"But First, This is PROMOTION On NBC"

“Today” was clearly one for hyprocisy. As usual during the first half-hour, my favorite morning program found a way to promote at least one of its shows on NBC, MSNBC or CNBC. This time, after hawking “Meet The Press” this Sunday (see below post), pretend outrage abounded about Ann Coulter’s latest on-air statement.

Interviewed on his sister network’s morning show, CNBC’s Donny Deutsch talked about how the media keep wanting to talk about her, and that’s why she won’t go away. Right. Thanks for that insight, Donny. Gee, that’s a real “Big Idea” there. He must have a good show. 🙂

“Today” LOVES having Coulter on, and will do so again. Ah, the smell of money being made so early in the morning……… 🙂

Thinking 'Bout August In October

Been thinking a lot about Our Ancestor August Wilson since I heard this on NPR. He made the choice I would make. No question.

I’d love to attain at least one-tenth of his courage. As 40 approaches like a Mack Truck in slow motion, with me unable to get out of the way 🙂 , I’m thinking of new mountains to climb. I get the feeling I should start here.

Wilson’s journey reminded me of my other inspirations. Once apon a time, I was 24 and freshly moved to Maryland. Exhausted trying to get my Master’s while simultaneously trying to keep my print journalism skills sharp, I used to spend weekends in bed, absorbing a collection of masterpieces from the genius of my Newark, N.J. hometown.

(I notice that Wilson listed Baraka and Bearden as influences. I’m glad we share those two.)

Okay, so Wilson started on the Century Cycle while in his early 30s. He finished “Radio Golf,” the last one, at 59. He died two years ago, a few months after his 60th birthday. And Baraka’s what, 73 this month? (Happy Birthday, Sir!) So, at 39, I got time.  🙂

Easy Come………..

 

………..and so goes Syndication One.

Nice idea. But next time, if you want to make Baisden money, then hire a Baisden! LOL!

Meanwhile, Black America is still gonna need a Black news-talk radio network, particularly during the election. Any takers?

(HEARS CRICKETS CHIRP 😉 ) 

I thought not. No one has any McDonald’s money—for Black information, at least. Meanwhile, look at the total of annual Black spending.

And, as we process allathat, here’s something to check out.

OCTOBER 9th UPDATE: Sharpton may be staying. More on this as the facts come out.

OCTOBER 11 UPDATE: Richard Prince just sent me this. Okay, so Sharpton stays and the Stews go—along with any other talk.

————

For Immediate Release
Thursday, October 11, 2007

Contact Information
Maiya Hollie
Communications Manager
REACH Media Inc.
(972) 371-5851
maiya.hollie@reachmediainc.com

RICKEY SMILEY AND YOLANDA ADAMS FIRST OF NEW TALENT ADDED TO SYNDICATION ONE’S RADIO LINEUP

Radio One’s Syndication Network Announces Programming Expansion

(Black PR Wire)LANHAM, MD– October 11, 2007 – Syndication One announced today that it plans to expand its programming beginning with two feature weekday morning shows which include Rickey Smiley and Yolanda Adams.

Syndication One, a joint relationship between Radio One, Inc. and REACH Media Inc., has made programming changes in an effort to extend its lineup to include established talent that complement music based programming, as well as FM radio stations.

“The Al Sharpton Show, Keeping It Real,” which has proven to be a popular draw on weekdays addressing news and talk issues, will continue with Syndication One. Current radio shows, “The 2 Live Stews” and “The Warren Ballentine Show,” will end their run with Syndication One in December.

“We’re excited to be bringing additional creative and entertaining programming to the urban radio market place,” stated Alfred Liggins, President and CEO of Radio One. “Rickey Smiley and Yolanda Adams are proven talent that can be a morning show cornerstone for key stations.”

Popular comedian Rickey Smiley, who has already established rating success on Dallas’s KBFB 97.9 The Beat, a Radio One, Inc. station, has generated a number of inquiries that have prompted syndication opportunities. “The Rickey Smiley Morning Show” has already been added on WHHL-FM in St. Louis and WFXA-FM in Augusta.

