the subject is them. Black woman organizations are not who Imus sat down with when he offered a so-called apology. He bowed toward men first. Rev. Sharpton is the logical go-to person in a national controversy such as this, for he has consistently stood up for the disenfranchised. It is not logical or acceptable, however, that Imus by-passed the women of the Rutgers basketball team and Black women leaders in making his first, second, and subsequent statements about the matter. Another item in the evidence column that Black women can be the ‘ho, the bitch, or even the reason for the gathering, but we are not to be engaged intelligently. It is not even assumed, by the so-called powers that be, that we can think, speak, or defend ourselves. If we take a stance at all, it must be after the men do their bidding.

Zora Neale Hurston’s Nanny (of Their Eyes Are Watching God) said that the Black woman is the mule of the world. That would be an ascent in some eyes.Amongst Black women, perhaps even we assume that White men just have too much power for our own good. Perhaps we also assume that if our transgressors are Black men, then well…maybe there’s no dignity or progress to be made if we dare challenge them. That’s just too disloyal. I disagree.

There is a time, a place, and the power of reason to stand up for ourselves, even amongst family. Part of my work, ironically, is in the media field (and, up until two months ago, I co-hosted an African American talk show on a prominent national cable TV show). In my work, I have come across narrow-minded decision-makers whose job it is to book commentators in the media. They often whine that in situations like this, they don’t have enough Black women resources to pull from. A lazy person’s out.

There is a solid body of work (be it literary, media, programming, or activist works) by highly intelligent African American women who have been doing anti-sexist work on the ground level for decades: Sister Souljah, Monfia Bandele-Akinwole, Erica Ford, Yvonne Bynoe, Joan Morgan, Farai Chideya, Toni Blackman, Rha Goddess, and countless others across the country – some known, some not. Either way, there is a deep-rooted knowing of injustices that only Black women, regardless of their station in life, can properly articulate.    

To Black Women 

When she reached adulthood, an enslaved African named Isabella Baumfree changed her name and identity to the one we know today: Sojourner Truth.

When Harriet Tubman fully grasped an understanding of the world she lived in, she mapped out her own survival, that for her family, and for her larger community. Both women, and others like them, were keenly aware of their unique skills, talents, and missions in life. They were self-permitted to think, organize, speak, and lead. The weight of racism and sexism was ever present, but not immobilizing. When they weren’t invited to help solve or speak about the problems of the day, they crashed the party. More importantly, they were not only pro-active in standing for their right to be free and live well, but for that of their communities too. Tubman, for example, was one of the first social entrepreneurs in our ancestral line. She owned 27 acres of land in upstate New York that she acquired for the hospital and other properties that she built for her family and her community.

Truth and Tubman are sacred models of woman leadership, a legacy of power that is our ancestral golden inheritance. Though from over a hundred years ago, their examples are eerily relevant today. 

Fast forward: modern models of leadership range from Camille Yarbrough to Sonia Sanchez to Fannie Lou Hamer to Shirley Chisholm to Afeni Shakur and countless others. Our models also include the millions of unrecognized Black women in this country alone who have made a hard decision to combat hate—from within and without. So we need not dig so deeply into our bloodline to be encouraged and empowered, but we need to pull from something…and now! If you are a writer, write on our behalf. Let some of your stories be about helping us heal from this often loveless world. Or heal…with us in mind. Dance with us, sing about us…more. If you are a mother, nurture and discipline the children with our longevity at heart. And if you are without a means to support yourself at this time, or without a loving partner to ease the burdens of the day, keep pushing anyway. Never mind about finding fault, find another way, as my mother says. In every single aspect of our lives, we must be self-permitted to tell the truth about our lives and stories that shape them.

Somebody, quite naturally, is going to be offended in the process. Invariably, someone is going to tell us how wrong we are, but that’s not anyone’s call to make but ours. And I strongly believe that we should partner with Black men, especially, but with anyone else who stands in principle support. But the battle for the respect of Black women, however, is ours to lead.

© 2007, April R. Silver

 

Here’s a simple but powerful reaction in the midst of this Imus whirlwind. Write and call… 

General Manager

WFAN-AM

34-12 36th Street

Astoria, NY 11106

718.706.7690

“Central to the success of the station is legendary morning man Don Imus. The Imus in the Morning program is now syndicated to over 90 stations across the United States with an audience in excess of 10 million. It has become a regular stop on the circuit for Washington insiders, the liberal media elite, best-selling authors and the occasional presidential candidate. In September of 1996, MSNBC, the cable/Internet venture of Microsoft and NBC, began a simulcast of the Imus in the Morning show for their own morning programming.”

