
I can’t believe I’ve had this blog for a whole year. It’s been great to have this public, creative outlet for my subconscious. Thanks again, Saswat!

I can’t believe I’ve had this blog for a whole year. It’s been great to have this public, creative outlet for my subconscious. Thanks again, Saswat!

Asante Sana, Charles Tisdale. May the guardians of the Realm Of The Ancestors greet and salute you.

After posting, I got the following from Kalamu.
Charles Tisdale:
Newspaper and Community Man
by C. Liegh McInnis
Owner, publisher, and editor of The Jackson Advocate, Charles Tisdale has made his transition to the other side. Besides being an excellent newspaper man, Tisdale’s thirty-year legacy is two-fold. One, he used The Jackson Advocate to provide a voice to African Americans when they were poorly represented in the mainstream media. Two, he provided opportunity for most of the African American journalists in the Jackson Metro area to be published. Although my background is creative writing, my first publication was an article in The Jackson Advocate about the legislative changes in drug rehabilitation programs. Former Mississippi Link editor and journalist Nikki Burns and I used to discuss all the time that at one point most of the African American writers working at The Clarion Ledger got their starts under Tisdale.
Despite his desire to create a competitive paper, Tisdale remained steadfast to the notion that for The Jackson Advocate to be vital it must remain a community paper. For instance, no matter what many of us went on to do, he always treated us like we worked for The Advocate. Once, Tisdale and many of us were at some rally for some cause, and several of us were lingering after the event. As I was leaving the event, Tisdale, barely acknowledging my presence, stated to me, “Have me an article about this by 5:00 p.m. tomorrow.” To which my response was, “Yes, sir.” By the way, I missed the deadline, but Tisdale was able to get it in the paper somehow. In fact, one of my goals as a writer was to rise to the level of Dr Jerry W. Ward and Dr. Ivory Paul Phillips who always have a column reserved in The Advocate. To me, that is what it meant to be a real writer—to be so accomplished that you can always publish somewhere. Yet without Tisdale, Afro-Mississippi writers would not have this goal because Tisdale made sure that the paper survived bombings,attacks from other media outlets, and a lack of advertising and subscriptions. With pocket change and a prayer, Tisdale kept The Jackson Advocate alive so that the voice of the Afro-Mississippian would remain alive in all of its forms.
A complex man, Tisdale was not afraid of controversy. He called it like he saw it even if he was the only person who saw it that way. In his many editorials, Tisdale not only challenged whites whom he felt were hurting the black community, he had no problem challenging and chastising blacks, especially black elected officials whom he often placed in the Brown Society [Tisdale using his newspaper to expose Blacks to public ridicule]. Once when my father was placed in the Brown Society because he and Tisdale disagreed on a decision that my father made as Executive Director of the Hinds County Democratic Party, my father replied, “Well, at least he told me that I was going to be in the Brown Society over lunch.” For the entire time my father was in the Brown Society, Tisdale continued to publish various articles by me as well as have lunch from time to time with my father. At his core, Tisdale was about the discourse, the discussion, the verbal/written debate. He was an idea man who understood the importance of African Americans being able to voice their ideas, be exposed to other ideas, and make sovereign decisions about the types of ideas that governed and framed their lives. We will miss his fire, his dedication, and his leadership for he made so many of our dreams into reality while making sure that we were represented equally and fairly.
C. Liegh McInnis is an author of seven books and a former publisher/editor of Black Magnolias Literary Journal. He can be contacted at Psychedelic Literature, 203 Lynn Lane, Clinton, MS 39056, (601) 925-1281, psychedeliclit@bellsouth.net.
I was pleasantly surprised to see that Tavis kept his “product” consistent. Compared to C-SPAN, CNN, et. al., last night’s forum seemed like it occurred in an alternate Black (albeit “mainstream”) universe.
The questioners showed why journalism experience still matters. I learned a lot about the condition of Black and Brown people in America from those questions. And I loved Cornel West’s quip about the journos in today’s “Journal-isms.” 🙂
The format left a lot to be desired, but it worked for those who knew how to make it work.
I get annoyed with Tavis sometimes, but not today. Lead on, homie, and let’s see what happens at Morgan this fall.
JULY 1 UPDATE: Tavis did well on “Meet The Press” today. Being invited to be on that political roundtable is proof that the nation’s elite has now officially recognized you.
JULY 5 UPDATE: This criticism of the event is well-thought out and needs to be read and debated. It echoes many of my own problems with Tavis’ events. I think the difference is I’ve accepted what Tavis’ self-defined role as an agent of “Black hegemony.” Until Black leaders decide to put some real money behind the creation of a Black mass media structure, there we are, then. The folks I saw in the Howard crowd—a large number of them nationally known African-American notables, leaders, etc.—were happy with Tavis’ show. And I have learned the hard way not to be angrier than my people, particularly my “leaders.”
 
