"Truth Is An Antiseptic": Jelani Cobb Explains Why He Exposed "The Biggest Open Secret In Black America"

Wow. A response and a half.

Congrats to Jelani on all levels.

Many of you are visiting my website in response to my article on African American men and sex tourism in Brazil in the September issue of Essence magazine. This piece has generated quite a bit of hostile response. While I don’t set out to anger people, my job as a writer is to tell people the truth as I understand it – not necessarily what they want to hear. And while I appreciate (most of) the email I’ve received, the volume of it has made responding to each one impossible. Therefore I am posting this response to the most common threads in the correspondence. 

1. Why did you write this article?

The short answer is because I’m a writer and this is a story. The longer answer is because it is an issue that really needed to be discussed and one of my goals as a writer is to start important conversations. There’s an old saying that the only problem that some blacks had with slavery was the fact that we were the slaves. It was profound to me that the hard-fought gains of the past half century have empowered a certain set of black men to travel to South America and behave in ways once associated with white men alone. To me the issue raised a question of what we were and are struggling for. Was it solely to get a foot in the door so that we could replicate the worst behaviors of American society ourselves? Are we so wrapped up in our own issues with America that we are incapable of seeing the severe problems that confront other people of color in other parts of world?

2. Your article has made the problems between black men and women worse.
James Baldwin said that not everything that can be faced can be solved, but nothing can be solved until it is faced. I found this particular critique fascinating — as if a problem would not exist if we didn’t speak about it. I am of the belief that truth is an antiseptic. It stings; it burns, but in the end it makes us better. It was in that hope that I wrote the article.

The brothers I interviewed in Rio expressed a profound disillusionment toward sisters in the states and a deep resentment of the treatment they receive from black American women. If this is in fact the case, doesn’t it mean we need to be talking about this issue? If a brother has to spend $700, fly 1,800 miles and learn basic Portuguese in order to feel appreciated, I think it warrants a community discussion.

3. Where can I go in Brazil to experience the things you wrote about in the article?
Yes, I actually did get this question. My heartfelt honest response: Get real. You have to be kidding me. Please tell me you are not so desperate that you’re sending email to a writer whom you’ve never met asking him where you can go to get some.

4. What can black women in America do to keep their men from going to Brazil/How can we compete with these women in South America?

Yes, I got that question too. And the short answer is nothing. As I stated in the article, this is not entirely about sex. I’m not even convinced it’s mainly about sex. This is about affirmation and deference that men get and choose not to examine for what it is: good customer relations, no more, no less. I’m not a relationship expert, but I don’t think it’s realistic for people in actual relationships to attempt to compete with something that is essentially a made-to-order fantasy. Moreover, do you really want to be with someone who requires you to compete with prostitutes for their attention?

5. You let black men off the hook in terms of challenging the ways that they negatively describe black women.

This was interesting also. Lots of women (my mother included) felt that I should have explicitly condemned the men who were speaking ill of the sisters back home.  Let me go on the record and say that I was generally disturbed by what I saw and heard in Rio. There were dozens of black men explaining that they travel to the city and seek out women there because they are so poorly treated by black women in America.

I had a hard time hearing this because one of my primary concerns in life is the well-being of the black community, however it is that we define that term. I also found it difficult to believe that all these men were having a hard time meeting black women at home and suspected that it was a self-serving justification for their behavior. At the same time I had to balance the fact that I was writing a feature, not an editorial or a column, which is why I take a definite stand but attempted to express it somewhat subtly within the piece. At the very end, I talk explicitly about the ways in which brothers from the states in Rio are being complicit in a system that feeds on the exploitation of women in the third world.

6. You came down too hard on black men considering all they have to deal with in this society.

See answer #1. Also, I find it impossible to believe that after two centuries of struggle our only recourse is to fly ten hours to a foreign country and pay a woman for sex. I know as well as anyone else what we confront in this society. I also know that black people in Brazil are struggling against even greater obstacles than we are here. Our own condition in America does not justify turning a blind eye to that reality.