 –Excerpt from wfan.com 

CBS Radio (owns WFAN)

1515 Broadway

New York, NY
10036

212.846.3939 

MSNBC TV (airs Imus’ show)

One MSNBC Plaza

Secaucus, N.J. 07094

More importantly, a first step toward enlightenment on issues of sex and race— related to and from the minds and souls of Black women—is reading up on Black women writers:  

Angela Davis

Audre Lorde

bell hooks

Beverly Guy-Sheftall

Joan Morgan

Johnnetta Betsch Cole

Lori S. Robinson

Sister Souljah

Sonia Sanchez 

Black Dollars, Black Sense :)

 

Are books like this going to be regulated to history? Hmmm…….

Thought this was good enough to share in full.

Article published Mar 6, 2007

Procter & Gamble ads targeted to blacks paid off

By Cliff Peale
Gannett News Service

CINCINNATI — When Procter & Gamble Co. rolled out its Tide with a Touch of Downy detergent in late 2004, it included a special advertising campaign targeting black consumers.

“Nostalgia Dad” featured a black man lovingly cradling his sleeping young son. The ad was designed to convey warmth and fatherly caretaking, and the pair’s crisp white T-shirts seemed almost peripheral. It also was designed to counter stereotypes of fatherless black households.

“It was very deliberate to have a man with his son,” says Najoh Tita-Reid, associate director of P&G’s multicultural marketing unit. “It was very deliberate for him to have a wedding ring on.”

The heartwarming images are only the latest evolution of a 40-year movement inside Cincinnati-based P&G to try to reach more black consumers. The early efforts — in the 1960s, when racial tensions throughout the country were running high and white faces dominated nearly every commercial message — were not without risks.

Today P&G is acknowledged as a leader in creating advertising for black consumers.

“Without question, P&G has to be seen as one of the companies that other companies pattern their behavior after,” says Ken Smikle, president of Target Market News in Chicago, which tracks patterns of advertising to black consumers.

Along the way, reputations were made and enhanced. Crest toothpaste used a young Bill Cosby for a television commercial in 1969. In the 1980s, some Tide ads featured the Alvin Ailey American Dance Theater.

In the past decade, the movement has accelerated. P&G spends at least six times more on media targeting black consumers than it did five years ago. And it’s constantly adding new ways to reach black consumers, such as a 2004 sponsorship deal with the popular Tom Joyner morning radio show.

Today you’ll see Queen Latifah on commercials and Internet sites pitching a Cover Girl line for black women. Angela Bassett promotes the benefits of Olay body lotion for black skin. Soon, Tiger Woods will tout the virtues of Gillette razors.

Black spending power is driving much of P&G’s strategy.

The $68 billion company has pledged to investors that it will add at least 5 percent to total sales every year, and the spending power of black Americans is an important piece of that growth, having reached $799 billion in 2006, according to the Selig Center for Economic Growth at the University of Georgia.

Procter executives say they want both marketing efforts and employee base to reflect the more diverse face of the 21st century American consumer.

“We need to define diversity broadly and leverage it to the hilt,” chairman and chief executive A.G. Lafley said last fall at an internal event. “Being ‘in touch’ is an attitude. To lead in this kind of environment, we need a balance of business skills and empathetic skills.”

Fifteen Years Later During Sweeps/Black History Month, CNN Discovers Excesses In HipHop :)

 

The usual CNN simplicity. I’m glad that Zahn was open enough, at least, to include voices like Roland Martin, Chuck D, Michael Eric Dyson, Tim Wise, Keith Boykin, Byron Hurt, etc.

I don’t think it’s nitpicking to say that it would have been better if the author-talking-head roster had included some bonifide hiphop feminists.

It also could have included a comment from Paul Porter (although Roland, to his credit, kept trying to go in that direction), but perhaps that would have cut too close to home. (Perhaps folks like Paul have to write books and/or produce documentaries to get in the national-broadcast guest booker “mix.” Sad reality.)

