Needed: $50 (Or More) Donations To Put Black Panther Party Historic Films On DVD

Just got this email from Black documentary filmmaker St. Clair Bourne:

ROZ PAYNE ARCHIVES
Presents
THE BLACK PANTHER LIBRARY
3 Newsreel Films on the Black Panther Party

plus
A Massive Quantity of Rare and Exclusive material of
Exceptional Quality

————-

This is a large Box set of 4 disks each with 340 minutes.

The editing has been done.

I am looking for total donations of $4,000 to help pay for the color and sound correction and the making of the menu. The work will be done shortly. There are 12 hours of moving images and audio plus an extensive amount of photos and pdf’s . Following is a list of the chapters in the DVD.
Everyone who donates $50.00 or more will receive a copy of the DVD.
All donations made out to Green Valley Media are tax deductable.
Please mail donations to me.
Roz Payne
PO Box 164
Richmond, Vermont 005477
http://www.newsreel.us
roznews@aol.com
802 434 3172

Chapters of DVD

Newsreel Films
1) Off The Pigs [13:00]
2) Mayday [13:00]
3) Repression [13:00]

Newsreel Interviews (Newreel members talking about making the films,
working with the panthers and Newsreel)
5) The Falk Family [NY and Boston Newsreel)
6) Cindy Fitzpatrick [LA newsreel distributer]
7) Dozie and Gay [SF and NY Newsreel]
8 ) Gail Dolgin [ NY and SF Newsreel ]
9) Marilyn Buck [SF newsreel(filmed in Prison)]
10) Roz Payne (with John and Jane) { Founding members NY Newsreel and
Vermont NR distribution}
11) Excerpts from the Wheelock Academic conference on the Black Panthers
12) Young Lords [ Audio Only]
13) Huey and Gay Liberation [ Audio Only]
14) Ahmed Rahman [ Audio Only]
15) Wheelock Conversation: an extended conversation between Academics, Panthers, and Academic Panthers about a multitude of issues including violence and self-defense, specific local chapters, and historiography
16) Roz’s paper on Agent WAC, case agent who opened the original files on the BPP, and ensuing conversation

Excerpts from the BPP 35th Reunion
13) Reunion intro
14) Althea
15) Jericho Prison Movement
16) Jericho Table
17) Kathleen on East-West split and Cointelpro
18) Louisiana Woman 2: New Orleans shoot-out at Panther HQ
19) Orange shirt: effect of split on lower echelon and panther
inprisonment
20) Bigman [Audio Only]
21) Bob Boyle: cointelpro[Audio Only]
22) Bob Boyle 2: cointelpro
23) Akua Njeri: widow of Fred Hampton describes assassination
24) Gail Shaw: Panther Clinic and support work
25) Louisiana Woman [ Audio Only]
26) Philly Chapter [ Audio Only]
27) Reparations [ Audio Only]
28) Safiya Bukhari: Prisoners [ Audio Only]
29) Bobby Seale [ short shot then Audio Only]
30) Kathleen Cleaver Dinner: the Panthers 35 Years Reunion

Movement Lawyers tell stories about BPP legal cases
31) Liz Fink, includes discussion of Martin Sostre, Attica, and
winning Dhoruba bin Wahad’s freedom
32) Bob Boyle: Dhoruba and Panther prisoners
33) Bob Bloom: Panther 21 and Geronimo
34) Jessie Berman: BLA and other legal cases
35) Beverly Axelrod: Movement Lawyer: Got Cleaver out of jail,
Panthers, Soul on Ice and Aim
36) Jerry Lefcourt Panther 21

The FBI Special Agents
37) FBI agent Westley A. Swearingin: testified in court to get
release of 350,000 FBI documents on Panthers in the case of Dhoruba bin
Wahad. One of the only interviews he has given
38) Special FBI Agent WAC: Original Case Agent on the BPP, opened case
on the BPP, wrote THE semi-monthly reports with special sections
including racist and sexist gossip. This is the only interview that
FBI agent

DC and Marty Kenner
39) Donald Cox: Original Field Marshall, in charge of military
training, now in exile in france, wanted on charges in the US.
40) A cup of Coffee with Marty Kenner: Huey confidante and chief
Panther fundraiser

Additional Scanned Material:
Roz’s Photos
Other photographs (including Steven Shames and David Fenton)
FBI Cartoons (Cointelpro defamation of Panthers)
Best of FBI Docs
WAC’s Report to church committee
BPP Newspaper excerpts
Movement Papers (leaflets, posters, small press, other propaganda
excerpts)

Donations will also be made to Books Behind Bars and Human Rights Reasearch Fund to assist prisoners in small ways such as small commisary .
Roz Payne’s Archive
http://www.newsreel.us
Located Email Address: roznews@aol.com
802 434 3172
PO Box 164
Richmond, Vermont 05477

Kalamu's Extraordinary First-Person Journalism

Kalamu ya Salaam is a New Orleans poet. He is a Katrina survivor who returned home to continue to teach and write. He runs e-drum, a Black arts listserv. His oral history project featuring Katrina survivors makes sure voices marginalized by the soon-to-be-former mainstream get heard.

