Doctor Who: Four Knocks, And 10 Becomes 11

And now, this:

The tearjerker point of “The End of Time” for me was Rose telling him it was time for him to go—before she ever met him! Allons-y, indeed! Yes, the two-parter suffered from the usual Russell T. Davies over-the-topness. Really, the whole story was just filling time for the last 20 minutes. And what a 20 minutes it was! Saying goodbye to characters I have known for five years now was/is/will not be easy. Yes, in years to come there will be dozens of novels, audio stories, etc., but it won’t be the same.

I can’t put into words how much I will miss David Tennant in this role. I’m glad he left, though; he will be a big Hollywood star soon, and he has to get out of the TARDIS to do that.

I will watch Matt Smith one day, but not today and not tomorrow. I will miss my soon-to-be cancelled subscription to Doctor Who Magazine. I will miss Rose, Martha, Donna (easily the best companion of the new series, and possibly one of the best ever) et. al. I will miss buying all of those Doctor Who comics starrting Ten(nant). And I will miss spending those weekends sneaking onto youtube to illegally watch my alltime favorite show of the last decade. No, Doctor and Donna, “I didn’t want to go,” either. *SNIFF* 😦

The Mouse In Charge Of The House (Of Ideas)

disneymarvel2-21

Okay, now that I’m over the shock, I can say that it won’t be too bad. Disney gets some hit movies for tween boys, while Marvel gets access to a broadcast television network and a major motion picture studio. The House That Stan and Jack and Steve Built will now be a major player. Okay, I’m over it now. Here’s some more details.

SEPTEMBER 10th UPDATE: And here’s Time Warner/DC’s response.

(The Return Of) Blue-Collar Journalists

redfern

I’m not ashamed to admit that, as a kid in the mid-80s, I wanted to be Rick Redfern when I grew up. I still do. But in 2008, of course, he got laid off and had to re-invent himself as a blogger.

Meanwhile, Barbara Ehrenreich told the truth to today’s J-grads. The profession was always considered a trade, anyway. It was elevated into a profession sans license thanks to Woodward, Bernstein and the springing up of local and national television and radio newscasts. Now the vocation has become a real public utility (as in, members of the public, at best, being useful to each other), separated from “job” and “career,” and the old world ain’t coming back.

Black press veterans worked like this from the beginning. I was whining a few years back once to my friend and mentor Judy Dothard Simmons (now an ancestor) about how limited the (paid) Black (national newspaper and magazine) journalistic opportunities were (for me), and, as usual, she corrected me to the quick: “When you came along [late 1980s-early 1990s], working for a national Black(ish) magazine became a full-time job,” explaining to me how new that was. (1990-ish Newsstand Freelancer Roll Call: Black Enterprise, Vibe, The Source, Honey, Shade, Blaze, Black Elegance, The Crisis, Rappages, Emerge, Class, YSB [Young Sisters and Brothers], Heart and Soul, Code, Black Issues Book Review, Upscale, and on and on.) And now, as I see, like Simmons (and, eventually, all of us) how very temporary all of it is.

A Dignified Goodbye

Michael Jackson by Rolling Stone Magazine: Magazine Cover

 

Very dignified. Almost too reserved, frankly. (My mom disagreed; she thought it was an example of perfect pitch.) The comments from Berry Gordy and the Rev. Al Sharpton set the proper context. And Brooke Shields and Usher…..wow, I hope they’re being comforted. Missed Mariah Carey and Trey Lorenz’s opener, but I’m sure she nailed it. As Marlon, one of his brothers, said, “Maybe now, Michael, they will leave you alone.”

The wait by the mailbox for Rolling Stone now begins……..Vibe could have redeemed itself here, had it not died with him….. *SIGH* 😦

[JULY 10th UPDATE: And I found these two radio programs essential.]

Transformer (III of III)

ST/Auction

Here’s something I helped get published back in 1994. My friend and mentors’ comments here are not only still relevant, but do a good job of explaining Mike’s role.

MICHAEL JACKSON: VICTIM OF MEDIA MONEY MACHINE I

By Vicky Gholson, Ph.D.

When we find ourselves having produced one of the most
powerful and influential entertainment history leaders, it
is ironic we render ourselves silent in the face of
assault—not the assault of an industry, but the assault of
the mere idea that a man of African descent can be a master
of Black images and obtain massive wealth in the process.