The show’s online if you missed it—AND WANT TO PAY FOR IT. Hmmm…….. CNN’s not exploiting Blaxploitation during Black History Month, is it?  🙂

A Black Documentary Filmmaker Says "Thanks"

 

Just got this from Akila Worksongs. Did you see it last night? It was on too late for me.

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Dear Supporters of Hip-Hop: Beyond Beats and Rhymes,

Thank you so much for helping to make the national broadcast of Hip-Hop: Beyond Beats and Rhymes such a monumental success last night. Words cannot express my deep gratitude to ALL who watched it on Independent Lens on PBS. The success of the film and its impact on audiences has met my greatest expectations and audacious goals. I know that I could not have accomplished any of these goals without great, brilliant, and talented people on my team. I am humbled by your faith in me and your commitment to my vision.

Let me take a moment to thank God for the courage it took to make this film. I prayed incessantly throughout this project, and God answered my prayers. I must acknowledge that.

I want to send a heartfelt thank you to EVERYONE who supported Hip-Hop: Beyond Beats and Rhymes over the past six years. It’s been a long journey, and I thank you all for coming along for the ride. Thank you to the contributors to the “Friend of a Friend $1 Email Campaign” back in 2000. Your financial support was vital to the launch of this production. Look out for a “Friend of a Friend Email Campaign Part II” in the coming days.

To everyone who granted me an interview for Beyond Beats and Rhymes, thank you so much for your honesty, your bravery, and your intelligence. My only regret is that I could not include everyone I interviewed in the film. To all of the people who made the final cut, thank you, thank you, thank you for being a part of this extraordinary documentary.

Congratulations to Sabrina Schmidt Gordon. You poured your heart and soul into editing this film, and did a masterful job. Your talent and brilliance is evident and shines through in this piece. You have earned the right to make your own film. Go for it, Sabrina!

To Stanley Nelsonyou are the man. Thank you for being my executive producer. It is an honor to know you, and to have your ear as my advisor. Your patience, honesty, and commitment to me throughout this endeavor were priceless. To Bill Winters, my director of photography, you are great. Thanks for holding me down and capturing such incredible footage. To my small but powerful production crew, thank you for your dedication, and for helping me get the job done.

To Richard Lapchick, thank you for giving me an opportunity to use my status as an athlete to help create social change. To Jackson Katz, creator and founder of the Mentors in Violence Prevention Program, thank you for radically changing my world view. And to all of the men who are working to redefine masculinity, and are supporting women in the effort to end men’s violence against women, much respect. This is cutting edge, groundbreaking work. Thank you also to the women who have fought for years to be heard and respected, and for showing men the way.

To the gay, lesbian, bisexual, and transgendered community, thank you for teaching me about the complex reality of your daily lives. To gays and lesbians of color who endure both racism and homophobia, continue to show the straight community of color how it all intersects.

To the brilliant folks at NBPC, ITVS, The Ford Foundation, The Corporation for Public Broadcasting, Firelight Media, Independent Lens, and AKILA WORKSONGS Public Relations, I sincerely appreciate your confidence in me, and your support. Thank you to Lisa Davis and the lawyers at Frankfurt, Kurnit, Klein & Selz for vetting my film; to the Center for Social Media, thanks for all of your groundbreaking work around the issue of Fair Use, and for educating me; to Kevin MacRae at Lordly and Dame, thank you for believing in me; to The Media Education Foundation, thanks for your presence in the culture and for creating such powerful media; to Third World Newsreel, thanks for getting me back into the game; to the Black Documentary Collective, I appreciate your support and promise to be more active; to Kounterattack Design, thank you for creativity; to Final Frame Post Production, thanks for the color correction; and thank you, RP Video, for making my dubs.

Also, a special thank you to all of the film festivals, colleges, universities, grassroots, community-based organizations, and high schools across the country that facilitated or sponsored a screening of Hip-Hop: Beyond Beats and Rhymes. Another special thank you to all the journalists and media outlets (print, radio, television, and Internet) that covered the project and wrote smart reviews. It is quite an achievement for a documentary film with a social and political message to get both grassroots and mainstream coverage.

And thanks to all of the people who blogged, forwarded, emailed, or created a buzz through word-of-mouth. We created our own machine! Thanks to all the individuals and friends who sent good vibes for the film’s success.

And finally, a very BIG THANK YOU to my beautiful wife, Kenya, and my family: members of the Hurt-Waller, Hogan and Crumel families… thank you for all of your love and support.