Since Katrina rocked Black America a year ago, I have been completely floored by his first-person journalism about his life and the lives of those devastated by the Gulf Coast disaster.

Here is one of his Katrina reports, reprinted here in its entirety. No other words from me are needed.

Spirits in the Dark
By Kalamu ya Salaam
Post-Katrina New Orleans

Nobody missed a beat. No pause. No exasperated sighs. No moans of “awwww, mannn,” or groans of “shucksssssss.” Just a quiet, steady continuance as we sat in semi-darkness reading our work and receiving feedback. Our ages range from fifteen to fifty-nine. Our stories, like our lives, are distinct in their details but essentially we are all battling to hold on to our sanity. Chris laughs his hearty laugh as recent college-grad Ashley deftly uses somewhat humorous descriptions to explore the hardships of an extended family dealing with death and aids. Eighteen-year-old Dominique tells us why she’s no longer a youthful teenager. I read my latest Big Easy report that focuses on a close friend whom was thrown in jail. A power failure is the least of our worries. Blackouts happen frequently now, not just in the so-called devastated areas but all over town. Last week Harold and I were eating at his apartment and in the middle of a mouthful of well-seasoned fried catfish from Manchu’s, the lights flickered off. People who don’t know us often mistake Harold for my older brother, or me for a son Harold had when he was much younger. People who do know us, understand that we might as well be brothers, recognizing that I treat Harold with a filial respect accorded to no one else. Post-Katrina is particularly hard on our elders and Harold, born in 1931, has to make a decision: stay or go.

Medical care is spotty—all physicians Harold trusted are gone. Most of Harold’s immediate family lives in California; the few who were here evacuated to Texas and have decided not to return. Harold remains because all the work he wants to complete before his transition is here but he doesn’t know how much longer he can hold on.

He is stubborn, yes, but not stupid. He’s been weakened by a stroke that left him with a pronounced limp and a partially disabled right arm. Then there is the onset of glaucoma. But what worries Harold most is the deterioration of our city.

Recently our weekly conversations have returned time and again to his dilemma: should he be sensible and leave or be determined and stay.I think he should go. I want him to stay. So, I listen without taking sides. If he needs or wants something, I try to help out. What else can I do?

Last week he had a taste for catfish. Before Katrina, copping some catfish would have been a snap, but now, there are not many neighborhood restaurants open, plus the pickings are mighty slim when it comes to black-owned establishments. We decide on take out from a hole-in-the-wall, Vietnamese run, Chinese/Soul-food joint.

In the midst of a thunderstorm, we eat and talk in the dark. I try my best to joke: hey man, if we was Indians we could get a candle and sit down and sew. But we’re not Indians, there’s nothing for us two old men to do in the dark except sleep, especially considering we have just hardily eaten our fill.

When the lights came back on, I rose from the couch, checked on Harold (he was sleeping soundly in his bedroom), slipped out the door and intended to head uptown for my nightly session with my friend Doug. I have accepted the task of ensuring Doug takes his nightly medication. That’s no small feat. Like all of us Doug needs encouragement, lots of encouragement.

At first I thought it was just a little standing water outside the back door, and then I thought maybe this part of the parking lot is low, but finally I got the message as I peered myopically at a newly filled, foot-deep wading pool that less than two hours ago was dry asphalt.

I had on loafers. I tried tip-toeing. That didn’t work.

I splashed over to the fence where I had parked. The water was way past ankle deep on the driver’s side but maybe only four or five inches on the passenger side. Once in the passenger seat of the small Corolla I had to manage the task of hoisting my big-ass body across the console with the shift sticking up and maneuver into the driver’s bucket-seat. After a minute or two of twisting and turning, I finally slumped in place.

I felt horrible. My feet were wet. It was still raining. I called Carol, explaining that I was wet and miserable. She advised me to go home and she would let Doug know.

Two of the city’s largest pumps are burnt up. Katrina flooded them with salt water and the massive engines were not cleaned before this summer’s first big rain in June. One-point-five inches of water later, the pumps broke down. Now, every time it drizzles there’s standing water everywhere because the pumps are functioning only around half-capacity.