Grammy award winning gospel artist Yolanda Adams has developed an inviting morning show with a mix of praise and inspiration launched on Houston’s KROI Praise 92.1 FM. “The Yolanda Adams Show” is syndicated to twelve markets, including Praise 97.5 WPZE-FM in Atlanta, 94.1 WXEZ-FM in Norfolk and Praise 103.9 WPPZ-FM in Philadelphia.

About Syndication One

Syndication One is a joint relationship between Radio One Inc. and REACH Media Inc. and is designed to develop African American targeted programming. Over the past year, the programming has been at the center of the nation’s hottest issues engaging all viewpoints.

Syndication One currently features “The Al Sharpton Show,” “The Rickey Smiley Morning Show,” and “The Yolanda Adams Show.” REACH Media Inc. is the authorized sales representative firm for each of the radio shows.

Radio One, Inc. (http://www.radio-one.com) is the nation’s seventh largest radio broadcasting company (based on 2006 net broadcast revenue) and the largest radio broadcasting company that primarily targets African American and urban listeners.

Pro forma for recently announced transactions, Radio One owns and/or operates 55 radio stations located in 18 urban markets in the United States. Additionally, Radio One owns Magazine One, Inc. (d/b/a Giant Magazine) (http://www.giantmag.com), interests in TV One, LLC (http://www.tvoneonline.com), a cable/satellite network programming primarily to African Americans and REACH Media, Inc. (http://www.blackamericaweb.com), owner of The Tom Joyner Morning Show and other businesses associated with Tom Joyner. Radio One also operates the only nationwide African American news/talk network on free radio and programs “XM 169 The POWER,” an African-American news/talk channel, on XM Satellite Radio.

REACH Media Inc., founded by radio and television personality, philanthropist and entrepreneur Tom Joyner, is a multimedia company formed in January 2003. As the parent company of The Tom Joyner Morning Show, The Tom Joyner Show in television syndication, BlackAmericaWeb.com, The Tom Joyner Foundation and Tom Joyner signature events, REACH Media targets African Americans through radio, television, signature events and the internet. The Tom Joyner Morning Show is aired in more than 115 markets throughout the United States, reaching more than 8 million listeners every week.

BlackAmericaWeb.com, which has more than 1.3 million registered members, is a virtual town square for visitors to get daily news, learn about issues affecting the black community and listen to the Morning Show online.

For more information about the shows or to set up interviews with the hosts, contact Maiya Hollie, 972.371.5851, maiya.hollie@reachmediainc.com. Companies interested in obtaining any of the shows for broadcast should contact Melody Talkington, vice president, affiliate relations for REACH Media Inc., 972.371.5845,
melody.talkington@reachmediainc.com.

What?!? No More Kids' WB!?!?

And then, in 2008, there was none. Damn. Money really does talk, and talk well, huh? DAMN! What happened to subsidizing your BRANDS? Oh, that’s right; the network is the CW now. Boy, am I naive! LOL! 🙂

Clearly, after 16 years of geek bliss, it’s finally time to leave the house on Saturday mornings. 🙂 I will always have great memories of the Great Animated Superhero Cartoon Commercial Television Era of 1992 (the year “Batman: TAS” premiered on Fox Kids on weekday afternoons) to 2008. “X-Men,” “Spider-Man: TAS,” “Phantom 2040” , “Gargolyes” and “Superman: TAS” followed on Fox Kids, Kids WB! or in weekdaily or weekend first-run syndication (not counting UPN Kids, ’cause it just showed repeats of the other network shows), all to great acclaim from fanboys (read: me 🙂 ).

And on and on, “Fantastic Four: TAS,” “Iron Man: TAS,” “Silver Surfer: TAS” (my all-time favorite) “The Avengers: TAS,” and more, as the ’90s turned into ’00s. Up through “The Batman” (a show I only tolerated until it began to take itself seriously, writing-wise, at the start of its fourth season) and “Legion of Super Heroes.”