This film project has been a blessing to me and has helped me grow immeasurably – both personally and professionally. I didn’t go through this project, I grew through this project. I have learned ample lessons to apply to my next film.

There are so many people connected to this project, I am certain to have forgotten to mention someone. If I have mistakenly overlooked any person or organization, please forgive me. Just know that if you have contributed to this project in any way, I very much appreciate you.

Lastly, I will make some exciting announcements in the next few days. Please stay tuned to this email address for more information. In the meantime, here’s to realizing a more healthy vision of manhood in the world.

Sincerely,

B. Hurt
Producer/Director, Beyond Beats and Rhymes
God Bless the Child Productions, Inc.

bhurt@optonline.net     

Independent Audio/Video You Should Check Out (Tenth In A Long-Running Series)

 

Plenty going on in the world of VOXUNION MEDIA.

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Jazz & Justice

Mondays 1-3p EST

WPFW 89.3 FM / wpfw.org

February 5, 2007

February 6, 2007 marks the 62nd birthday of Robert Nesta Marley. We dedicated this show to his memory and legacy by welcoming Suzette Gardner and Dr. Michelle Stephens. Both women shared their knowledge and perspective as scholars, journalists and Jamaicans expanding the commonly-held views of Marley. We dispelled some myths, conjured others and, of course, played his music. Download parts 1 and 2 below and visit voxunion.com for stream/download options and much more.

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VOXUNION MEDIA
January 29. 2007
Jazz & Justice

This week we welcomed Glen Ford and Bruce Dixon of BlackAgendaReport.com for a discussion of race, politics and Black “Leadership.” Is Barak Obama the most “dangerous” man in the nation? Where are Russell Simmons and Oprah Winfrey leading us? These topics, including a portion of an interview done last year with Elaine Brown on mass incarceration and political prisoners, and much more were covered as were some questions and comments about race-based talk being “divisive.” We also welcomed Chrystal Williams of the University of Maryland to talk with us about her upcoming Black Music Week events. To this we added the music of Curtis Mayfield, Hasan Salaam, Freestyle Fellowship, James Brown, Ken Boothe, Syl Johnson and Ghostface.

Here’s Parts One and Two.

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VOXUNION MEDIA
National Conference on Media Reform
January 12-14, 2007
While in Memphis, TN for the National Conference on Media Reform convened by Free Press, we thought it important to get a mic in front of many of those not included as keynote speakers representing ideas not included as central to the gathering. So here are what some of that sounded like.

Some of the voices heard include representatives from the following organizations: The Freedom Archives; Pro-ject Pro:Project; CounterSpin; Youth Media Council; Center for Community Change; Block Report Radio/Prisoner of Conscience Committee; See Jane; R.E.A.C.Hip-Hop; Martha’s Table Teen Project; LinkTV, Third World Majority and the Main Street Project.

Click here to download the interviews and/or visit voxunion.com for the stream/download options and much more.

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VOXUNION MEDIA
Jazz & Justice
WPFW 89.3 FM (wpfw.org)
Mondays 1-3p
February 12, 2007
This week we were joined by the mayor of DC hip-hop Head-Roc and Suncere Ali Shakur for a discussion of our visit to New Orleans. Suncere has been in New Orleans since the breaking of the levees and talked about his experience as a member of Common Ground, the politics of organizing and concerns over white paternalism and Black inactivity. The show featured music from Jay-Z, Head-Roc, Nina Simone, Lil’ Wayne, Mos Def and the Rebirth Jazz Band. Download parts 1 and 2 and visit voxunion.com for streaming options and much more.

VOXUNION MEDIA
Jazz & Justice
Mondays (1-3p EST)
WPFW 89.3 FM Washington, DC
February 19, 2007

Malcolm X was assassinated on February 21, 1965.  This week was the first of our two-week long tribute to the man whose life continues to  impact the world.  Listen to clips of his speeches and interviews, plus music from Miriam Makeba, John Coltrane, Gil Scott-Heron, Amina & Amiri Baraka, Sonny Fortune, DJ Spinna, Head-Roc, Immortal Technique, Juel Ortiz and more.  Part two of this tribute takes place next week during our pledge drive. Please consider pledging during the show (Monday 1-3p EST) to help support community radio and Jazz & Justice.  To download the show, click here to stream/download Parts One and here for Part Two. For much more audio/video/print, visit voxunion.com.