………………that there has been more diversity in the Presidential candidate pool than in the pool of panel journos. 🙂 Until tonight. The panel of journalists is comprised of two African-Americans and a Latino.
Let’s see how tonight’s forum goes.


I have kept with me a yellowed Black newspaper clipping from September 11, 1989. I thought that today, the day Internet radio is conducting its “Day of Silence” protest, would be a good day to share extended excerpts of it.
————
‘Guerrilla Radio’:
Underground radio station operator uses ‘sneak attacks’ to educate community
By James Muhammad
Assistant Editor, The Final Call
SPRINGFIELD, Ill.–WTRA, “guerilla radio,” broadcasts from behind the wall.
“They say they put up the wall to protect the residents from the speeding traffic,” said Dewayne Readus, the voice and operator of the low-watt AM station, “but you notice they didn’t put sidewalks in for our children.
“The wall helps them in their control of us. They don’t want anything positive to come out of the Black community because that will disprove the myth…. that we’re dumb,” he said.
WTRA’s message comes out from the John Jay Homes housing project carried by weak radio waves but charged with the crusading spirit of its mastermind operator. The project sits in the shadow of the domed capitol building, behind the wall that blocks the blighted project from the casual glance of the speeding motorists making their way downtown.
Operating out of one of the apartments, Readus, a 30-year-old legally blind resident, is determined to educate and politicize his community, although local police attempted to silence his “Voice of the people,” as WTRA is called.
Until recently, Readus regularly operated the station from an upstairs room in his sister’s apartment. The station covered a radius of one-and-a-half miles, just enough to reach the housing unit[s…….
“When we talked about] the Urban League and the NAACP, we were alright,” said the independent contractor, “but when we started talking about police brutality, that’s when they came to shut us down.”
Readus’ controversial music and talk format had already attracted the ire of the city’s Black leadership whom he consistently criticized. He caught the attention of the police when he aired a tape recording made at the hospital bedside of a 52-year-old boxing coach who was severely beaten by security guards at a local department store.
Will Gray, an inspector with the Federal Communications Commission (FCC), visited Readus after he aired coverage of a hostage incident where the police cordoned off a Black neighborhood after a man took his girlfriend and her sister hostage.
[………H]e was fined $750, which Readus has vowed not to pay until he has his day in court.
“We are saying we have a right to access the airwaves,” Readus said. “The very fact that we can’t communicate with each other is a form of genocide.”
A frequent target of Readus’ commentary, Alderman Frank McNeil, said the station provided important information to the community and a viewpoint not offered by the “run-of-the-mill” media. “But he attacked every Black person in a leadership position who didn’t agree with his position. He never allowed opposing points of view to be aired,” McNeil opined.
Today Readus operates what he calls “guerilla radio,” a “sneak attack” approach to getting his message out at varying times during the week.
“They haven’t made their move because they don’t know how to go about doing what they want to do,” Readus said, defiantly. “Ultimately, they probably just want to get rid of me. That’s their history.”
Even McNeil agreed that the relationship between Black people and the police is “very tense.”
Police Chief Mike Walton said he contacted the FCC only after he received complaints about vulgarity used on the station. He also described Readus as a “man with a small following who causes more trouble than he helps.”
However large or small Readus’ following may be, he has had an impact on the city and his community.
“He let kids and parents know what was going on in the world,” said Emmanuel Morehead, 17, who said he often listened to the station.
“I would like to see his station bigger so he can reach the broader community,” said Bill Robinson, 42. “But he’s got to make his program where people will come to him with information. He’s got to open up more.”
Readus said he welcomes the threat of arrest so WTRA’s struggle can be an example to others. The station also served as a training ground for young boys and girls interested in radio, he said.
“Somebody tell the children how WTRA served as an advocate for the people when the police wouldn’t police themselves,” Readus proclaimed. “Somebody tell the young people how we fought police brutality by broadcasting the personal testimonies of African-American victims.”
Copyright 1989, 2007 by The Final Call Newspaper Co.
It’s been 21 years since this song and this artist took over my mind, body and soul.
I remember telling people at the time that my goal was to bear HER child! LOL!
What made me think about her today? I was joking with a friend of mine about Spike Lee’s cameo in this video:
While watching it, I see today how well Spike blended social and cultural history, parody and even time travel.
Wow. The Power of Black Art. Food for thought.

