Congrats To……….

………Hazel Trice Edney, who has been elected president of the Capital Press Club. It has a great history.

Her old newspaper, The Richmond Free Press, wrote thusly in its June 7-June 9 edition:

Hazel Trice Edney, a former Richmond Free Press reporter, has donned a fresh journalism hat.

Ms. Edney, who now owns and operates a Washington-based wire service and teaches journalism classes at Howard University, is the new president of the Capital Press Club, the nation’s oldest Black journalism association.

The Louisa County native and Harvard University graduate was elected May 1 to lead the 300-member group for four years.

The club was founded in 1944 when Black and female reporters were barred from the National Press CLub and other white-controlled journalism organizations.

She is currently president and CEO of Trice Edney Communications and editor-in-chief of the Trice Edney News Wire, which she launched in November 2010.

Also a graduate of Virginia Commonwealth University, Ms. Edney began her reporting career with the now-defunct Richmond Afro-American. She was the first member of The Free Press news staff and mainly covered City Hall and the State Capitol after the paper began publication in 1992.

She left Richmond in 1998 aftger receiving a fellowship to Harvard University’s John F. Kennedy School of Government, where she earned a master’s degree.

Her career sicne has included stints as a legislative aide to now-deceased U.S. Sen. Edward Kennedy (D-Mass.) and as editor-in-chief of the news service of the National Newspaper Publishers Association.

Among her journalism honors, she was inducted into the Virginia Communications Hall of Fame in 2009 and last year received the New America Media Career Achievement Award.

Lauryn Hill: "Failure To Create A Non-Toxic, Non-Exploitative Environment Was Not An Option"

An extraordinary statement about media, society and the role of the artist.  In the tradition.

For the past several years, I have remained what others would consider underground.  I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda.  Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance.  I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm.  I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power.  These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.

I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity. So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it.  During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics.  Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright.  When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource.  It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.

During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it.  This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system.  It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it.  If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family.  Failure to create a non toxic, non exploitative environment was not an option.

As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by.  This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.

There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation.  In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!

When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’.  Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before.  Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego.  Ironically diminishing their own true hero-celebrity nature in the process.

It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else.  Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual.  I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking.  To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights!  These forms of expression, along with others, effectively comprise my free speech!  Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!

Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season!  I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns!  I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.

I conveyed all of this when questioned as to why I did not file taxes during this time period.  Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.

My intention has always been to get this situation rectified.  When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes.  This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.

As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done.  This is part of that process.  To those supporters who were told that I abandoned them, that is untrue.  I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.

Roll On, Mr. Rogers!

I love (present tense) Mr. Rogers, so I love this.

Senator Pastore: Alright, Rogers, you’ve got the floor.

Mr. Rogers: Senator Pastore, this is a philosophical statement and would take about ten minutes to read, so I’ll not do that. One of the first things that a child learns in a healthy family is trust, and I trust what you have said that you will read this. It’s very important to me. I care deeply about children.

Senator Pastore: Will it make you happy if you read it?

Mr. Rogers: I’d just like to talk about it, if it’s alright. My first children’s program was on WQED fifteen years ago, and its budget was $30. Now, with the help of the Sears-Roebuck Foundation and National Educational Television, as well as all of the affiliated stations — each station pays to show our program. It’s a unique kind of funding in educational television. With this help, now our program has a budget of $6000. It may sound like quite a difference, but $6000 pays for less than two minutes of cartoons. Two minutes of animated, what I sometimes say, bombardment. I’m very much concerned, as I know you are, about what’s being delivered to our children in this country. And I’ve worked in the field of child development for six years now, trying to understand the inner needs of children. We deal with such things as — as the inner drama of childhood. We don’t have to bop somebody over the head to…make drama on the screen. We deal with such things as getting a haircut, or the feelings about brothers and sisters, and the kind of anger that arises in simple family situations. And we speak to it constructively.

Senator Pastore: How long of a program is it?

Mr. Rogers: It’s a half hour every day. Most channels schedule it in the noontime as well as in the evening. WETA here has scheduled it in the late afternoon.

Senator Pastore: Could we get a copy of this so that we can see it? Maybe not today, but I’d like to see the program.

Mr. Rogers: I’d like very much for you to see it.

Senator Pastore: I’d like to see the program itself, or any one of them.

Mr. Rogers: We made a hundred programs for EEN, the Eastern Educational Network, and then when the money ran out, people in Boston and Pittsburgh and Chicago all came to the fore and said we’ve got to have more of this neighborhood expression of care. And this is what — This is what I give. I give an expression of care every day to each child, to help him realize that he is unique. I end the program by saying, “You’ve made this day a special day, by just your being you. There’s no person in the whole world like you, and I like you, just the way you are.” And I feel that if we in public television can only make it clear that feelings are mentionable and manageable, we will have done a great service for mental health. I think that it’s much more dramatic that two men could be working out their feelings of anger — much more dramatic than showing something of gunfire. I’m constantly concerned about what our children are seeing, and for 15 years I have tried in this country and Canada, to present what I feel is a meaningful expression of care.

Senator Pastore: Do you narrate it?

Mr. Rogers: I’m the host, yes. And I do all the puppets and I write all the music, and I write all the scripts —

Senator Pastore: Well, I’m supposed to be a pretty tough guy, and this is the first time I’ve had goose bumps for the last two days.

Mr. Rogers: Well, I’m grateful, not only for your goose bumps, but for your interest in — in our kind of communication. Could I tell you the words of one of the songs, which I feel is very important?

Senator Pastore: Yes.

Mr. Rogers: This has to do with that good feeling of control which I feel that children need to know is there. And it starts out, “What do you do with the mad that you feel?” And that first line came straight from a child. I work with children doing puppets in — in very personal communication with small groups:

What do you do with the mad that you feel? /When you feel so mad you could bite?
When the whole wide world seems oh so wrong/ And nothing you do seems very right.
What do you do? Do you punch a bag? Do you pound some clay or some dough?/ Do you round up friends for a game of tag or see how fast you go?
It’s great to be able to stop when you’ve planned the thing that’s wrong /And be able to do something else instead — and think this song —
“I can stop when I want to. Can stop when I wish. Can stop, stop, stop anytime….And what a good feeling to feel like this! And know that the feeling is really mine.”
Know that there’s something deep inside that helps us become what we can/ For a girl can be someday a lady, and a boy can be someday a man.

Senator Pastore: I think it’s wonderful. I think it’s wonderful. Looks like you just earned the 20 million dollars.