With Fox Kids and Kids’ WB! gone, at 39 I really can’t make the audience investment anymore, following the remaining cartoons to cable or wherever. *SIGH* At least there are now a lot of (directto-) DVD animated films from which to choose.

Time to take those Saturday art classes—sculpture? painting?— I keep claiming I want. And perhaps I should start pulling out my “How-To-Write-A-Screenplay” books and my African myth anthologies……..

Book Review: "Sentences: The Life Of M.F. Grimm"

SENTENCES: The Life of MF Grimm
By Percy Carey and Ronald Wimberly
Vertigo Books/DC Comics
$19.99, ISBN: 978-1-4012-1046-5

He was thisclose to getting out of The Life for good before the bullets came for his spine. But Percy Carey himself makes it hard to feel sorry for him before and after he was paralyzed from the waist down. Carey grew up in the ‘Hood before it became glamorized in 1990s song and film, and rolled with it simultaneously on his own and its terms. So he simultaneously produced hiphop and pain, strife and glory, street legend status and a criminal record.

So goes “Sentences,” the story of MF Grimm, a.k.a. “The Grimm Reaper,” and his battles using guns on the New York City streets and using words onstage as a rapper with serious potential undercut by tragedy. Carey’s first-person account, published in graphic novel form by DC Comics’ Vertigo imprint, is awash with paradox: shootouts in the afternoon and MC battles that same night; the boring monotony of drug dealing, and the most powerful love mixed in with the most violent hate.

This kind of nonfiction genre’s usual suspects show up—anger, the informant, jail life, redemption, realization, determination. Along the way, the reader gets a bi-coastal idea of how hiphop formed from the days of Run-DMC’s label-approved party jams through MF Doom’s independent moves. Carey was clearly a player: he met Chuck D, once shared a stage with KRS-One, assisted several Death Row Record artists (including Snoop Dogg), and even once interviewed Nas for “Right On!” magazine. As Grimm himself doesn’t fail to point out, he got shot before Corporate Music America learned to pimp that as a marketing move.

Carey relays his tale with a stark power that would make Ernest Hemingway pause and Donald Goines smile. Unfortunately, the wheelchair-bound hiphop artist has no profound thoughts to deliver, only the typical I-couldn’t-resist-the-lure-of-the-streets-so-don’t-let-this-happen-to-you lessons. His memories, regardless, are painful to re-live, even (and perhaps especially) in cartoon form, thanks to Ronald Wimberly. The artist’s superbly realistic but cartoony style, coupled with his brilliant uses of black space, almost produces sound—especially that of the revolving beauty and pain of the author’s personal journey into moral purgatory. Carey seeks to, and succeeds in, understanding his own demons, and he seems glad to be back to square one, ready to make new journeys out of his life.

"I Write What I Like"'s First Two Columns: "Why I Am Running" And "Open Letter To Black Radio"

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Why I Am Running For The Green Party Presidential Nomination

WASHINGTON—My name is Jared Ball. I’m a Navy veteran of Desert Shield and Desert Storm. I’m also a Black man living in Washington, D.C. Do I really want to be your President? No. But I am currently running for the Green Party’s presidential nomination.

Then why run for President? Well, I’m not running for simple symbolism. I don’t believe in that. But I do believe in a new style of politics, so I’ve decided to help create one.

I’m running because the true majority of women, the poor, Black, Latino and Indigenous people need organization, a place to cohere. I’ve chosen the Green Party because its structure is loose enough for those groups to find that kind of liberated space.

It’s time to find that space and claim it. Next year we’ll be commemorating 40 years of the assassination of Martin Luther King Jr.—and the wholesale abandonment of his radical politics in favor of corporate-sponsored dreaming.

A little personal history is appropriate here. I joined the D.C. Statehood/Green Party several years ago specifically because it fought for the District of Columbia to become a state. The party’s freedom from corporate dominance, its commitment to social justice, the redistribution of society’s wealth, and its call for diversity within its ranks made it different. And so I stayed, and fought.

Do I believe in the vote? Yes—depending on how you use it. It’s an organizing vehicle, not an action designed to fulfill fantasies.