I’m sure people are tired of hearing about our problems. Looks like every other day we’ve got another shortcoming or some other service falling apart. I know I’m tired of it. Nevertheless, I would prefer to be fighting frustration in New Orleans than kicking back somewhere else.

In the unlighted classroom our circle of Students at the Center staff and students are reading off of donated laptops, the screens highlight our faces but not the rest of our bodies. Our heads seemingly float unattached. We probably look like a in one of those cheesy horror movies where self-deluded crazies sit around a table, hold hands and try to contact the other world.

We carry on like the dark wasn’t nothing. And it isn’t. Or rather that’s all it is: nothing. Darkness is simply the absence of light. The old folks were right: rather than waste time cursing our conditions, it’s better to illuminate the way forward by letting our spirit lights shine. That’s why instead of crying, we are sitting here laughing with each other.

X-Man Storm's Wedding And Coming Of Age

Ran to the comicstore Wednesday, as per geek ritual. (I won’t do a shameful plug for Liberty Books And Comics [formerly Closet of Comics] in College Park, Md., because that would be rude. :)) Had to pick up the last issue of the Storm miniseries and the current issue of Black PantherNo. 18. The former is written by novelist Eric Jerome Dickey and the latter by BET Entertainment President Reginald Hudlin.

Both Marvel books are helmed by writers who have loved comics their whole lives but are “new” voices invading the cloistered world of a small group of mostly 30-year-old to 50-year-old white male scribes who write for, as the public perception goes, 20-year-old to 40-year-old mostly white male geeks. If Central Casting holds true, both groups are guys who are stereotypically just two or three steps away from Comic Book Guy of “The Simpsons” fame—at least in their own minds. 🙂 (I can’t even watch “The Simpsons” because I AM CBG. :)) Both brothers are doing something relatively new for comics—presenting strong Afrocentric perspectives for mainstream (read: white) and new (read: young and “urban”) audiences.

These two books are the most prominent Black comics that have existed since, well, the previous volume of the Black Panther, written by grandmaster (comicbook) writer Christopher J. Priest, was cancelled. For those of us who miss Milestone Comics, these two books and that great “Static Shock” cartoon, currently in reruns on Cartoon Network, are the best of what’s left of that Black Power vibe.

I was, and remain, a huge fan of Priest’s very smartly written, post-modern, layered version of Black Panther. It took me a LONG time to get used to Hudlin’s pop-culture version, particularly when Hudlin chose to substantially re-create the character’s 40-year-old history, jettisoning or changing whatever he didn’t like. Those of us fanboys who liked the previous portrayals, seeing all of it as, say, different chapters of a REALLY long novel without an end, have had to get used to, well, essentially a new character with a “new” backstory. Before Hudlin came along, King T’Challa had been written by Priest, and Don McGregor before him, as if he was a character worthy of joining the African mythological canon—a distant, brooding, hard-to-understand warrior-king. Now he gives brothers a pound and smiles sometimes in between kicking the asses of ninjas and vampires. “Lord of The African Rings” morphing into “Rush Hour 2” With Superheroes. I REALLY LIKE “Rush Hour 2,” but still……

Dickey’s dialogue was often uneven, but his story of Ororo’s journey into womanhood was a feast of plot. The author attempted real (if not overly repetitive) symbolism through overly repetitive refrains. This is my first reading of any of Dickey’s work. He clearly takes his craft seriously and cares about Storm more than, say, Bryan Singer did.

Hudlin’s first nine BP issues ranged from bad to terrible, but he has really hit his stride with his last two storyarcs, “Two The Hard Way” (re-named “Black Mutha” in trade) and “Bride Of The Panther.”

This month’s issue—with Storm marrying T’Challa, solidifying a love affair that began in Dickey’s miniseries—ended the latter arc.

I like the view of one poster on the Black Panther Message Board (where I use the tag “takufan4”) about Hudlin’s Panther—that Hudlin, a filmmaker by trade, is doing an adaptation of the character, using its 40-year history only on a selected basis.

Anyway, the wedding issue was, like Hudlin’s other issues of late, (only) pretty good. The idea of having Bast—“The Panther God”—sanctify the wedding was a GREAT one, although the execution of it, like much of this series, left a little to be desired.

Any nitpicking to the side, both Dickey and Hudlin have ELEVATED regal, powerful, loving and introspective African and African-American fictional characters to their proper place in the realm of American comicbooks. For just doing that well, both brothers deserve great credit. They should both share a full page in the history of early 21st century African-American popular culture.