The 8-year-old (or so) I was with Friday night loved it. And my 9:15 p.m. Silver Spring showing looked sold out. When my friend Raoul Dennis asked for my verdict right after it was over, I said, “Well, it’s better the first, but what is that really saying?” We both laughed.
This is the reality of “Fantastic Four: Rise Of The Silver Surfer.” Believe it or not, no mistakes were made the first time around, because all Tim Story did was make a better version of the first film. And I can’t be too mad at the brother; if my film made $300 million worldwide, would I really change that much?
That said, it IS better and worth seeing—even if you are a die-hard fan. At least the F.F. acted like the scientists/explorers they are in cartoons and comics. At least there were more scenes with Alicia Masters (and both her banter with Johnny Storm, and his conversations with and about her, were GREAT).
And Ol’ Chrome-Dome was on point. Visually, very much the character who blew my mind as a kid.

I’m excited about the Silver Surfer spin-off that’s in development. I hope in that film Galactus will be portrayed more traditionally. The storm thing DID work for “Rise,” though. As one poster said on “The Fantastic Four Message Board“: “While seeing Galactus looked cool back in my younger days I think we have all become a bit more sophisticated and I don’t think a big guy setting up some equipment on the the rooftop of a NYC skyscraper would have been better than the ominous looking Galactic Storm that threatens to consume the planet. Perhaps one day the original trilogy can be done by a top flight outfit like Pixar because I think he would look more plausible in that type of film.”
Blah, blah, blah. 🙂 None of this—including the weird (read: too fake) look that Jessica Alba’s very blond wig and too-blue contacts generated, the critics-reinforced opinion that many, MANY scenes could have been better acted—really matters. Silly Rabbit; Tricks Are For Kids. As I explained to a colleague on Friday before seeing the film: “I’m stuck. I’ve LOVED these characters since I was 10 years old.”
So with the Surfer risen, The Cosmic Quartet gains another group of 8-year-olds as a fan base, while the 10-year-old in me waits to join the next batch on line Opening Day for “FF3” in 2009. Not EXACTLY a lose-lose. 🙂

I’m biased, but AJR—the winner of an Mirror Award for Overall Excellence from Syracuse University’s S.I. Newhouse School of Public Communications—can be a very good magazine when it wants to be. It’s a solid resource for its targeted audience—the small group of white men (and some white women) who guide American mainstream journalism. It’s important to point out, however, that the percentage of white females who write for it, and/or help manage it, has traditionally been VERY strong.