We’re not targeting Democrats, Republicans or others to “steal” votes. We’re not engaged in an effort to upset one or another major party candidacy, since we don’t see either as being able to legitimately represent the needs of the true majority.

I have always believed that it’s time to build a genuine populist party—one built on the proper politics of those who, like Kwame Ture (nee Stokely Carmichael) once made clear, are no longer willing to accept the lesser of evil because “we will not vote for evil, period.”

So my campaign is not expecting to “win” the Presidency next year. Instead, we’re expecting to help build a party to build a new community, society and world.

To do that, we’re trying to make it funky. We’re focusing on the culture of the most oppressed—Blacks, Latinos and Indigenous—to make the case to them that it’s time to use the voting booth to build a real movement. My man Head-Roc, one of the most critically acclaimed hiphop artists in the Mid-Atlantic, is onboard. We are perpetually on tour with a brash, powerful and unorthodox campaign. We want the Green Party to gain tens of millions of eligible but dormant voters. Our radical approach matches the radical tone of the Green Party.

Your party and politics are here. Let’s add some Red and Black to the Green! For more information on my campaign, visit voxunion.com. You’ll see video of my initial statement of candidacy, along with campaign updates and contacts.

As Fred Hampton said long ago: “To you I say peace, if you are willing to fight for it.” So let’s fight and win together.

Copyright 2007 by Jared A. Ball, Ph.D.

Dr. Jared Ball, a candidate for the Green Party’s Presidential nomination, is an assistant professor of Communication Studies at Morgan State University. He is also an independent journalist. He is a host on WPFW 89.3 FM, the Pacifica Network radio station in Washington, D.C., and the founder and creator of “FreeMix Radio: The Original Mixtape Radio Show,” a rap music mixtape committed to the practice of underground emancipatory journalism. He and his work can be found online at voxunion.com.

*******

An Open Letter To Michael Baisden, Steve Harvey And Black Radio

WASHINGTON—Dear Michael, Steve, And The Other National Black Radio Hosts:

I was exceedingly glad to hear that so many of you were so incensed about the attempted lynching of those Black boys in Jena, La., that you decided to go down there to broadcast, bringing folks with you to raise hell.

It was great that you/us/we scared them so bad the court rushed to overturn Mychal Bell’s trumped-up conviction before the Sept. 20 Black rhetorical beatdown. The shame of charging six Black teens with murder just because they kicked a white boy’s butt! And over a tree, yet! Strange fruit trying to drop in 2007.

But as I was filling with pride, I kept wondering how come I don’t hear from you when other issues pop up. What do I mean? Well, issues like:

* The cases of political prisoners such as Leonard Peltier and Mumia Abu-Jamal.

* The continuing expansion of the prison-industrial complex.

* How the so called “Wars Against Terrorism” in Iraq and Afghanistan are illegal as well as immoral.

* How President Bush, Vice President Cheney and the whole administration have repeatedly committed violations of the Constitution of the United States.

Nothing but love. But just sayin’.

Why put this on you, after you just made Black broadcast history?

Because Black radio had such a strong activist history in the last half of the last century. Its deejays were independent of the radio stations because they made their money elsewhere—as sock-hop emcees, etc. This financial freedom, coupled with the creative independence that came from directly representing the Black community, helped give many of them the courage to tell it like it was.

But nowadays, Black radio is, in reality, white conglomerate radio serving Black—uh, excuse me, I meant “urban”—customers. (For more on this, Google “Black Radio” and  BlackCommentator.com, then “Black Radio” and BlackAgendaReport.com.) All of you are paid very handsomely by your white syndicators. So there’s plenty of yucking it up and Baby Boomer oldies, with small doses of social observations interspersed in-between. But I notice it’s not the type of commentary that gets national advertisers like Wal-Mart and Dodge upset.