"Eyes" Forward, Albeit Somewhat Blinded

So I read the small blurb in The Crisis magazine the other day that “Eyes On The Prize” will return to Public Tee Vee this fall. I was elated, until I read the (original?) Boston Globe story.

Excerpted out of order from Catherine Foster’s May 26, 2006 Globe account:

The clearance rights for the astounding amount of material, which had originally been negotiated to be used for varying periods of time by Blackside, gradually expired.

It took four or five years to raise $915,000 for research, rights clearance, and post-production costs, said Sandra Forman, Blackside attorney and director of the “Eyes on the Prize” Renewal Project.

So Blackside had indeed raised the $900,000 or so ( the total cost of any five Diddy parties, right?) for broadcast rights, but not the rights to allow the series to be sold again on DVD.

*SIGH*

Oh, yeah, and I gotta point out that:

The first six hours took 10 years to fund and produce.

I have the greatest respect for our ancestor Henry Hampton and the fact that he used up half his life to create Black documentaries and get them on American screens. It must be said, however, that “Eyes On The Prize” is a racially, politically and ideologically conservative, PBS- and Ford Foundation-approved version of the Civil Rights and Black Power movements. I’ve always seen it as akin to a documentary series on the Jewish Holocaust that was partially produced and (under)written by a modern-day unified German government. “Eyes I,” from 1987, shows a part of the Black Freedom Movement as something called the Civil Rights Movement—a time, according to “Eyes,” in which small groups of whites and Blacks lovingly came together to nonviolently expand American democracy.

However, its national airing—particularly “Eyes II”‘s 1990 debut, showing the Black Panther Party and Attica to a generation (read: me :)) who had never seen anything like that level of resistance—was one of the biggest mistakes this system ever made. Back then. When many of us we were wearing African medallions and trying to read books on our history and culture. When Mandela released himself from a South African prison. When Spike Lee was still angry and BET still had its first newscast and its first version of “Teen Summit,” and when those shows were followed in subsequent years by SEVERAL talk programs/newsmagazines (“For Black Men Only,” “Screen Scene,” “Conservations with Ed Gordon,” “The Color Of Money”) . I’m just sayin’. 🙂

The tragedy of “Eyes” is that Black resistance against a system of oppression is somehow never seen. But I guess we can’t expect foundations created from the spoils of white supremacy, capitalism and patriarchy to actually pay to show that to our lil’ chillins, can we? Those innocent tykes might actually start to ask some questions about their society………. 🙂 Or even worse, ask questions about what WE have done, or not done, to further this Movement.

Time to get out the DVD recorders before the screen blacks out again.

BET To Air African Historical Animated Series

As a cartoon geek, a tangential student of African history and soon-to-be student of African mythology, I couldn’t be happier about this news :):

Click here for the story

LOS ANGELES – Vin Diesel will take on the Roman Empire in a new BET Networks cartoon series about military leader Hannibal.
Diesel will voice the noted general, and his One Race Prods. company is producing the show, titled Hannibal the Conqueror.

The half-hour series will span the life of Hannibal, from his tutelage as a warrior under his father, Hamilcar Barca, to his scaling of the Alps with an army of elephants, and his invasion of Italy.

Diesel, who also is in development on a feature film centering on Hannibal, called the series “groundbreaking.”

“I knew that BET would be the perfect place to launch an animated series that celebrates an African mythology and a general that is probably the most notorious general of all time,” Diesel said. “It’s a story that resonates with everyone–it truly is a celebration of a general who is able to bring everyone together with the common cause to essentially fight for freedom.”

The network has ordered six episodes, and is planning to air it in a primetime slot in fall 2007.

“This isn’t a Saturday morning show–we want to be able to show a lot more of the drama and action that you expect to see in primetime,” BET senior vp animation Denys Cowan said.

I thought my action cartoon-fiending days were over when Cartoon Network’s “Justice League Unlimited” ended this spring. Ancient history told properly from an African-centered mythological perspective…..it’s about damn time! Now, if BET Enterainment President Reginald Hudlin can only get a cartoon about Marvel Comics’ Black Panther green-lit, we’re in business! It shouldn’t be too hard for him to be the liaison, since he writes the character for the monthly comic.

I Said I Was Not Going To Be A Blogger……..

…..but when Saswat asked me to think about this, I couldn’t resist.

Hello. I’m Todd Steven Burroughs, your host. This blog will do what blogs do: give you a running thread of my public (sub)conscious. So that means lots of talk about Black media, superhero comicbooks, Black superheroes, superhero movies and superhero cartoons, Doctor Who (old and new), Star Trek, and whatever else crosses my info-addled mind that consistently demands release.