Michael Jackson is a smokescreen in a continuous media
machine to reduce our image to the distortion normally
displayed by the news media. Michael has taken the Black
image and given it the dignity and prominence it had not
seen in years. (Forget about his current skin color:
Remember the African images in the “Remember The Time”
video, which was released during Black History Month?
Remember the multicultural focus and rage expressed in the
“Black or White” video?)

People have been mesmerized by the soap opera of
non-information. What is at fault is an industry created for
the development of mediocre talent, at best. What has not
been called into question—with the notable exception of the
Los Angeles chapter of the NAACP—is the lack of
journalistic responsibility in transmitting, for the most
part, tales of gossip.

Too often we forget that the aim of the mass media is to
influence public opinion. On the 6 o’clock news, we witness
a daily bloodletting of those of African descent being
sacrificed to maintain the image of purity.

michael-jackson-people-cover

The artist is involved in creative processes which fosters
independent thought and action. He or she is feared by those
who have no command of those processes.

Within Corporate America, the self-esteem, humanistic spirit
and aspirations of African-Americans are being controlled,
suppressed and altered every day. Too often, Black workers’
earnings are used as a barometer for others who are rewarded
when they surpass it.

With this in mind, the media assault against Michael Jackson
has created money to be spent, new personalities to be
quoted, and increases in audiences for tabloid TV shows and
rags that would not normally be doing this well in an
unstable economy. (I am reminded of the photographers that
nearly crushed the Jackson women while trying to get a shot
of the men during a 1984 “Victory Tour” press conference in
New York City.)

Why is it that these accusations have mostly been carried in
news pages, but when Jackson receives a standing ovation at
the recent NAACP Image Awards, it’s just a small item in the
entertainment sections?

Isn’t there a historical pattern of using Blacks to react to
a depressed economy? These accusations could have come years ago; so why have they come now, in the wake of urban
rebellions, the downsizing of Corporate America and the
general lackluster of today’s media events?

The problem is between those who control the creative
process and those who control the money. The latter would
rather destroy the former than co-exist.

MICHAEL JACKSON: VICTIM OF MEDIA MONEY MACHINE II

Jealousy is behind the Michael Jackson media assault.

Adults have removed a figure that has supplied three
generations of children with rhyme, lyric and image to cope
with the cynicism of adulthood. The children are the
victims, the psychological casualties of this mass media war
for power and of greed.

michael-jackson-the-wiz

For an entire industry to react so singularly, so
irresponsibly, is frightening. Why? It was knowing the power
and enormous wealth of a 35-year-old man. Many are working
overtime to figure out how to tie up his money or get as
much of it as possible. This is particularly true of those
who not only have no clue to how the creative process works,
but openly resent those who obtain such power. Those who
can’t put the King in check knock all of the pieces off the
table.

However, we have a clue on the level of a mother’s
anguish—Katherine Jackson’s anguish—of watching her child
absorb such negative energy.

It is an indictment of the mass media that they have not
interviewed the mothers of every child who allegedly had a
negative interaction with Michael Jackson.

Where are the adults in this crisis? Where were they during
these alleged incidents? Why aren’t ALL the adults
undergoing the same media character assassination as is
Michael Jackson? If something did happen, then ALL the
adults are responsible.

If Michael Jackson is guilty of anything, it’s of not listening
to his one sincere guide—his mother, Katherine. She has
demonstrated the strength of the African mother. She has to,
because no entertainment family has had to endure the public
assault hers have.

It’s time for the African village to become loud, demanding
and supportive of our cultural contributors. We must never
be allowed to look back and see that we participated, by
omission, in the destruction of one of our greatest cultural
diplomats just because the media saw nothing happening of
note recently in Buckingham Palace!

As for Michael Jackson, he must purge those who are disloyal
to him in order to avoid a repeat of this situation.

 

He must also take his creative energy and channel it into
his art. It will only lead to his greatest work.

His creativity will lead to his healing. In the struggle,
any warrior must focus on his or her strengths. His or her
relationship to the village is to absorb, share and inspire.

This process ensures victory.

Copyright 1994, 2009 by Vicky Gholson, Ph.D.

VICKY GHOLSON, PH.D. is a media specialist with more than 30 years experience in all aspects of mass media.  Her email is vfre2bme@yahoo.com.