7. You sold out by letting women in on what was going on/You must be gay.

Um… okay. But is that really where you want to draw your line in terms of allegiance? The last two articles I wrote for Essence dealt with the disproportionate incarceration of black youth for offenses that white youth are frequently given probation for and the murder of two young brothers I knew (age 22 and 25.) I heard almost nothing in response to those pieces. I am willing to bet that you did not send any outraged emails to your local representatives, state senators, congressional representative or the White House regarding this catastrophic situation. Yet a piece that talks about the biggest open secret in black America has you up in arms. It’s been said that in writing my piece I violated the alleged brother’s code. Yet we black men are 19 times more likely than white men to die as a victim of homicide and 95% of the perpetrators look just like we do. It seems to me that if there is any code violation to worry about, it should be that one.

As for the illogical assumption that the article somehow indicates that the writer is gay — are you equating heterosexuality with having to pay for it? That may be the case for you (and if so, you have my condolences) but I don’t have that particular problem.

8. You make it seem as if all Brazilian women are prostitutes and only black American men are guilty of sex tourism there.

The article was about sex tourism in Brazil — not Brazil at large. There are tons of things to discuss about that beautiful and historic country; unfortunately culture and history are not the reasons that so many black men have started going to Rio in the past 3-5 years. If I wrote an article about carjackers in Atlanta one would not assume that it meant that all Atlantans are carjackers. The women i wrote about in the article were part of the sex trade; but nowhere do I argue or imply that they are the majority of the women in the city. Also, I made reference early in the article to the fact that black men are far from the only men involved in this activity. The angle of the article is that there has been an explosion in terms of the numbers of black men and that change is worthy of investigation.

If you still have questions or comments, feel free to email me. I can’t however guarantee that I’ll get the time to reply, but I’ll give it my best shot.

Independent Audio/Video You Should Check Out (Second In A Long-Running Series)

Let’s pull out the Red, Black And Green for the latest from FreeMix Radio:

VOXUNION MEDIA

September 7, 2006

Congresswoman Cynthia McKinney (D-GA) convened two panels today. The first was a look at “The New Counter Intelligence Program (COINTELPRO) at which activist/comedian Dick Gregory gave the closing remarks. This panel was hosted by Jason Parker (jasonparkertv.com). Click here to download and listen. Visit voxunion.com for the stream option and much more. The second panel was “Hip-Hop Power Shop” and included a performance by Head-Roc and Noyeek the Grizzly Bear plus remarks from Lisa Fager (IndustryEars.com), Asheru (Asheru.com), Jared Ball (voxunion.com) and Reverend Lennox Yearwood (HiphopCaucus.org) among others. Click each name above to hear that corresponding audio and/or visit voxunion.com for download/streaming option and more.

VOXUNION MEDIA

August/September 2006

As we round out our tribute to Black August we offer three more interviews with that in mind:

1) Dre Oba of The Shield magazine welcomed us in his office for a discussion of his journalistic work, the state of hip-hop politics and the media. Click here to download and visit voxunion.com for more, including the web stream version of the interview.

2) Blitz, the Ghana-born Brooklyn emcee, stopped by and gave us this great interview. Click here to download this enlightening discussion of hip-hop, pan-Africanism, the music industry and more, plus peep his skills on the mic. Another can’t-miss interview with a can’t-miss emcee. Click here to download or visit voxunion.com for more, including the web stream version

3) Dr. Scot Brown joined us by phone for a discussion of his book Fighting for US: Maulana Karenga, The US Organization, and Black Cultural Nationalism. With few historical studies of this organization and particular aspect of the continuing Black/African America struggle this interview is the perfect compliment to our support of Black August. From US to hip-hop, we got it all right here. Click here to download or visit voxunion.com for more, including the web stream version.

 

VOXUNION MEDIA

September 2006

FreeMix Radio: The Original Mixtape Radio Show FM6

Special Black August: George Jackson Tribute

CLICK HERE TO DOWNLOAD and visit VOXUNION.COM for more, plus the web stream version

This edition is dedicated to the memory of George Jackson. In this mix hear artists, activists, family, loved-ones and comrades read excerpts from Jackson’s works plus great music from Head-Roc, Asheru, Lil Wayne, Wise Intelligent, Wu Tang Clan, Blitz, Hasan Salaam and more…

NOTE: This is the web version. The actual mixtapes are now hitting the streets. To assure that among those streets getting FreeMix are yours, feel free to contact us to arrange mass shipments being sent to you for distribution.