Even Black news-talk radio isn’t sacred anymore. Mark Thompson recently got his walking papers from “The Power,” Radio One’s XM Satellite Radio channel, and Bob Law was just ousted from WURD, Philadelphia’s only remaining Black radio news-talk. When Bob Law—the legitimately legendary host of American Urban Radio Network’s “Night Talk” for more than three decades—can’t keep a job in Black radio, there is something wrong with the system and the role too many of us are playing in it in 2007.

With Jena gone, we can’t just go back to business as usual now, can we? There’s an election coming up. More importantly, there’s the commemoration of the anniversary of the assassination of Martin Luther King.

King asked a year before he died: “How do we turn the ghettos into a vast school? How shall we make every street corner a forum, not a lounging place for trivial gossip and petty gambling, where life is wasted and human experience withers to trivial sensations?”

I think you could play a major role in answering King’s questions on the 40th anniversary of his death next April. You have the tech; do you have the will? I mean, I think we’ve all had enough of Michael Vick (and now O.J. II), right?

Let’s make Jena the beginning, not the end. Thank you for doing the right thing there. But we need more from you. A lot more.

Your Brother and Colleague,

Jared A. Ball, Producer/Host, “Jazz & Justice,” WPFW-FM, Washington, D.C. and Candidate, Green Party Presidential Nomination

Copyright 2007 by Jared A. Ball, Ph.D.

Dr. Jared Ball, a candidate for the Green Party’s Presidential nomination, is an assistant professor of Communication Studies at Morgan State University. He is also an independent journalist. He is a host on WPFW 89.3 FM, the Pacifica Network radio station in Washington, D.C., and the founder and creator of “FreeMix Radio: The Original Mixtape Radio Show,” a rap music mixtape committed to the practice of underground emancipatory journalism. He and his work can be found online at voxunion.com.

"I Write What I Like"

 iwritewhatilike11.jpg

 Full Disclosure: I’m a campaign volunteer.

P.O. Box 7423
Silver Spring, MD 20907

FOR IMMEDIATE RELEASE

For Further Information, Contact:

Todd Steven Burroughs
301-405-6653
toddpanther@hotmail.com


GREEN PARTY PRESIDENTIAL CANDIDATE LAUNCHES BLACK PRESS COLUMN
 

Op-Ed Essays Will Target Issues Of Concern To Black And Brown People

WASHINGTON—Jared Ball, a candidate for the Presidential nomination of the Green Party, announced this week he was launching a column in the nation’s Black newspapers.

The column is called “I Write What I Like.” The title is a tribute to slain South African Black activist Stephen Biko, who had his essay collection published in book form under that title. Biko was killed by white South African authorities 30 years ago this September.

“The column is not only my continuing tribute to Stephen Biko, but to all Black and Brown progressive and revolutionary journalistic writings,” explained Ball, a Washington, D.C.-based independent journalist and radio host. “I’m glad to join the historic tradition of Black press columnists that extend from Samuel E. Cornish and John Brown Russwurm, the publishers of Freedom’s Journal, the first Black newspaper, all the way to Drs. Manning Marable, Ron Walters and Ron Daniels today.”

“I Write What I Like” will be distributed periodically from the “Jared Ball For President” campaign. The campaign’s website is http://www.voxunion.com/jaredball/ .

About Dr. Jared Ball

Dr. Jared Ball is a candidate for the Green Party’s Presidential nomination. He is an assistant professor of Communication Studies at Morgan State University. He is also an independent journalist. He is the producer and host of “Jazz & Justice” on WPFW 89.3 FM, the Pacifica Network radio station in Washington, D.C., and the founder and creator of “FreeMix Radio: The Original Mixtape Radio Show,” a rap music mixtape committed to the practice of underground emancipatory journalism. He and his work can be found online at voxunion.com.

About The Green Party

The Green Party of the United States is a federation of state Green Parties.  Committed to environmentalism, non-violence, social justice and grassroots organizing, Greens are renewing democracy without the support of corporate donors.  Greens provide real solutions for real problems.  Whether the issue is universal health care, corporate globalization, alternative energy, election reform or decent, living wages for workers, Greens have the courage and independence necessary to take on the powerful corporate interests.