Thank you.

CLICK HERE TO DOWNLOAD PDF OF LINER NOTES AND THANK YOUS!

———————————–

Jared A. Ball, Ph.D.

Mixtape Journalist

FreeMix Radio & Voxunion Media

voxunion.com

(866) 206-9069 x5413

Words, Beats and Life

wblinc.org

X-Man Storm's Wedding And Coming Of Age

Ran to the comicstore Wednesday, as per geek ritual. (I won’t do a shameful plug for Liberty Books And Comics [formerly Closet of Comics] in College Park, Md., because that would be rude. :)) Had to pick up the last issue of the Storm miniseries and the current issue of Black Panther, No. 18. The former is written by novelist Eric Jerome Dickey and the latter by BET Entertainment President Reginald Hudlin.

Both Marvel books are helmed by writers who have loved comics their whole lives but are “new” voices invading the cloistered world of a small group of mostly 30-year-old to 50-year-old white male scribes who write for, as the public perception goes, 20-year-old to 40-year-old mostly white male geeks. If Central Casting holds true, both groups are guys who are stereotypically just two or three steps away from Comic Book Guy of “The Simpsons” fame—at least in their own minds. 🙂 (I can’t even watch “The Simpsons” because I AM CBG. :)) Both brothers are doing something relatively new for comics—presenting strong Afrocentric perspectives for mainstream (read: white) and new (read: young and “urban”) audiences.

These two books are the most prominent Black comics that have existed since, well, the previous volume of the Black Panther, written by grandmaster (comicbook) writer Christopher J. Priest, was cancelled. For those of us who miss Milestone Comics, these two books and that great “Static Shock” cartoon, currently in reruns on Cartoon Network, are the best of what’s left of that Black Power vibe.

I was, and remain, a huge fan of Priest’s very smartly written, post-modern, layered version of Black Panther. It took me a LONG time to get used to Hudlin’s pop-culture version, particularly when Hudlin chose to substantially re-create the character’s 40-year-old history, jettisoning or changing whatever he didn’t like. Those of us fanboys who liked the previous portrayals, seeing all of it as, say, different chapters of a REALLY long novel without an end, have had to get used to, well, essentially a new character with a “new” backstory. Before Hudlin came along, King T’Challa had been written by Priest, and Don McGregor before him, as if he was a character worthy of joining the African mythological canon—a distant, brooding, hard-to-understand warrior-king. Now he gives brothers a pound and smiles sometimes in between kicking the asses of ninjas and vampires. “Lord of The African Rings” morphing into “Rush Hour 2” With Superheroes. I REALLY LIKE “Rush Hour 2,” but still……

Dickey’s dialogue was often uneven, but his story of Ororo’s journey into womanhood was a feast of plot. The author attempted real (if not overly repetitive) symbolism through overly repetitive refrains. This is my first reading of any of Dickey’s work. He clearly takes his craft seriously and cares about Storm more than, say, Bryan Singer did.

Hudlin’s first nine BP issues ranged from bad to terrible, but he has really hit his stride with his last two storyarcs, “Two The Hard Way” (re-named “Black Mutha” in trade) and “Bride Of The Panther.”

This month’s issue—with Storm marrying T’Challa, solidifying a love affair that began in Dickey’s miniseries—ended the latter arc.

I like the view of one poster on the Black Panther Message Board (where I use the tag “takufan4”) about Hudlin’s Panther—that Hudlin, a filmmaker by trade, is doing an adaptation of the character, using its 40-year history only on a selected basis.

Anyway, the wedding issue was, like Hudlin’s other issues of late, (only) pretty good. The idea of having Bast—“The Panther God”—sanctify the wedding was a GREAT one, although the execution of it, like much of this series, left a little to be desired.

Any nitpicking to the side, both Dickey and Hudlin have ELEVATED regal, powerful, loving and introspective African and African-American fictional characters to their proper place in the realm of American comicbooks. For just doing that well, both brothers deserve great credit. They should both share a full page in the history of early 21st century African-American popular culture.